I first saw Blackie when I was 16. It was the Hard-Ons’ 21st birthday tour, and I was stuck in Coolangatta, a long way from home. I knew nothing of the band but the name intrigued me so I went along. To this day it’s one of my top five gigs.
Corrie Ancone photo.
I-94 Bar: And you’ve just dropped two new solo LPs, the acoustyic 'If This Is The Hand I'm Dealt' and the amped up 'I'm Gonna Cheat As Much As I Can', so you clearly have been busy.
Blackie: Yeah, the songwriting I do all the time, regardless. Makes my world spin around, move around, stay afloat, however you wanna describe it
I-94 Bar: When you write a song how do you determine if it will be a song you’ll play solo or with a band?
Blackie: It depends. It’s in my nature in the first five seconds to let me know where the idea is going to go. When the idea comes I do what’s best for that idea. Whether that means this will be sick with Murray drumming or whether I’d like to bash it out acoustically; I don’t sit around and say I wanna write a new Hard-Ons song, that wouldn’t work. I’m excited I’m lucky enough to create like that
I-94 Bar: When you decided you wanted to play solo, what was your intention? You obviously wanted to do something different and not create another project that sounded like the Hard-Ons or Nunchukka.
Blackie: It was a couple of things. One thing that opened the idea to me, was at a party I was invited to, and a guy passed me an acoustic guitar. And this guy goes, ‘You’re a guitar player do something’. Part of the fun was I didn’t know how to use this kind of guitar, so I thought this is a challenge. And I wanted to do songs that sound really beautiful and all that shit.
And I wanted to play quieter and really to see if I could make it work. When that guy gave me the guitar I was like fucking hell. There are guys in bands that do their own songs acoustically…the thing is that most people that do that, when they play an acoustic for songs that they do with a band, it doesn’t really work. It can, and it wouldn’t work with me doing Hard-Ons songs.
It was a challenge and you should always challenge yourself, whatever art you do you gotta do something different, I’ve always thought you’ll stagnate with that ideology.
I-94 Bar: I saw Buzz from the Melvins solo a few years back, and I knew he was a great guitarist but seeing him live, just him and a guitar made me realize how good he is.
Blackie: Yeah well, he’s also lucky he has a loud voice and I struggle with that, but you work around that.
I-94 Bar: When Keish left the Hard-Ons, were you comfortable becoming the singer?
Blackie: Not really.
I-94 Bar: Did you do that to keep the band going?
Blackie: Ah…
I-94 Bar: Like, did you consider getting a new singer?
Blackie: No, it wouldn’t have been the same. It would have sounded too different. A lot of people thought me and Keish have a similar voice. And in a way we do, as we all grew up and started the Hard-Ons from scratch, so I could see that. But we didn’t want to break up. I thought we still had a bunch of songs in the tank that were Hard-Ons songs. So it was like, ‘How do we make it work?’. And Ray said, ‘Well, you’re going to have to learn’, and I didn’t think I had it in me, and he said, ‘Well just fucking learn’. Looking back there wasn’t much thought. ‘You wanna keep playing?’ ‘Yes.’ ‘Well it’s the way it is.’
I-94 Bar: I’m glad you did as I love the LPs with you on vocals.
Blackie: Thank you. Like I said I thought there was still songs there. And if Keish left again would we still go on? Probably. I don’t know. Who knows?
Peter Black at the Gasoline Pony in Sydney. Keith Clarinbold photo
I-94 Bar: Do you write any Hard-Ons or Nunckukka songs on the acoustic?
Blackie: when I first started Nunckukka, the first two LPs were written on bass, as I had a bass at home and because I wanted to do something different, and the band is bass-driven. Even though I said I don’t play Hard-Ons songs acoustic, I have written some of songs on acoustic guitar.
Occasionally I’m like ‘This will be an acoustic track’, but then after a while I’m like ‘The Hard-Ons would do this really well.’ It’s all a mix, sometimes it’s what’s at hand. If I have an idea and an acoustic is next to me I can still bash out what will be a bass line, just seeing what works and what doesn’t
I-94 Bar: How did the idea come about to do two LPs at once, one acoustic and one electric?
