Melbourne’s reputation for throwing up more unique bands than Sydney could ever dream of goes from strength to strength on the back of The Pink Tiles. Their second LP is an unabashed mix of girl pop with garage rock and cheap, synth-y sass goodness.
It took the first spin of a promo burn on a road trip to show that The Pink Tiles stood out from the pack. Some proper listens since then have cemented “#1 Fan” as top-shelf pop. The soundtrack to sunny days in a beer garden or on the back porch.
The Pink Tiles kicked off as a bedroom project and grew into the Melbourne pub scene, adding members as they went. There are six members and Ex-Rocket Science guitarist Paul Maybury is one of them. He produced “#1 Fan” at his own studio and it’s drenched in reverb, with its sharp edges left intact.
Here’s your first taste of the looming release by Melbourne’s Powerline Sneakers, whose album will be out early this year on Kasumen Records.
The band features ex Powdermonkeys guitarist John Nolan, with Sly Faulkner (guitar-vocals), Katie Dixon (bass, ex-Ripe) and Mark Hurst (drums, Gutternsipes.) Powerline Sneakers recorded their album with Paul Maybury (Rocket Science) and mastered it with Mikey Young (Eddy Current Suppression Ring). More news as it comes to hand.
Twisted - Plastic Section (Outtaspace)
Two salient points need to be made:
If you're going to tap a source, go back to the original.
And there ain’t nothing plastic about this Melbourne trio's sound.
Think Flat Duo Jets, the early White Stripes, Link Wray & The Raymen and BBQ to name a few. While you're at it, you can throw in that catch-all descriptor "Crampsian". In a big way...
The Electric Guitars are fucking extraordinary. I saw this outfit in Geelong and they deliberately mess with your expectations. Partly I spose it's 'cause there are so many fucking rock'n'roll bands. And these days, there's a big swing towards the manner of psychedelia (without the bad trips and foul behaviour) in the US and UK.
Yeah, so the Electric Guitars use wah-wah. But it's hardly a mannered thing - they use a lot of effects, and they ain't shy about it. This outfit don't need drugs to get your attention, instead they have carefully set-up songs and wield them like scalpels, chainsaws and bludgeons, sometimes all at once.
You think you know where you are with a band like this, you'll fall on your face. The second song alone ("Three Body Problem") is a case in point... you're sucked in, frankly, and after a while your sinuses are aching and your inner ear is rattling. If you have fillings, take them out before you listen.