Once more with feeling

extract from the fungusExtract From the Fungus - Celibate Rifles (self released)

Consider it a last will and testament. Eleven songs, cobbled together from restored quarter-inch tape or cassettes, all but one track previously unreleased. It’s music written by other people, which isn’t a detraction ‘cos the Rifles always had the best covers. These are remnants of recording sessions from 1984 right up until a few years ago, but they’re much more than throwaways. 

The Celibate Rifles have a special place in the hearts and minds of most who saw them. A bunch of suburban Sydney boys fronted by a worldly and older larrikin, they began more brazen than cool. Before long, they fitted in with the exploding Australian underground of the ‘80s and ‘90s better than many critics realised. 

One plague you need to catch

we are the plague cvrWe Are The Plague - Suzie Stapleton (Negative Prophet)

Suzie Stapleton is a lifer: a singer songwriter guitar, violin and piano player and a rare breed of musician. She is the complete package. From the angular arrangement of melodies to the blues that float around her head, music is a 24/7 occupation..

Originally from Sydney, this artist knew that Melbourne was where she needed to be to develop her craft and skills by playing solo, and with all sorts of musicians, both live and in the studio. She became highly respected in that town.

I first saw her at the Prince of Wales in Melbourne with a cellist accompanying her, and Suzie completely claimed the room as her own. Even the most ardent St Kilda, beer-in-hand, rock pigs were blown away Two EPs were released and licensed in Europe, where word soon spread about her atmospheric vocal, guitar playing and original and dark arrangements.

Hot Anglesea Night

anglesea 1981Anglesea 1981 - Little Murders (Off The Hip)

It’s a snapshot. Not grainy - this is from a well balanced desk tape - but captured with no attempt to airbrush the minor imperfections. Which adds to the charm.

If you don’t know Melbourne’s mod-pop kings Little Murders your life is incomplete. They were two years into their stop-start career and “Anglesea 1981” captures one of the early line-ups on a New Year’s Eve night in a crammed pub on the Victorian Surf Coast. There’s a fair sprinkling of what you should recognise as classics, plus some spirited covers.

Archival cache of Paul Collins hits the spot

another world paul collins beatAnother World (The Best of The Archives) - Paul Collins & The Beat (Alive Natural Sound)

Paul Collins must be a hoarder. Probably a bit of OCD in there too, if you’ll excuse the long-distance and unqualified psychoanalysis. It goes with the pop songwriter turf. And this collection of previously unreleased recordings attests to it.

These songs are from Collins' sock drawer and they go all the way back to 1980. Don't let the demo quality of some of them deter you. There's more than the occasional fleck of gold among the 18 tunes. In fact, it's a rich vein. For example, "Hey DJ" outstrips the previously released version - by a long way.

Plastic fantastic

twisted plastic section Twisted - Plastic Section (Outtaspace)

Two salient points need to be made:

If you're going to tap a source, go back to the original.

And there ain’t nothing plastic about this Melbourne trio's sound.

Think Flat Duo Jets, the early White Stripes, Link Wray & The Raymen and BBQ to name a few. While you're at it, you can throw in that catch-all descriptor "Crampsian". In a big way...

Thirty years late, Lovergrinder births an album

lovegrinderLovegrinder The Album – Lovegrinder (self released)

There’s a popular theory - perpetuated by a few fans of Junkie Rock from Australia’s southern state's capital city – that the so-called salad days of Sydney underground rock and roll were a farrago based on an overdose of second-rate Radio Birdman copyists. 

Call it a typically defensive Sydney response but while the "Detroit" handle became a tag of convenience, most of the Harbour City’s bands of the 1980s/early ‘90s had tenuous musical links to the Birdmen. There was a handful of short-lived clones, but for the vast majority it was the energy and undeniable fuck-you-we’ll-do-what-we-want attitude of the Radios that were the hand-me-downs, and not their unique, impossible to replicate mutated musical mix.

Which brings us to Lovegrinder, yet another in the long line of Sydney bands that never progressed higher than the lower support rungs of the very crowded local live scene ladder. Not that there’s any great shame in that. For many, headlining the Tivoli or Selina’s wasn’t the goal because they had no interest in being on the rosters of the omnipotent Dirty Pool, Nuclear or Harbour booking agencies. Playing music was more about knocking around with their mates, consuming beers (or something illicit) and having a good time.

These streets are paved with dirt

rough and tumbleRough And Tumble - The Dirty Streets (Alive Naturalsound)

They might not realise it but Califonian label Alive Naturalsound have cornered the market in hirsute bands playing psych-laced, Southern fried boogie rock with a dash of soul. The Dirty Streets might be the label's archetypal flag-fliers.

They lack the massive guitar jam excesses of Radio Moscow, the rustic dryness of the early Black Keys or the home-grown stoner full-tilt boogie strut of Left Lane Cruiser (all of them label mates, past or present) but The Dirty Streets share the same zipcode.

Hot chicks and big riffs

the dirty denimsReady Steady Go - The Dirty Denims (Ghost Highway Recordings)

Hello Barflies! Well folks, The Farmhouse windows have been getting a battering from some great fucking rock 'n' roll from The Netherlands. The Dirty Denims have released their third album (with a couple of EPs before that) and what a dead-set heavy hitter it is.

"Ready Steady Go" is, from the opening self titled track to the very last song, a killer. Miriam Sieben (vocals and piano), Jeroen Teunis (guitars), Suzanne Driessen (drums and sexiness) and Marc Eijkhout (bass) have definitely let all their influences come into the studio with them. Think early AC/DC meets The Runaways with a dash of Ramones and Nashville Pussy.

There's no taming this Beast

pussycat beastBeast - Pussycat And The Dirty Johnsons (Hound Gawd) 

There’s more fuzz on this than a box of rotting fruit in a share house kitchen. Two guitars, drums, no bass, simple punk rock songs and Puss Johnson’s tuneful, yet in-your-face, vocal is a monstrously good combination.

“Beast” is 12 songs by a UK band with a venomous sound on a German label. Who says Brexit is a thing? 

The back story is that guitarist Dirty Jake formed the band in 2002 but it took eight years to find Puss Johnson’s vocal and a more or less settled line-up. Two years later, their bass player was given the flick and The Dirty Johnsons continued as a trio. So they pre-date Amyl and The Sniffers - who are an obvious comparator - by a fair stretch. 

The Explosive sound of Swedes with loud guitars

doojiman epWatch Out! Look Out! - Doojiman & The Exploders (Heavy Medication)

Dunno about you but Scandirock was thicker on the ground in these parts in the 1990s than dandruff at a record collector fair. Doojiman & The Exploders are from Sweden and use a simple recipe of punk guitars from the garage, a sackful of strong songs and buckets of phlegm to attitude to rock the house down.

You gotta to be good to steal the title of a Stooges outtake as the name of your band and Doojiman & The Exploders are. There are traces of The (early) Hives, a less metal-ly Gluecefier and the venerable ‘Copters, sans six-string histrionics, on this 45rpm, nine-track slice of vinyl.

I-94 Bar