You want me to write a year in reflection? Well, where and how to start? I will bang on these keys and most likely bang on in my usual stoic warm way.
Mind you, I rarely write about music these days. I look back and reflect on the shit I once wrote and it seems all so naïve, sycophantic almost. But here’s a try and since it’s not the 10 best gigs, nor the 10 best recordings, I have license to mix it up.
Best thing that happened – helping out with the band bookings at MoshPit, a small unpretentious little bar down the south end of King St which now fits 120 people. Yes, it’s small, and don’t go there if you feel paranoid or claustrophobic as you’ll probably hate it. But, in the vein of CBGB’s in NYC, Frenches which was on Oxford Street (Darlinghurst) the Old Bar in Melbourne, and its local counterpart Midnight Special in Enmore, this place oozes fun.
Where else can you put on your favourite bands and liken it to your best ever lounge-room party. There’s a whole range of yummy booze, great staff, the co-owners Pat n Wax, + two sound people who know what they’re doing within limitations. Nunchukka Superfly, Thee Evil Twin, Face Command, White Knuckle Fever and Los Monaros are just some of the great local acts that graced there in 2019. We was lucky and their goodwill was priceless. Sydney needs venues like these so in my unbiased best, please support.
Best things I listened to – newish stuff from Pallet, Small Town Incident, White Knuckle Fever, Sounds Like Winter, Syntax Error, Joseph Leonard, Wreckless Enterprise Recordings volume 1 and 2 – compilations featuring Dirty Slutz, Babymachine, Leftards, Minor Surgery, Space Bozzies, Bitchcraft, Piss to Eme.
BOB BLUNT Venue helper, organiser and frontperson for both Garry David and Beijing Bikini Sydney, Australia
2020 in a nutshell
Let's not start with the boring and the obvious - the moan that goes 'oh, what a shitty year that was' or how "Sydney is dead co's it aint what it used yo be'"- yawn. That rhetoric and emotion doesn't belong here - we're on an onward and upward trajectory - yep, the good gigs plus the other good stuff.
CELIA CURTIS Vocalist for White Knuckle Fever and Stone Cold Fox Sydney, NSW, Australia
Celia Curtis’s Top20 of 2020!
The gigging landscape undulated wildly in 2020 but it was by no means barren. The absence of the annual stagger to (and from) River Rocks Festival in Geelong definitely stung a bit, but there were some corker live gigs and streams in 2020. Here are some of my favourites I was lucky to attend/ play:
1. Jan 4 2020, PUNKNATS, The Old Canberra Inn Due to raging fires and road closures, Crapulous Geegaw, Tweekers and Grim couldn’t make it. But you just can’t stop the rock. Lucifungus, Oaf, the Dirty Sluts,Minor Surgery, rooted, Hymn, Herxhaim, DuShkanu,White Knuckle Fever and(my personal faves) Thee Cha Cha Chas all went hard.
It was 44 degrees Celsius in a tin shed. Literally the worst air quality in the world. A late southerly that brought out the p2 masks and a blanket of apocalyptic Orange smoke. But fuck it was a great day. Milly, Tilly and Outtaspace Presents did a top job organising once again and The Old Canberra Inn was as hospitable as ever.
Nunchukka Superfly White Knuckle Fever Bitchcraft Babymachine Garry David Marrickville Bowling Club, Sydney Friday, February 21, 2020
Friday night and gig-bound, I really had no idea what to expect. Part of the thrill of seeing a multi-band bill is to be blown away by a group you're unfamiliar with although I was armed with the knowledge that only one, Nunchukka Superfly, is familiar so I was attending with an open mind.
First up was Garry David. Without previous knowledge who Garry David was, I was expecting, maybe, a solo guitarist singing busking style songs with an inner city bent? Wrong.
The latest episode of the I-94 Bar streaming show "Thursday Evening Gunk" is here for your viewing pleasure. 2RRR radio host Chris Virtue speaks to Peter "Blackie" Black and Ray Ahn of the Hard-Ons and Nunchukka Superfly about both bands and their parallel development. The episode closes with a scorching Nunchukka Superfly set.
Thursday Evening Gunk is streamed from the MoshPit Facebook pageon Thursday nights from 8pm Sydney time or you can take part for free at the bar on King Street in St Peters, Sydney. This week, Celia Curtis of White Knuckle Fever chats with Fred Negro of I Spit On Your Gravy about the racucous documentary "Pub: The Movie" that explores his musical anmd artisticv career and the St Kilda secene in Melbourne. Also joining are director Andrew Leavold and producers Jonathan Sequeira and Brett Garten. Our feature act is White Knuckle Fever.
