"Shake Yer Popboomerang 3" Sydney Launch Ups and Downs Halfway The Aerial Maps Marrickville Bowling Club Friday February 29, 2020 Photos by Mark Fraser of Redback Rock
This isn’t going to be one of those reviews where someone walks you through a song-by-song recreation of the gig. For starters, I’ve seen Aerial Maps once, Halfway never, and Ups and Downs twice. None of them are really big on song introductions either. So I have no idea what any of the tunes were called, besides a couple from the headliners.
I guess a dedicated reviewer would have gone and had a squiz at the set lists, or maybe bailed up a hapless band member, but to be honest I was too busy drinking with a dear friend I hadn’t seen in ages to worry about that. So it’s going to be more about the vibe, man, and a few observations I jotted down in a notebook.
As the former Oscarlima and Jericho frontman, P76 leader and onetime member of Little Murders, Danny McDonald should need no introduction. But if you're curious about on of the most ybderrated purveyors of Aussie guitar pop and want a jumping-in point, his new EP is as good a place as any.
Danny plays guitar and writes pithy, Australian-tinged songs with depth and there are five crackers on "Modern architecture". They range from punky-pop to jangle-rama and are chockfull of melody and fire. McDonald has armed himself with a sterling engine room (Tim Mills on bass and David Klynjans on drums), a stellar vocal partner in Anna Burley (Killjoys) and an ace producer in Craig Pikington.
Marching Out of Time – Various Artists (Popboomerang)
With 115 releases to its credit, Melbourne’s Popboomerang is as an amazing independent record label success story and a beacon for under-the-radar Australian pop. Presuming, of course, that success is measured in quality music and not sheep stations.
The labels been a long-time labour of love for owner Scott Thurling and that passion makes his decision to close it down, at least for now, all the more noteworthy. In his own words:
Being locked up can do funny things to you! I will admit to feeling a little frustrated on July 24, 2021, when I made the announcement to end Popboomerang Records. The news might have been a surprise to some, but it was one I had been contemplating for a while.
Covid-19 challenges to running a label were the tipping point after 18 months of cancelled live events and the gigantic increases in the price of international postage which was making exporting almost impossible.I had also recently established a new record label, Sound As Ever 90-99, focussing on Australian ’90’s indie music, which was taking off, and it felt impossible to do justice to both ventures at the same time.
Ups and Downs(pictured above), Halfway and The Arial Maps will do the honours at Marrickville Bowling Club on February 29. Tickets are on sale here.
"Shake Yer Popboomerang 3" is the latest in a series of compilation albums released on the Popboomerang Records label to document and celebrate the finest melodic pop, jangle, folk and rock music in the Australian scene. The label was founded by Scott Thurling in 2002 and has released more than 80 recordings.
Great pop music is timeless. The proof is right here in the 37 rare or previously unreleased tracks on this compilation of Australian bands from Melbourne label Popboomerang.
Ask yourself this question: When did Pop - as the ‘60s defined it - become uncool with the masses? Who forced it to go sit in the naughty corner with its rowdy sibling Rock and Roll and its odd cousin Free Jazz? Best guess is when the corporatised music industry ate itself in the 1980s and all the people with emotional intelligence were replaced by spreadsheets.
Melbourne pop fan Scott Thurling and his prolific label just deals with it. With more than 100 releases in the back catalogue, for almost 20 years it’s been the go-to place in Australia for “real” pop - not the soulless pap that passes for the same for most people. As you might work out from the title, “Shake” is the third volume in a series and the label’s fourth compilation. A handful of these tracks date back 20 years but you'd never know.