beasts of bourbon - The I-94 Bar
Gonzo journalist and onetime rock star
Somewhere in the USA
10.) Binge watching old bands I love on YouTube, live concerts, etc.
Particularly Cheap Trick, Redd Kross, the Divinyls, Rose Tattoo, Beasts Of Bourbon, Sensational Alex Harvey Band, Smack, Tex & The Horseheads, Little Kings, Viletones, Chris Isaak, 39 Steps, Bounty Hunters, Jacobites etc. And The Fleshtones - greatest live band I ever saw have lots of great stuff to watch on YouTube, Kings of Rock ‘n’ Roll!
9.) Carry It Forward
The most revolutionary, serve the people, activist organization I've ever seen in real life provides coats, hats, gloves, sleeping bags, tents, rides, hotel rooms, wheelchairs, etc to the real people in the community that the government does not care about. Millions of people in the USA USA are becoming homeless and evicted while the get rich politicians drink champagne with their warpig donors. Almost like they wanna kill the poor. BE LIKE CARRY IT FORWARD, wherever you are!
8.) Slade is the right answer to almost any question!
7.) Remembering how Real Friends are precious
Especially in these dark clampdown death plague winters when so many groovy people like Dave Kusworth, Eddie Van Halen, Mike Mindless, Mike Doman, Clay Anthony have passed on.
Here’s one of those ‘blink-and-you’ll-miss-out’ releases. It’s a limited edition (500 copies), triple CD set of three recent live shows by as many different line-ups, each representing a particular phase of the Beasts’ rocky and storied lifespan. Need it be added that it kicks the living shit out of ‘most anything else the band’s committed to tape or hard drive?
The last time I saw Stuart Gray was in Adelaide in 1990, at a grotty pub on Brighton Road which is now another craft-beer haven for the smug and pointless, and Bloodloss were playing what would be their last Adelaide gig, and the final with that line-up. They'd been hanging out with Stuart, and he'd been persuading Renestair EJ and Martin Bland to join his band Lubricated Goat.
It was quite an evening, somewhat bereft of punters, and The Goat promised, at the very least, overseas adventures. And, possibly, more punters. Frankly, it was a better opportunity for them than slugging out the gigs and LPs of great music to an uncaring town, so Ren and Martin left...
I'd seen Stu in several bands by that stage; The Bad Poets and The Brats, notably. Each time Stu joined an existing band, he'd lifted them mightily. Eventually, he left for Melbourne and Sydney, as all ambitious Adelaide artists did. I expect you know the rest; he was with Tex Perkins' outfit Salamander Jim and there was a stint with the Beasts of Bourbon.
The Gov, Adelaide
March 17, 2019
Photos by Alison Lea
It's the last night of the Adelaide Festival and the city centre is abandoned to the tourists, and no doubt some "end of festival" official shindig, doubtless adding anodyne "vibrancy" (one of Adelaide City Council's favourite buzzwords) to the joint.
Meanwhile, Adelaide's finest and most intelligent people are voting with their wallets and pile into the Gov, many having come from miles around. One bloke is here with his wife from Kangaroo Island (more expensive than a trip to Melbourne or Sydney); another bloke flew 300 miles to arrive at 4pm, with a return flight at 8am. There are many happy drunks.
Tonight was the most beautiful gig I've seen in years, if not ever. I cannot remember a more wonderful, cathartic experience.
Living legend Spencer P Jones is seriously ill and in need of your support.
The storied veteran of bands like the Beasts of Bourbon, The Johnnys and many of his own outfits is under medical care and currently unable to work.
Mates James Baker and Tex Perkins have arranged benefit shows in Fremantle (March 20) and Melbourne (April 15) respectively. UPDATE: A GoFundMe account has been opened here for anyone unable to make the gigs.
Dave Faulkner (Hoodoo Gurus), KISStake, The Painkillers, Beautiful Losers, Midfield Legends (featuring members of the Bad Seeds and The Triffids, Soulfisters, Maurice Flavels Intensive Care and more will play the Fremantle show at Mojo’s.
The Drones, Paul Kelly, Tex Perkins and Charlie Owen, Adalita, Renee Geyer, Two Am I, The Pink Tiles and mystery guests head the Melbourne line-up at the Prince of Wales Hotel in St Kilda.
A silent auction will operate in conjunction with the WA gig
Fremantle benefit Facebook event
Spencer P Jones. Spencer’s untimely and tragically premature passing was a lowlight of 2018. The only silver lining was the outpouring of love for the man, his music and his unbridled generosity. There will never be another like Spencer.
Beasts of Bourbon, Prince of Wales. Has there ever been a more emotional gig? Brian Hooper wheeled onto stage by nurses from the Peter MacCallum Cancer Centre, plumes of smoke emanating from his oxygen mask. Spencer Jones, frail but determined to accompany his fellow Beast on stage for one last time. It was as sloppy as the Beasts once were, way back in the day. But it was beautiful.
