1. Big Bongin’ Baby Gutterball Pete is perhaps the only person currently alive who can vomit during the middle of a guitar solo and not fluff a single note. He’s a character – an amalgam of Nikki Sudden, Ronnie Wood and Peter Perrett in style and grace. The affectionately –named Bongers have played around town for over 25 years and like the Saints, failed the Academy of Music’s Battle of the Bands.
2. The Double – "Dawn of the Double" LP (In the Red ITR-295) Drummer Jim White and guitarist Emmett Kelly playing Bo Diddley for three quarters of an hour in E over two sides of an LP. This is probably too avant for the fans of rock ‘n’ roll and too in the pocket for the rockist set. I don’t think rockists know what that term even means but I’ll leave it in here anyway.
3. Kitchen’s Floor – "Battle of Brisbane" (bruit direct disques Br-d 19) Whether they’re blissfully unaware or overtly conscious of the fact they’re carrying this anger and sense of punk that goes back to Brisbane’s day one is probably pointless and not worth fretting about right now.
What's my Top Ten? Now, there's a question best reserved for someone young enough to still have a memory that lasts longer than a week. But as there is scant actual non-payola industry reference around, fuck it. I will try.
First off, I have had a number of recordings thrown at me this year as I rather often do a radio show co-host replacement thing (when one of the usual hosts is off doing what parallel universe shit they do.) This does not, however, make me any wiser or more influential than anyone else.
Some picks were not committed to Pro Tool hard drives this last year but took many, many months of work to do so, thence, they deserve some spotlight, but I subscribe to the Bob Short model of 'Do I have Ten?'. Maybe, maybe not. Being numerically dyslexic, I shall offer thoughts, not numbers:
Penny and her trademark Ikinger Pennycastor. Carbie Warbie photo
1. Kid Congo and The Pink Monkey Birds at The Caravan Club, Melbourne - Wow!!! What a band!!! It was like being given a music lesson!
2. Radio Birdman, Max Watts, Melbourne. A really diverse and powerful set of new and old classics.
3. James McCann and the New Vindictives - James McCann’s new band is truly awesome - punk meets well crafted songwriting with a good strong dose of youthful & invigorating mayhem. I have been guesting as vocalist and guitarist at their live shows singing a Spencer P. Jones song and another I co-wrote with James for their soon to be released album.
"Evolution" - Tamam Shud Damn, if this doesn’t rock I don’t know what does. Veterans from the beginning of time (well, birth of Australian surf-psychedelia) sound dirty and relevant at the same time. They deliver the goods live, too.
"Post Pop Depression" - Iggy Pop His best album since “New Values”. Big grooves and melodies with a sharp, Germanic essence, it’s proof that Iggy needs another talent to bounce off to deliver his best work.
"Lost Cities" - Ed Kuepper Ed’s been an underrated treasure since finding his solo feet in the late ‘80s. This adds to the considerable body of work. An album of great songs with understated intensity.
EAGULLS - “Ullages” LP (Partisan Records) Second album from these lads from Leeds. It’s bleak, it’s dark but you would expect that from a Leeds band. Think – The Cure, Cocteau Twins
THE GOON SAX - “Up To Anything” LP (Chapter Music) Brisbane kids. Pop music played as it should be. A familiar last name amongst the members. The apple doesn’t fall far from the tree. Think – The Go-Betweens, Beat Happening
DAVID BOWIE - “Black Star” LP (Columbia Records) The artist of our generation? I’d say so. He changed my perspective of music when I was young. His finest work since the 70’s. Respect. Think – David Bowie
2016 was a great year for new music in my view, from both new and established acts. I found it pretty difficult to whittle the list down to ten, but here goes.
1. deux furieuses - "Tracks of Wire" In a year dominated by abject misogyny and the rapid rise of idiocracy in the western world, Ros Cairney and Vas Antoniadou kicked against the pricks with a masterful collision of tribal drums, brutal guitar and razor-sharp feminist/humanist critique. The true heirs of Patti Smith's mantle.
2. Iggy Pop - "Post Pop Depression" Jim Osterberg and his notorious alter-ego finally coalesced on a brave, compelling album that sought resolution of the key themes of his life's work.
3. Ela Orleans- Circles of Upper and Lower Helll. Dark, trippy and completely absorbing, an album that mirrored the free-fall disorientation of 2016.
Garry Gray & The Sixth Circle: The former Sacred Cowboys frontman's "Diamond in the Forehead" was one of the stand out albums of the year. Great songs, big unhinged guitars, fantastic vocals and solid rhythm section behind it. You could be forgiven for thinking that their show at the Factory Floor would be sell out, but no. Barely 50 people witnessed one of the gigs of the year. Supports Leadfinger were fabulous (they always are) and the Chickenstones put on the best show I've seen from them.
Leadfinger’s "Friday Night Heroes": Stew and the boys were back with their fifth and best to date album in "Friday Night Heroes". Great songs for grown ups, plus two excellent guitarists and a top notch rhythm section. The album was backed up with some fantastic shows. Probably Sydney's best rock band at the moment and it makes me wonder what things would have been like in another era when people actually bought and went out to see this stuff. One of the albums of the year.
Jim Dickson’s "Coelum Verses": The year's most unexpected debut? Yep. This is not what I would have expected from the New Christs and Birdman bassist. It took a few listens before I really got into and then the penny dropped – one man's journey through a life of listening to and playing music. Anyone who's had a beer with Jim knows that he has an encyclopaedic knowledge of music and is a hell of a nice guy too. After each listen, this record was becoming less surprising and more enjoyable. Great songs, great band, great production. Can we have a live show please Jim?
Iggy Pop’s "Post Pop Depression": Over the last 25 years or so, Iggy's records have been patchy at best. This one was recorded with a small band with production responsibilities handed over to Josh Homme. Stripped back, tight and brooding, it looks backwards and forwards. It's the sum of where he's been and may be where he intends to go. For mine, his best since the Berlin albums he did with Bowie. Compelling. Iggy's not done yet.
￼1) Died Pretty at Factory Theatre, Sydney Astounding, amazing, Ron Peno sounding great and enjoying himself. What am I saying? The whole band sounded great.
2) Died Pretty at Factory Theatre for Spencer Jones Benefit Not content with being brilliant just once, they came back and proved it wasn’t a fluke, a pretty (!) tough trick, given the more relaxed vibe of the evening and the fact they were playing a short set.
3) Los Chicos - Marrickville Bowling Club I’d never seen nor heard them but trusted the raves of folks with good taste and went along! What a night! So much fun. Notable Celibate/New Christ/Leadfinger/Birdman guests joining in all star renditions of MC5 and Flamin’ Groovies classics..let alone the quality of the originals.
1. FRIDAY NIGHT HEROES - LEADFINGER LAUNCH AT THE FACTORY FLOOR, SYDNEY Wollongong’s finest, led by Stew Cunningham, blitzed the Factory Floor in Sydney launching their album "Friday Night Heroes", my favourite Australian release of the year. Dillon Hicks, Reggie Screen and Mick Boyle certainly brought their A game in front of an augmented line-up that included Carrie Phiilis on BVs, Doug Hazell on sax and Andy Newman on keys. I could have sworn it was the E Street Band at one stage. Extra points for covering Warren Zevon’s “Lawyers, Guns and Money”.