"Lavish" and Easy Action are synonymous - as the latest box set of raw power from the Pop attests. Ya gets four discs in long box format, derived from live shows and studio outtakes (mostly) by the band that recorded "The Idiot". There's also a booklet written by Kris Needs. Not only an important documentation of a man full of piss and bad manners and on the comeback trail, but an ideal gift for the obsessive Ig-fan in your life.
Max’s Kansas City was one of the legendary New York City scenes of the 1970s, home to Andy Warhol’s crew and a musical stamping ground for the Velvet Underground, Heartbreakers, Iggy & the Stooges and countless others.
It’s the club where Iggy met David Bowie and had his career fortunes revived, Debbie Harry waited on tables, Patti Smith went star-spotting and the Lou Reed era Velvets played their final shows.
Former Max’s promoter Peter Crowley is hosting a 50th anniversary round of shows from June 4-8 and the line-ups feature some of the best that what’s left of the old-school NYC underground scene.
This February and March, legendary Sex Pistol Glen Matlock will be joined by Stray Cat Slim Jim Phantom and notorious John Lennon/Bowie lead guitarist Earl Slick for their only Australian tour as The Men Of No Shame.
That's right, three of rock's true anti-heroes mixing it live around Australia with shows in Brisbane, Gold Coast, Sydney, Newcastle, Adelaide and Melbourne.
If you missed the Pistols anarchy in '76, the Stray Cats ballin' in '83 and the original Ziggy Stardust tour, this is your chance to relive some of that historic chaos. Matlock, Slick and Phantom bring it all back live in 2016.
You'll hear the songs that made punk, rockabilly and glam history performed by the history makers themselves. Plus new material that will spark a riot like it's still 1977.
And as part of the package, all three legends will be available for exclusive Q&A sessions at each venue before their performance. If you've ever wanted to talk to a Sex Pistol, a Stray Cat or a Glam God, here's your last chance. No subjects will be off limits. Click READ MORE for booking details.
James Williamson staked his claim to rock'n'roll immortality based on just eight songs, but what songs they were...the ones comprising Iggy & the Stooges' epochal 1973 "Raw Power" album, still cited as a prime influence by purveyors of Rock Action from Stockholm to Seattle to Sydney.
If 1977 was the year Iggy Pop presented his professional face to the American public, it was really by a matter of degrees. Think about what constituted Mainstream USA back then and ask if it was ready for Iggy, even in the guise of a clean-living and professional working stiff? The question’s rhetorical so don’t bother answering.
The Iggy that Americans saw (those who took notice) is captured on “Shot Myself Up”, a made-for-radio recording captured live in a studio on Pop’s ’77 tour of his homeland.
I'm going to tell you about a little quest of mine; a search for the (not so) Holy Grail. It's a mountain size molehill of my own making and I admit it. But in these dire days of corporate mediocrity - where the alternative has been bought up by the same guys who brought you the thing you were supposed to be the alternative to – a man is defined by his obsessions.