Brian Hooper - "What Would I Know?" Recorded at Andrew McGee’s Empty Room property-cum-recording in Nagambie, Hooper’s reaction to the initial recording sessions was scathing. “It’s all shit,” he told me one day. But McGee saw enough in the recording to convince Hooper otherwise. A mixture of love, passion, pathos, self-loathing, resilience and gusto, this is a record brimming with emotional depth and musical complexity. RIP, Brian.
Jackson Briggs and the Heaters. James McCann put me onto these guys. Grinding country rock jams that should go on forever. They’ve got a new album out. Listen to it. Enjoy. Repeat.
The Breeders, Forum Theatre. It had been almost 25 years since I first saw The Breeders, at the Big Day Out in Adelaide, February 1994. On a Sunday night at the Forum Theatre The Breeders proved their every bit as vital as they were back in the day. I could listen to that riff in ‘I Just Wanna Get Along’ anytime.
Adelaide author and I-94 Bar staffer Robert Brokenmouth has been busy producing a movie. Here's a sneak preview of his Beasts of Bourbon documentary, "The Brass Ring".
Surely a date to put in your diary. Other cities to be announced soon. Here's the promo clip.
I Won't Bend For You - Brian Henry Hooper (Bang! Records/Incubator)
First, it's a damn good LP, the kind you put on repeat all day when it lands in the letterbox. Second, it's so damn moving you'll find yourself tearing up in decades to come. Third, there are songs here which you'll put on at parties and have people scampering up, eyes wide, 'Who THE FUCK is this? It's brilliant!'
This has been a difficult last few years. The stupidvirus has not, of course, helped, but as far as I'm concerned it's just a gentle reminder of what awaits us all, one way or another. One dilemma which confronts some of us is - how best to remember the creative? A novelist, well; in George Macdonald Fraser's case, because he'd left the manuscript in a very prominent place, his family arranged for his very first book to be published. In a musician's case - what have they left for us?
It was the sort of rock’n’roll crowd you would have expected to find in St Kilda. Weathered old punks, redoubtable rock dogs, wandering spirits from a bygone era. Lots of black, some punk rock bling, a room full of fading memories of lost nights and wasted days.
And so much love. Love for rock’n’roll, and love for the late Brian Hooper, whose new album, "What Would I Know?" was being launched, with a cast of his loyal friends and rock’n’roll family.
The obligatory "I missed the opening act" apology: It’s a long hike across town by public transport, especially when there’s a connecting bike ride in there as well. The fact that my household was engrossed in a compelling episode of "Peaky Blinders" rendered it inappropriate for me to spirit out of the place in time to see Joel Silbersher and Charlie Owen revive their Tendrils project.
Serendipitously, but sadly, the last time Tendrils appeared on stage was at Brian’s fundraising gig. Everyone I spoke to said it was, as always, memorable. Hopefully next time Tendrils play it will be free from the spectre of tragedy.
The Dubrovniks are playing a one-off Perth show before embarking on another European tour.
The band reformed for Australian and European shows this time last year and is off overseas again.Their only local appearance will be Thursday June 2 at the Rosemount Hotel, supported by The Volcanics. Tickets are on sale now from http://www.rosemounthotel.com.au/
After a 22 year hiatus, the Dubrovniks are temporarily back together and will be playing shows around the world, book-ended by gigs in Perth (June 6) and Melbourne (July 18).
“I’m Flipped Out Over You” is the theme for the Australian dates, the first leg of which is a show at Perth’s Rosemont Hotel with the original Scientists. It also happens to be the wedding reception for Dubrovniks and Scientists drummer James Baker and features the Television Addicts (two-thirds of the Victims, Spencer P Jones and The Runaways (Spencer P Jones and Kim Salmon.)
The Melbourne version of “I’m Flipped Out Over You” becomes a two-stage garage punk extravaganza at the Corner Hotel with a gloriously loud bill that also includes the original line up of the Scientists (Kim Salmon, Baker, Boris Sudjovic and Rod Radalj), They’ll be joined by Rocket Science, Spencer P Jones & The Escape Committee, Hits, The Pink Tiles, The Electric Guitars and Girl Crazy.
Melbourne’s Bitter Sweet Kicks believe in the ethos of hitting hard and fast and then moving on. Each of their three releases to date has been a seven-track affair, long on dirty, high energy rock and roll and short on indulgences.
On what would have been his 65th birthday, the late Spencer P Jones has been paid tribute by way of a double LP of his own songs played by some of his friends. French label Beast Records and Melbourne imprint Spooky Records have released “All The Way With SPJ Vol 1” as a unique international tribute to the New Zealand-born, Australian rock'n'roll cult hero and underground icon.
Spencer died on 21 August 2018 at the age of 61 and was a noted guitarist and singer-songwriter, known for his work with the Beasts of Bourbon and the Johnnys as well as wider associations with artists including Rowland S. Howard and the Drones.
Brisbane’s leading luthier and musical equipment emporium, Tym Guitars, is getting behind fund-raising for the ailing Spencer P. Jones by launching a limited edition fuzz pedal.