Blackie: When I had the money to record, I looked at the songs I wanted to record and there was too many for one (laughs) that’s why. And when I get the money I’m gonna record again and same thing – if I got too many, I’ll do more one album.
I-94 Bar: Talk about the Song a Day project you did for a year.
Blackie: I love playing guitar and watching guitarists, and when when I hear Angus Young play guitar and I go, ‘Fuck me, that’s incredible’, the thing that gets me the most is the song. When I’m listening to Motown and I think ‘Man, this song is mental.’ I love the craft of songwriting to death, and that’s what I want to master and grow with more than anything else.
That’s why I’m not a better guitarist. I can’t sit there and do long scale work. Ill pick up a guitar and play whatever melody came to me that morning. I loved the Song a Day thing, if I had a dream job I would one of those writers for the Brill Building, turning out hits. I’d love it. I’d be the first person in, making coffee for everyone. So that Song a Day idea was me making my dream come true.
I-94 Bar: Could you write a song anytime of the day? Like, you’re just waiting for a bus or got a few minutes to kill, and does the guitar or the notepad come out?
Blackie: Not so much with the lyrics, but with melodies and riffs there’s always something in my head 24/7.
I-94 Bar: For your first solo LP you went under the name Blackie, and now you’re putting out LPs as Peter Black. Was it hard to choose between your nickname and real name?
Blackie: Just wanted to use my real name. Blackie sounds like, I don’t know what it sounds like. I’ve been called Blackie since I was four. I suppose it was to separate it from the bands. Wasn’t a hard call, I mean it is my name (laughs).
I-94 Bar: I’ve asked this question a lot lately, but the Hard-Ons are one of the first bands that made inroads in the underground rock scene in Europe that paved the way for a lot of Oz bands to tour over there. What is it about Australian rock ‘n’ roll that translates so well in Europe?
Blackie: Ah man, I think Australia has this weird thing…not the fans, but Australian in general are apathetic at what’s happening here. But we really punch above our weight. This still shits me, but when I got into punk, two of the last bands I discovered were Birdman and the Saints. I knew the Ramones, the Cramps and the Pistols and all that, but there was nothing out there on the Australian stuff.
Alec Smart photo
I made friends with the guys from the records shops, and I said, ’How come Australia doesn’t have any punk bands?’ Me and Ray were such music nerds, and still are, we would go on a train every weekend and talk shit with the owners and just take it all in. You can’t tell me the Clash are better than the Saints. Why does Australia do so well? Because Australian music is fucking awesome.
When we went to London for the first time, it was exciting, and we’re like this is where the Damned, The Beatles and The Who are from. And we watched the first two bands, and I swear to god, it was some of the worst music I’ve ever heard. I thought if they played liked that back home they’d be bottled off stage. So that’s why Australian music does so well in Europe, as it’s brilliant.
I-94 Bar: What are your memories of the Ramones tour with the Hard-Ons supporting?
Blackie: How much it hurt when it was over. One of the best times of my life. First gig was at Festival Hall, we’re loading the gear in, and Joey Ramone walks up and says: I’m so glad to be playing with you guys, I’m a big fan I play you guys on my radio show.’ And that’s a memory I’m never gonna be able to shake.
I-94 Bar: What’s coming up for the next few months?
Blackie: Tons. I’ve written most of the songs for the next Hard-Ons album, and we’ve already demoed them. Nunchukka have a double LP that’s at the printer right now. Try and take the solo stuff on the road as much as I can.’ Yummy’ turns 30, so tons of shit. The music thing never stops; any excuse to write the next song or go to the next practice or get to the next gig, I’m there.
I-94 Bar: What’s happening with the Hard-Ons documentary?
Blackie: I just got filmed. I think he (director Jonathan Sequeria) is trying to get funding. He’s through one door, and he needed a little presentation, so he filmed me for that. It’s happening. All this stuff takes time.
The albums “If This Is The Hand That I'm Dealt” and “I'm Gonna Cheat as Much As I Can” by Peter Black are out now on Ditto Music. Buy them digitally here.
