Damien Lovelock leads the Celibate Rifles. Shona Ross photo
It was a big week for rumours - and that’s not a reference to that awful Fleetwood Mac album being on high rotation.
Celibate Rifles were playing two successive nights in Sydney. A Friday at the near dormant ‘80s venue Carmens at Miranda in Sydney’s Sutherland Shire, and a Saturday at one of their local stomping grounds, Narrabeen RSL.
It was about a fortnight before that the gossip started to fly.
I’ve played this CD several times since I received it, and the reason it gets only three bottles is that while it’s really good, it just doesn’t seem to get up and grab me. Maybe that’s me, maybe that’s the production, or the recording on the day. Call me a bastard, feel free, but to me the pace seems just a little too slow, lacking in attack… or something. I can’t quite nail it.
It seems that the imperative a band like this should have has not come out. This happens far too often with recordings (several favourite Adelaide bands who I absolutely loved have released CDs and LPs which seem sheepish rather than roar like a bull buffalo in Kakadu; the worst part is, when a band know the record isn’t up to snuff, they know it and feel bad. The next step should be to determine to do better next time).
Pete Bourke, Phil Van Rooyen and Pete Trifunovic from Sonic Garage.
Sonic Garage Pocketwatch Bayley and the Liquid Squid Marrickville Bowling Club, NSW Friday, 11 March 2022
You can say “Boring Old Fart” but it’s good to stare rheumy-eyed into the middle distance, drool into a beer and recall much less complicated times in hushed tones. Times like the early 1980s, when the biggest challenge on a Friday night was to decide which two or three rock and roll shows you were going to attend, all of them within a short distance of each other.
If they were local bands, the door charge was free or modest, and if the headliner was on the national touring treadmill, entry might set you back a ten spot. At least one of the supports was a band you’d never heard of, but paying your money and taking your chances was all part of the ritual. You got to conduct a post-mortem as soon as their set was over or over a hair of the dog at your local the next day.
It’s a a couple of years since Circus Chaplains from Sydney’s Northern Beaches fell by the wayside after the passing of Luke Lovelock,but his bandmates Phil Van Rooyen (Dr Fruitworld, Panadolls, Chickenstones) and Peter Bourke aren’t ones for standing still.
They’ve gone on to a new band with ex-Mushroom Planet bassist Pete Trifunovic, drummer Ronny Welsh and pianist Russell Parkhouse (ex-Riptides).
Sonic Garagerecorded their album at Zen Studios in Sydney in these odd COVID times and it’s a wonderful, ragged and righteous collection of songs that recalls familiar Harbour City high energy rock reference points.
Damien Lovelock leads the Celibate Rifles. Shona Ross photo
I’ve played this CD several times since I received it, and the reason it gets only three bottles is that while it’s really good, it just doesn’t seem to get up and grab me. Maybe that’s me, maybe that’s the production, or the recording on the day. Call me a bastard, feel free, but to me the pace seems just a little too slow, lacking in attack… or something. I can’t quite nail it.
Pete Bourke, Phil Van Rooyen and Pete Trifunovic from Sonic Garage.
Space Travels – Sonic Garage (self released)