sorcerer records - The I-94 Bar
Once upon a time, a review of the first album from Lubricated Goat could have used the line: “There’s something here to offend everyone” and left it at that. In these days of live-streamed jihadi beheadings, jaded millennials and older people with permanent confected outrage, however, you have to do better than that.
Most people will recall The Goat from their appearance on the Australian national broadcaster, nude and lip-synching a song called “In The Raw”. Yes, they flashed their wedding tackle. A media meltdown followed.
Of course the raison d’etre was to outrage. To go to a Lubricated Goat show in Sydney in the late ‘80s at Max’s Petersham Inn or The Evil Star you had to be severely disconnected from the rest of society, chasing the band’s offer of free beer for turning up naked or on smack.
As ethereal and otherworldly as when it came out on CD in 1995, “Tendrils” continues to defy easy categorisation on LP.
It was the first album for the pairing of Joel Silbersher (Hoss, GOD et al) and Charlie Owen (New Christs, Beasts of Bourbon and, again, many more) and married seemingly disparate guitar approaches to restrained vocals against an background of minimal percussion.
By then, Joel and Charlie were two of the so-called underground’s best-known players. Owen was - and still is - a consummate guitar player’s player and had had national success with the Beasts; Silbersher was the diminutive and cocky ex-GOD rocker whose current band, Hoss, seemed poised for much bigger things. He should be internationally lauded to thsi day. Putting them together in a studio was always going to produce something interesting.