If Footmen Tire You - The Bloody Hollies (Alive Naturalsound)

bloodyholliesjpgIf one of those great, booze-soaked rock and roll weekends like Garage Shock or the Las Vegas Shakedown were still a going concern (correct me if I'm wrong and one of them still is ) the Bloody Hollies would have been one of those bands that came in unheralded, blew everyone away and sold a ton at the merch table. And anyone who picked this album up would have been plenty satisfied 'cos it's 30 minutes of fire-breathin' punk fury.

Cultured pop-rock from an unlikely place

cult figuresDeritend – Cult Figures (Gare Du Nord Records)

If pressed to name a heartland for rocking hard pop you don’t normally nominate Birmingham. Call it the loudmouthed opinion of an Aussie who blew in once to drink some warm pints, but its Industrial Revolution décor and shitty weather makes it more of a Black Sabbath kinda place.

Of course the West Midlands of England has pumped out its share of pop (Duran Duran, anyone?) but, musically speaking,  if you’d heard of Cult Figures you wouldn’t put them be among that crew.  (Fun Fact: Roger Taylor drummed for them for one show.)

Thee Minks deliver that killer Philly garage sound

right now baby coverRight Now Baby – Thee Minks (self released)

Philadelphia is a place that’s always punched above its weight. Bill Haley, Todd Rundgren, Hall and Oates (yikes) and Pink are among musical offspring of the City of Brotherly Love. And for the fourth year in a row, Philly has more homicides than New York City, a place four times its size, and currently ranks second on the USA per capita Murder League Table.

So here’s a recommendation if you’re a fan of rough ‘n’ ready, no bullshit garage rock and roll: Look up Thee Minks. Hook into this album like there’s no next week. Go to their Bandcamp and plonk down your credit card number or Paypal handle. Do it right now, baby.  Thank you. You’ve been a great audience. I’ll grab my hat and coat.

Complete Hell ain't a bad place to be

Hell Destiny Street CompleteDestiny Street Complete – Richard Hell and the Voidoids (Omnivore)

Reports that “Destiny Street” had been re-recorded and was being pressed on vinyl in 2004 were alarming. The late Robert Quine was five years gone and his wired, highly-strung guitar-playing was an essential and revered element of just about anything the Voidoids did. This was surely an act of madness, if not sacrilege.

Its prime creator, Richard Hell, had never been happy with “Destiny Street”, the 1982 follow-up to “Blank Generation” that was recorded in troubled circumstances. Hell was debilitated by a drug habit and absent for much of the sessions. His penchant for intravenous coke to counter his reliance on smack had left him fried and unable to leave his apartment for long periods of time. His attempt to make his mark while largely AWOL was to summon up guitar overdub after overdub.

Voodoo Rhythm reprises Roy and the Devil's Motorcycle's noisy birth

good morning bluesGood Morning Blues – Roy and the Devil’s Motorcycle (Voodoo Rhythm)
 
In case you never noticed, this place often celebrates the weird and non-conformist end of the rock and roll spectrum, and it doesn’t come much stranger than Swiss band Roy and the Devil’s Motorcycle.

Resident on the Voodoo Rhythm label (“Music to Ruin Any Party”) since it first released this, their debut 10-inch mini-album, back in 1996, its mix of bass-less, guitar distort-skronk and megaphonic vocals sounded fucked up then and sounds fucked up today.

It’s worth adding context: “Good Morning Blues” was unleashed on a world full of techno and the Real Rock and Roll landscape was a wasteland. Major labels still roamed what a musical Jurassic Park, looking for underground bands from which they could extract blood and turn into mainstream melange. A dead dog’s scrotum had more chance of being signed than Roy and the Devil’s Motorcycle.

Don't adjust your TV. Normal programming will not be resumed soon

lockdown hoiidayLockdown Holiday – TV Smith (Easy Action)

Write about the things you know, the critics say. And when songwriters do, they run the risk of being taken down in a hail of journalistic bullets for crimes like inauthenticity, awkwardness or bandwagon jumping.

There’s no risk of TV Smith suffering that fate with his latest album, “Lockdown Holiday”, a stark and compelling take on his own experience with the dreaded COVID clusterfuck.

The ex-Adverts punk is still standing after 50 lives dates were cancelled - a fate shared by many in these fucked-up times. - but his own experience was enlivened, somewhat, by him and his partner being mowed down by The Plague.  following close contact with an infected roadhouse patron in the early stages of the pandemic.

Chow down on some 12-bar bile

complaintsComplaints – Gravel Samwidge (Swashbuckling Hobo)

Remember in the 1990s when rock and roll was still vaguely dangerous and one of the eternal sources of fascination was seeing which underground act would be the next for the evil major labels to sink their fangs into and attempt to “cross them over” into the mainstream?

It was a grim game of Russian Roulette where you knew that whichever band succumbed was at short odds to either end up on a scrapheap with the creative life sucked out of its bones, or limp on as a cashed-up and pale shadow of its former self. 

A deckfull of Black diamonds

if this is the hand im dealtIf This Is The Hand I’m Dealt – Peter Black (Cool Bananas)
I’m Gonna Cheat As Much As I Can - Peter Black (Cool Bananas)

At first blush it’s D-U-M-B-everyone’s-accusing-me for an artist to release his sixth and seventh albums simultaneously. Flooding the market breaks a fundamental rule in the mythical music industry marketing manual about (a.) controlling supply to build demand and (b.) maximising the impact of “product”.

But Peter Black is the guy who, in 2016, set himself the challenge of recording a year’s worth of music and releasing one track a day, and you know that convention is for squares.

Go shopping and get Even

down the shops smDown The Shops – Even (Cheersquad Records and Tapes)

Even’s newest release, “Down The Shops” is a collection of covers recorded and released between 1996 and 2019.

Many appeared on Even‘s CD and vinyl singles and others are better known from tribute albums. The songs are a mixture of studio recordings and live performances.

While the selection of songs points to obvious influences- Kinks, Beatles, Yardbirds, Master’s Apprentices - it also encompasses less obvious sources such as the MC5 and the Sex Pistols.

Live album is a fitting testament to Les Thugs

les thugs parisLive Paris 1999 – Les Thugs (Nineteen Something)

The first overseas signing for soon-to-be famous label Sub Pop, championed by Jello Biafra and Greg Shaw, and one of the few French bands to tour relentlessly around the USA, Les Thugs deserved to be more than a blip on the world’s music radar. 

You could go broke collecting the back catalogue of Les Thugs. It’s all out of print and the rarest of it fetches biggish money on eBay. The band lasted from 1983-99 and bounced around on various labels. This album is their 10th and  documents a show on their farewell tour of their homeland.

The sound of Les Thugs – named for the 12th Century Indian brotherhood of the ThuggeeThuggee who used to kill the rich for their money, not your standard bovver boys - is a few steps removed from their punk rock beginnings when they were formed, DIY-style, by brothers Eric and Christophe Sourice. It’s dense and intense, two guitars with enveloping harmonics and textured bass-lines.

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