The season finale of Monday Evening Gunk is this Monday. Point your browser at the MoshPit Bar Facebookat 7.30pm Sydney time on November 23 to catch Richard Burgman of Sunnyboys, ther Saints, Weddings Parties Anythingand many more talking to broadcaster-author Stuart Coupe and ex-Trilobites bassist Scott Leighton. A live set from Freaksd of Nature (a near Trilobites reunion) will take us out. You can catch-up for the replay here on Tuesday.
Paul Kelly: The Man, The Music And The Life In Between (Hachette Australia) By Stuart Coupe
“I hear you like music. Do you like Paul Kelly? I’ve just been reading his autobiography, "How to Make Gravy". I love his music. Always have.”
It was an innocuous and inoffensive simple conversation starter one Sunday afternoon, uttered by a friend of my wife’s. To the extent there was question in there, it was almost opaque, and more likely rhetorical. Everyone likes Paul Kelly. How could anyone not like Paul Kelly? As it was, I fumbled around for an answer, and mumbled something about not having had the chance to listen to any of his music for a while.
It wasn’t as if I didn’t like Paul Kelly’s music. I’d first heard and seen him back in the early 1980s on Countdown with his then-band, The Dots. A few years later Kelly appeared again, this time with a new band, the Coloured Girls, and a batch of songs that would become staples of commercial radio playlists: "To Her Door", "Darling It Hurts", "From St Kilda to King’s Cross" and "Before Too Long".
The “Secret History” part could have been easily replaced by “Sex, Drugs, Rock ’n’ Roll and Driving…Lots Of Driving”. There are more miles in Stuart Coupe’s book than a shipping container load of Gregory’s street directories, but it’s much more fun to read.
The concept is simple: Speak to Australian road crew about their experiences and shape a chapter around each conversation. Do it chronologically. Change very few names to protect the infamous. You can guess a few of them anyway. This boat doesn’t need a lot of rowing. In most cases, the stories tell themselves.
If you’ve ever worked with, alongside, as a payer of or have been reliant on a roadie because you were performing, you’ll know that the good ones are (a.) usually full of war stories and (b.) indispensable. They are, quite simply, the people who make rock and roll shows happen. They see the good, bad and the ugly parts. They know where the bodies (and the drugs) are buried.
Celibate Rifles singer Damien Lovelock once said to me that the Sydney music scene between 1978 and 1985 was as strong as anywhere in world, at any time.
When a city’s musically on fire, it becomes the rock capital of the world…especially for the people that live there. It could been New York City in the mid-’70s, London in 1966 or San Francisco in the late ’60s. Sydney was right up there with them.
I remember I was out seeing bands every night of week. It could be every Wednesday with the Triffids’ residency at the Strawberry Hills Hotel, upstairs at the Trade Union Club for the Laughing Clowns, or some punk band down at French’s Tavern. You could finish with Paris Green at 3am in Kings Cross.
There were so many gigs that stood out: the Birthday Party, Scientists and X at the University of NSW Roundhouse, the amazing New Year’s Eve gig with the Celibate Rifles at the Trade Union…and The Gun Club at the Southern Cross, later re-named the Strawberry Hills Hotel.
The Strawberry Hills Hotel in Surry Hills was OUR pub. We were still aged in our late teens and we virtually lived there. There was cheap (or feree) beer and amazing music every night of week. I actually lived in a cheap shared house, a few blocks down the road.
One night in 1983, the publican told me to turn up on Monday. He said that “a Yankee band, The Gun Club, are playing.”