lloyd gyi - The I-94 Bar
+ THE SMART FOLK
MoshPit, St Peters, NSW
Saturday 26 March, 2022
A Sydney night of intermittent rain stifles the post-COVID nightlife revival. Or so it seems. The Best Little Small Bar in Sydney, The MoshPit, has other ideas - and so do Joeys Coopand supports The Smart Folk.
It almost goes without saying that pandemic lockdowns have put obstacles in the way of everything. Joeys Coop put the release of their second album on ice and tonight is the Sydney leg of a much-delayed world (read: New South Wales) tour to launch “Lachlan Valley Dirt” at The MoshPit in Sydney’s inner-west.
The impacts of the dirty little virus live on. A whole bunch of MoshPit patrons who were at the King Street Crawl gigs a fortnight before were taken down by it. An unrelated infection forced The Smart Folk to play the Sydney Rock ‘n’ Roll & Alternative’s Sixities Stage without bass-player Keith Claringbold.
Tonight’s news is that another wave of COVID infections and the seven-day isolation rule has shut down a two-band bill at the nearby Golden Barley Hotel. A few punters and unaffected band members make their way to this show.
Lachlan Valley Dirt – Joeys Coop (Citadel)
Following John Ventura’s pre-release review of the album that appears below is almost redundant, but let’s have a shot now that the record has undergone repeated listening.
It would be lazy to say that if you grew up with the underground sounds of Australia in the 1980s then you need “Lachlan Valley Dirt”. Of course you do - but the appeal deserves to be much broader.
This is a world-class “grown up rock” record – and that label is both a term of endearment and a reflection on the absolute dross that passes for most popular music these days.
It’s tempting to do as the marketing does and label Joeys Coop’s “Service Station Flowers” as an outlet for Died Pretty guitarist Brett Myers. His distinctive sound is all over this album, like sunscreen and a rash-shirt on a redhead in summer, but this really is a record that’s more than just a billboard with all-star billing for one.
Singer Mark Roxburgh conceived Joeys Coop a couple of years ago, after the implosion of the reformed Decline of the Reptiles, and his vision was simple: He wanted to play with people whose work he’d long admired and to find an outlet for his own songs (something that Decline clearly was not.)