Hand-Ons/Nunchukka Superfly guitarist, singer-songwriter and much-loved Australian punk-rock icon Peter "Blackie" Black has dropped the first video from his solo album "If This Is The Hand That I'm Dealt”.
The album was released late last year in tandem with another solo record, "I'm Gonna Cheat As Much As I Can". The two albums, when taken together, reveal the breadth of Blackie's pop smarts, the quirkier and heartbroken ends of which can both be heard in "What The Fuck Should I Be Thinking".
The film clip was co-directed by Jonathan Sequeira (director of the acclaimed Radio Birdmandocumentary "Descent Into the Maelstrom") and his partner in Cheap Music Videos, Wade Jackson. When asked to comment about the video, Jonathan said:
"‘I thought Blackie was joking when he told me about wanting to do the pec dance. But he got it one take so we knew he’d been practising in front of the mirror’.
“That is actually true, but probably not the quote you want.How about:
"'It was great to work with Peter, one of Australia’s best songwriters, and I love the new albums so was keen to do a video. He had a simple idea and really let me run with it, which wasn’t difficult because he gave such a great performance, and it was a lot of fun shooting it.'"
I first saw Blackie when I was 16. It was the Hard-Ons’ 21st birthday tour, and I was stuck in Coolangatta, a long way from home. I knew nothing of the band but the name intrigued me so I went along. To this day it’s one of my top five gigs.
Hit after hit of pop punk brilliance, and for me the Hard-Ons are the gold standard in the genre. And here was guitarist Blackie, who combined metal style shredding with fast three chord punk rock playing. My tiny mind was blown.
Since then Peter Black has launched a solo career. 2020 marks the release of his sixth and seventh solo offerings. One electric, one acoustic. Aside from being one of the country’s best guitarists, Blackie’s solo work proves what a beautiful songwriter he is. The man can do no wrong
I-94 Bar: Now you’re playing a gig this Saturday with the Hard-Ons, and I saw a while back you did a gig in Sydney with Nunchukka Superfly, which was 20 people only. You obviously love playing live, but I take it with the lockdown period playing live now must be that extra bit more special?
Blackie: Man, I tell you how fucking weird this is. We did a couple of gigs recently, where I played solo and with the two bands, and I did a solo gig with John Kennedy’s 68 Comeback Special. But three weeks ago Nunchukka played a gig with a band from Canberra, and it didn’t really occur to me, as I had been driving for three-and-a-half-hours, it was all so trippy, like fucking hell, now I got to sing!
It hit me as it’s the first time I had been out of Sydney for 10-11 months. It was weird, but awesome. I’m like now I got to find the venue, find a park, and lug the gear. I loved every second of it
In musical terms, Melbourne's James McCann has traversed more miles than that ditzy blonde travel agent chick from the local Flight Centre. Unlike Sharon, however, McCann hasn’t done his miles with the benefit of industry junkets and a staff discount. In short, he’s paid his own way.
Back in the ‘90s, McCann co-founded The Drones in Perth, before moving to Sydney where he played with Harpoon, Lowdorados and an early version of the shape-shifting Nunchukka Superfly. Relocating his voice and guitar to Melbourne, McCann’s played under his own name or with his own bands, like The Dirty Skirt Band and The New Vindictives. The odd foray to Europe has kept his passport stamp collection growing.
James McCann leads his New Vindictives through a set in Sydney.
Before he was hanging out with The Drones in Perth, or touring through Europe with his own bands, James McCann cut his teeth playing in a local band in regional Western Australia. It was a baptism of fire, an experience that instilled in McCann a resilience that’s benefited him ever since.
“There’d be bikers, surfers, shearers, hippies, all mixing into one crowd, and fuckin’ getting’ shitfaced,” McCann says. “It could go real good, or it could go south really quickly. Heavy stuff would be happening, and you’d be up there watching. You had to hold your own.
"So by the time we got to Perth, playing was a walk in the park! The whole of my music career since then has been easy, crowd-wise.”
McCann grew up in the Western Australian town of Albany, 400 kilometres south-east of Perth. McCann’s father had moved from Scotland to Australia in the 1950s. After marrying a local woman in Sydney, where McCann’s elder sister was born, the McCanns moved back to Scotland, where James and his younger sister were born.