munster times - The I-94 Bar
TOP 11 ALBUMS
Eddy Current Suppression Ring - All in Good Time
Nine years is a long time between drinks, but this was well worth the wait. For my money the most important Melbourne band of the last 20 years returns with an LP up there with their first two albums. In true Eddy Current style this LP just all of a sudden dropped out of nowhere, with no shows and little media presence to promote it. Garage rock the way it should be, messy but tight, loose and fast and songs ending whenever it feels like that’s enough.
Hexdebt- Rule of Four
Punk meets shoegazing with social’political messages that come straight in your face. The long awaited debut LP of Hexdebt backs up their reputation as a killer live outfit
Cereal Killer – The Beginning and End of Cereal Killer
The first and last long player of this Geelong supergroup. I saw ‘em live a few years back with feedtime and was blown away, so was keen to hear the LP as I wanted to see how that stage show was put on record. The LP has plenty of the power of the live show, combining elements of garage, punk and electro, one of the most fresh and finest releases of 2019.
Plastic Section - Trouble is Our Business
Sun City meets John Spencer. Killer '50s guitar and vocals, two ripper instrumental tracks and only one song cracks the three minute mark. Its sounds old but in a new way, powerful but not flashy guitar. Singer-guitarist Ben Edwards sounds like he could ave played with the Killer himself.
Mick Trouble- Here’s the Mick Trouble LP
Thanks to Ritchie Ramone at Strangeworld for putting me onto this. Was amazed this came out this year as I thought it was a lost Television Personalities recording. One of those gems I would only discover via the man behind the record store counter. Buzzcocks style harmonies meets the storytelling of Wreckless Eric.
Imperial Wax - Gastwerk Saboteurs
Pete Greenway, Dave Spurr and Keiron Melling had been the core of the Fall for the last decade of the band's existence until the passing of Mark E Smith. The three lads hooked up with Sam Curran to make an LP their old taskmaster would ave been proud of. It’s not the Fall, but without MES how could it? Theres certainly elements of the Fall in there but the lads ave their own approach and ideas, much like the Fall, taking a simple idea and expanding, taking rock music to new places.
Wild Billy Childish & CTMF - Last Punk Standing
With the exception of Mark E Smith no one has given me more joy then Billy Childish. Pretty much every year theres an LP with the name Childish that appears in the top 10 list. The mans a hero of mine. On top of the massive discography of amazing albums, what I love about him is the fact the man just gets on with it. Bangs out two LPs a year, with just two, if that, chords and bangs out a record in one take. No overdubs no time for being precious, just doing it and doing it well. I wish I had this talent and discipline.
Zo Damage photo
Editor - Munster Times zine
Top 10 LPs of 2020 (no order)
Adele and the Chandeliers – First Date
First thing that grabbed me was that sweet Manchester accent of Adele Pickvance, one of the unsung heroes of Oz music and my new favourite vocalist. Nine cracking powerpop tracks, and a corker Buzzcocks cover. An LP of life, love and the simple things that make it worth living, laid down in a fun and warm LP
The Breadmakers -The Breadmakers
Melbourne’s garage gold standard return with their first LP in years. Ten '60s rock 'n' roll inspired tunes, and two covers that "Back from the Grave" aficionados will go nuts for. Proving once again three chords, or less, plus rough and fast is all you need in a track.
Jack Howard and the Long Lost Brothers and a Sister - Dog Songs
The Dogs Bar in St Kilda (RIP) did an amazing job of keeping live music going in St Kilda, and one of the marque acts was Jack Howard every first Sunday of the month. With lockdown that obviously came to an end, but this CD was a wonderful reminder of those Sundays. This CD comprises of songs Jack and Co play during their Doggies set. As I listened to this I could see myself standing in the corner, being greeted by landlords Gav and Sonya, while Bernie 2 Legs, Fiona and Josie Jo and I shoot the shit while listening to all these killer tunes, and trying to get Leeroy’s attention behind the bar. One of those bands you can’t really fit into a genre, brilliant songs with an amazing ensemble of musicians.
Munster Times Issue 35
Outside Melbourne? Glad you asked, then. Munster Times is a zine covering Australian underground music that’s still published in hard copy form - and that fact alone makes it stand out from the crowd.
Its Melbourne publisher and occasional I-94 Bar scribe, Matt Ryan, (right) is a fixture on Melbourne’s fertile live music scene. Run the rule over its content and you’ll realise it’s a compelling “must read” even if you live outside of Victoria’s windy/rainy/cold capital city. (OK, my Sydney is showing).
Much of the star billing in this issue goes to people and bands from outside Melbourne – Adam Brzozowski(Woy Woy) of Outtaspace Records, The Dunhill Blues and The Link and Pin Café, Howlin’ Threads(Yass and Wollongong) and Dez Dare(Geelong old boy now in the UK). You might call Munster Timeslocation agnostic.
No less than Dave Graneyreckons there’s a lot of the charm of the old St Kilda in the Times and who are we to argue with a member of the Melbourne Music Mafia? The zine has a homespun quality and is home to the legendary Fred Negroand his Pub comic strip.
For the unaware, Pub has institution status in Melbourne (which is about the only place in Australia that still confers such honours). I like Equal Opportunity, and if you read Pub long enough, you’ll find it has something to offend everybody.
Munster Time is A4, mostly black and white and has the odd spelling howler. Good. As long as Matt has no plans to do a Prince of Wales Hotel reno job and expunge any dirt or charm from his own zine’s pages, that’s fine with us.
Everybody of a certain vintage who follows non-mainstream rock and roll has a soft spot for ‘zines. One of the reasons you’re reading this electronic magazine is down to two, 48 Crash and Vicious Kitten.
48 Crash was the archetypal Sydney zine of the early ‘80s. Hand-written (and coloured, sometimes), its photocopied pages spoke of Le Hoodoo Gurus, the Visitors, the three-piece Screaming Tribesmen and the Lipstick Killers - bands that struggled to attract mainstream attention elsewhere. It championed the so-called Detroit Sound that fuelled the Sydney music scene for more than a decade.
Ten years later, Vicious Kitten was an offshoot of the record label of the same name and professional publication that aimed its lens at people like Johnny Thunders, Kevin K, Jeff Dahl and Freddy Lynxx. Very Lower East Side, in spirit.
An honourable mention also to Sydney's B Side, that covered the left-of-centre, extreme local musical scene. Unbelievably Bad fills the same niche today. There were the rock local papers (RAM, the bible, and Juke) that were consumed religiously, but zines had all the cool stuff and never mentioned Chisel, Icehouse or Farnham.
Colin Blum photo
1. Craig McRae
I’ll get to music in a second, but I need to give kudos to the Human Fly, Craig McRae, for his amazing job as first year coach of Collingwood. From second last to one point off a grand final appearance. I don’t want to overhype him and I’m aware he’s only just started the role, but I think it’s safe to say McRae is on track to be Munster’s person of the decade.
2. TISM- The Croxton and Prince of Wales Bandroom
After nearly two decades of nothing, it was wonderful to see the return of the band that put Melbourne’s South East on the map. Two brilliant warm up shows (missed the third), I was amazed that after all these years, the band, now approaching retirement age, put on a no holds barred show that included crowd surfing and the full contact dancing that you only see at a TISMshow. The crowd was mixed of people that came back to relive the glory days, and plenty of young people seeing TISM for the first time. The songs are still brilliant, and hearing two new Ron Hitler Barassi diatribes proved that TISM are just as relevant now as they were in there 90s heyday. And these secret shows were a godsend, meaning I could keep well far from that odd festival they were on at.