Self-consciously retro rock and roll bands can be a real problem. There are ones that overplay their hand and fall back on gimmicks. They almost always have a name with “Thee” appended to the front. And then there are those that apply their three chords with genuine regard for where the music emanated.
Plastic Sectionis part of a loose Melbourne aggregation of bands in the latter category; their peers are The Breadmakers, The Vibrajets and The Cha Cha Chas.Each faithfully plunders the past while applying their own take.
Way back in the last century, there was a band kicking around Sydney called The Milky Bar Kids. They were minimalist rockabilly, stripped back to the bare basics of stand-up bass, twangy guitar and a tiny kit. They had simple songs, in the style of early Elvis, and they were wonderful.
Fast forward to a bar in Wales a year or two later and I laid eyes (and ears) on a similar band whose name is lost in the mists of time. Again, it was a bunch of people tapping the source of rock’s roots and it was as enjoyable for its raw simplicity as its songs.
The international angle is important because the band being reviewed has that sort of history. Vocalist-guitarist Ben Edwards is an ex-Sydneysider based in Melbourne and has another line-up of Plastic Section based in Bangkok.