execution days - The I-94 Bar
The long-rumoured and exhaustively researched biography of iconic Australian musician Spencer P Jonesis out tomorrow.
Hard on the heels of the James McCann-compiled tribute double album, “All The Way With SPJ”, “Execution Days - The Life and Times of Spencer P Jones” is being published by Love Police and can be ordered here.
“Execution Days” was written by Melbournite Patrick Emery, who whose work has graced The Age, Sydney Morning Herald, The Australian, Beat, The Brag, Time Off, X-Press, Mess and Noise, Faster/ Louder, “1001 Albums You Must Hear” and the I-94 Bar.
Patrick carried out 150 interviews with friends, relatives and bandmates of the late Spencer, as well as the man himself.
With a career spanning over 40 years, Spencer’s resumé is vast, deep and eclectic, ranging from the wild cowpunk of The Johnnys, to the garage swamp of Beasts of Bourbon to the rugged beauty of his solo albums, to cameos with Ian Rilen, Paul Kelly, Maurice Frawley, Rowland S. Howard, Renee Geyer, Mudhoney and Violent Femmes. He also toured Europe with Sonny Vincent’s Shotgun Rationale.
“Execution Days” traces Spencer’s life from his childhood in New Zealand to his evolution as a musician in Australia to his profound impact on those around him. Along the way there are stories of irreverence and excess, of frustration and heartache, of friends loved and lost.
"Execution Days, A Celebration of the Life and Music of Spencer P. Jones"
The Escape Committee
+ Adalita, Penny Ikinger, Sly Faulkner, Phil Gionfrido, Digger & The Pussycats,
The Pink Tiles, Claire Birchall, James McCann, Jules Sheldon, Foggy Notion,
Henry Hugo, The Last Gasp Horns
The Tote, Collingwood, Melbourne
Saturday 9 April, 2022
Photos by Michael Barry
Before we start, a disclaimer: I am a close personal friend of Patrick Emery, the author of "Execution Days: The Life and Times of Spencer P. Jones”and organiser of this gig. So therefore all objectivity is likely to be thrown out the window.
Patrick and I first saw the Beasts of Bourbon in a relatively small venue, Le Rox, in the city of Adelaide in early 1992. After the first few bars of the opening song, "Chase the Dragon", singer Tex Perkins kicked over the mic stand, the band abruptly stopped playing and Tex stormed off the stage headed towards the mixing desk. We were standing roughly in that area as he came charging in our direction and I was genuinely in fear that he was about to wreak some savagery upon us as part of the collateral damage of castigating the sound guy.
Execution Days: The Life and Times of Spencer P. Jones
By Patrick Emery (Love Police)
Perhaps the most surprising thing about Melbourne writer Patrick Emery’s exhaustively researched and engrossing biography of the late Spencer P. Jones is that it found a publisher.
Thanks to the internet, book publishing is a low-margin crap shoot. But Aussie publishing houses were already renowned for their lack of imagination and reluctance to take risks on books about anyone who’s not mainstream, middle-of-the-road or, ahem, National Living Treasures. Even those imprints that are outgrowths of universities, our bastions of free thought.
If you haven’t received a formal rejection letter from a friendly Aussie publisher after shopping a musician’s autobiography, you haven’t lived. The stupidity of not keeping and framing a letter that read, in part, “there is no market for this because Radio Birdman fans can’t read” is regrettable in hindsight – it should have gone straight to the pool room - but, fuck you, anyway, self-important publisher twat. You deserve to be shot by a ball of your own shit.
Patrick Emery suffered his share of similar fools while trying to place “Execution Days”.