A whopping $200 of the $250 price for The Axeman’s Fuzz pedals will go to Spence, who is battling a chronic health condition and is unable to work.
You can pick up one of these monsters via Tym Guitars website.
The musically-challenged of us who can’t use a guitar pedal very well can make a donation at this GoFundMe site.
Croxton Park Hotel, Thornbury, VIC
Saturday, February 23, 2019
I’m pretty sure Spencer Jones is the only member of the Beasts of Bourbon, past or present to have played the Croxton Park Hotel, back in ita heyday. That would have been in 1982, when Spencer was playing guitar in the psychedelic cabaret troupe North 2 Alaskans.
Back in those days The Croxton – ‘the Croc’, to its more familiar patrons – was a bastion of the suburban beer barn circuit. AC/DC played there back in the day, Rose Tattoo, The Angels, Chisel, all the Oz pub rock greats.
The Alaskans didn’t really fit in with the pub rock crowd, but they were as funny as a fit, and damn good musicians too. The Alaskans were, in hindsight at least, a link in the chain that led to the formation of the Beasts of Bourbon.
Brian Henry Hooper being attended to by his angels, his nurses. Carbie Warbie photo.
Four weeks ago Brian Hooper lay in intensive care, surrounded by family and his closest friends. The tumour doctors had found on Hooper’s lung just before Christmas was preventing Hooper from breathing without medical and mechanical assistance. Specialists suggested the even Hooper’s short-term survival was in the realm of miracles.
It wasn’t the first time Brian Henry Hooper had been told to fear the worst. Just over 14 years ago Hooper was told by specialists he may never walk again, after the balcony he was standing on at a gathering in Victoria’s Mornington Peninsula collapsed, sending Hooper crashing to the ground, his back mangled from the fall.
Over the next 12 months, Hooper pulled himself back from the edge of permanent paralysis. Hooper’s resilience and psychological strength astounded all around him. In late 2004 Hooper limped back on stage with the Beasts of Bourbon for a gig at the Greyhound Hotel. Towards the end of the set, his battered spine unable to withstand the trauma of standing any longer, Hooper lay on the ground. His bandmates, save for Tony Pola on drums, followed suit, three battle-hardened rockers lying prostrate on the stage in sympathy for their comrade-in-arms.
It was the moment I knew the relationship was in trouble. It was April, 1993 at Le Rox in Adelaide. Ed Kuepper was headlining, but it was support act Kim Salmon - in solo mode - who was holding our attention.
Just as Salmon strummed the opening chords to “Words From a Woman To Her Man’”– still, when push comes to shove, one of my two favourite Salmon tunes (the other being its companion piece, “Something to Lean On”), a punter in front of us turned and rebuked my girlfriend for disturbing the aural ambience with her loud commentary.
I knew the relationship was in trouble because I wanted to side with the anonymous interlocutor from the crowd.
In the early 1990s John Foy found himself in the eye of the storm enveloping the music industry.
Foy’s independent record label, Red Eye, had done a deal with Polydor, the Australian arm of multinational company Phonogram. A sold-out at show at Sydney’s Hordern Pavilion in 1991, headlined by Ratcat and featuring English band Rideand Red Eye bands The Clouds and Falling Joys, had awakened major labels to the commercial potential of the independent music scene. Other Red Eye bands like The Cruel Sea would surf the independent wave into the late 1990s, even after Foy withdrew from industry machinations.
Thirty years later, Foy looks back on those heady days with fondness. But even as he trawled through his archive of posters, ticket stubs and memories for his “Snaps Crack Pop!” visual collection cum autobiography, he’s not dwelling on what he should have done back in the day. Foy has always lived in the moment, for better and for worse.
The long-rumoured and exhaustively researched biography of iconic Australian musician Spencer P Jonesis out tomorrow.
Hard on the heels of the James McCann-compiled tribute double album, “All The Way With SPJ”, “Execution Days - The Life and Times of Spencer P Jones” is being published by Love Police and can be ordered here.
“Execution Days” was written by Melbournite Patrick Emery, who whose work has graced The Age, Sydney Morning Herald, The Australian, Beat, The Brag, Time Off, X-Press, Mess and Noise, Faster/ Louder, “1001 Albums You Must Hear” and the I-94 Bar.
Patrick carried out 150 interviews with friends, relatives and bandmates of the late Spencer, as well as the man himself.
With a career spanning over 40 years, Spencer’s resumé is vast, deep and eclectic, ranging from the wild cowpunk of The Johnnys, to the garage swamp of Beasts of Bourbon to the rugged beauty of his solo albums, to cameos with Ian Rilen, Paul Kelly, Maurice Frawley, Rowland S. Howard, Renee Geyer, Mudhoney and Violent Femmes. He also toured Europe with Sonny Vincent’s Shotgun Rationale.
“Execution Days” traces Spencer’s life from his childhood in New Zealand to his evolution as a musician in Australia to his profound impact on those around him. Along the way there are stories of irreverence and excess, of frustration and heartache, of friends loved and lost.