Some of the best material to come out of Ernie O’s Urban Fringe Compound over 2024, in no particular order (as these are my friends and clients, it doesn’t pay to play favourites):

Mick Medew and Ursula – In The Zone CD (I-94 Bar Records)
Mick and Ursula’s material has certainly “matured” with this release, with Ursula taking over vocal and co-writing duties on some of the more post punk styled songs ("Punk Grandma", "Invisible Woman"), while Mick’s melodic songwriting style shines on tracks like "In The Zone" and "Surfing On The Waves". This album is getting some great reviews online and from Australian independent radio stations. Available from Bandcamp. Get it!

John Kennedy and the New Originals – Live at the Marrickville Bowl (I-94 Bar Records)
John put together a stellar outfit with Pete Timmerman, Phil Hall, Murray Cook and Matt Galvin, and Richard Ball captured it live to 1’s and 0’s before Phil mixed it to sound like we’re actually in the room with the band. A totally live recording with no overdubs and only some pauses removed to keep it flowing, John has curated some of the best songs from his extensive stable, and a couple of old chestnuts (including Eastern Dark’s "Julie Is A Junkie" and "Hand of Law" by Radio Birdman). Stellar! Get it here.

Favourite Live Gigs in Sydney

DRIVE-BY TRUCKERS (Metro Theatre):
It was a long time between drinks but
they finally made it back to our shores and gave the crowd an Alabama
ass-whuppin'for the ages! With 14 studio albums up their sleeves it's
impossible to hear all of your favourite tunes,but it was a wonderful
evening of top-shelf Southern Rock whichever way you slice it.



CHEAP TRICK/THE ANGELS (Enmore Theatre): 

A crackin' night of pop-infused rock'n'roll from the get-go. I loved The Angels back in high school but lost interest by the late 80s, so it was a pleasant surprise to hear a
solid set of classics by a rejuvenated lineup now boasting 4 x Brewsters
in the ranks! They'll never have a frontman as great as Doc Neeson, but
they're still a fun night out. Cheap Trick were in top form delivering
hit after hit - if you don't enjoy these blokes you may be in need for a
check-up from the neck up!



Top Ten for 2024 in order of event

The Breeders at Enmore Theatre
Starting off with "Saints", ending with "Divine Hammer" and everything you’d want to hear in between.

Grazza-Fest at The Great Club
We lost a beautiful man last year so we all got together to celebrate Graham Bowditch the best way we know how. With the music he loved. Held on the weekend of his annual BBQs, the bands were: The Strike-Outs, Hellebores, The Glycereens, Rocks, The Pink Fits, The Hard-Ons, and they all provided a great night of entertainment.

Recording with The Jane Does at Rancom St Studios
The studio is owned by Garth Porter from Sherbet and we had the opportunity to record a song ("Around the Bend)" there for an upcoming pop culture doco by Larry McGrath called "Yesterday’s Highway". We had Tim Carr as producer and he worked his magic with us.

Human League at Enmore Theatre
Managed to score a last-minute ticket to this one thanks to my bandmate Matt. Performing the classic "Dare" album in full plus a selection of their other songs. Given that it’s mostly done on synths they were able to replicate their sound perfectly.  

“I FEEL YOUNG, I HAVE FUN, I'M NOT DONE!"

1. This year I've been back writing songs. To have Mick Medew as a collaborator is fantastic. Hope you've enjoyed them on our second album, “In The Zone”.

2. I've seen some amazing gigs this year. Here’s the highlights. Human League!!Halfway's 20th anniversary of “Any Old Love”. (I was asked up on stage to play harmonica on one song, but I danced instead). Dave Graney and Clare Moore and Adele Pickvance at The Bearded Lady.  Glycereens at our single launch. Radio Birdman, Sabrina Lawrie, Salt & Steel and Sarah Stockholm at Stranded, Loves a Blur as part of the Going Nowhere Fast exhibition and book launch. The Worm Turns at PFR Lounge (plus I got to meet Ildi Babu). The Melancholics single launch. The Saints ‘73-‘78 at The Princess Theatre. The Donnybrooks at Lismore.

3. The 23rd March is a special day for Mick Medew and me, because that's when we saw Stuart McLaughlin drumming in Sarah Stockholm's band. We both looked at each other and said. “I like his style; he could suit us”. I approached Sarah and she said, “Go for it! He’s got his own studio too!” Turns out said studio is five minutes from us. Stuart was keen. We asked Mick's former bass player, Lois Andrews to join, and she said Yes too!! The Mick Medew and Ursula 4 was born and April 1 was our first rehearsal. We’ve since played four gigs and we are looking forward to next year's shows in Newcastle, Sydney, Ipswich and good old Brisbane.

4. On the 24th of January we got a new fridge! The door actually closes and seals the cold air in!! How about that??!!!!

 Ten musical things I dug in 2024.

• The Hard-Ons got to celebrate 40 years of ravaging the stage. Still as high-energy and still as true-to-form, brutally honest as ever. And a brand new doco to boot. Go see it. It’s great. Oh, and next year marks 40 years since the release of their debut EP, “Surfin’ On My Face” (ED: On Mark’s label Vi-Nil Records). Just sayin’!

• Middle Kids released an album that was completely hitsville from go to woah. Their previous releases all had a couple of great standout tracks, but “Faith Crisis Part 1” is their ultimate opus. Infectious indie pop that sits on the edge of mainstream and subsequently shits all over half of the commercial shit that has been released this year. 

• Elestial are a band that hails from Newcastle in Australia, and their nicely structured dream-pop is a beautiful shot of razored honey.  I was lucky enough to have them do a chunk of the INDIE SOUNDS launch tour throughout July, and they nailed every show. A nicer bunch you couldn’t meet. 

• Chamberlane are an indie pop punk band out of the Sunshine Coast. They jumped onto a last minute slot on the INDIE SOUNDS tour to help us out, and despite being hungover to the max from a festival the day before, they kicked the shit out of it. They’ve just finished a bit of an east coast tour and I was lucky to have them on board as part of the recent Vi-Nil Records showcase at The Recky Pacific Palms. Fun at a furious rate! 

The Golden Rat with Joe Rizzo – “Can Any Of You Muthas Dance?”
This live recording from July 2024 went straight to digital and we're thankful someone had the nouse to preserve it. The Golden Rat headlined a tribute show in Tokyo to honour the late Walter Lure (Heartbreakers/Waldos), who passed away in 2020. Joining The Golden Rat (Hiroshi The Golden Arm and Mr Ratboy) for this special evening was drummer Joe Rizzo - who'd done time with Walter for years (and was also a member of The Waldos, Pillbox and D Generation). Killer set of Heartbreakers/Thunders tunes done right! 

Marc Valentine – "Basement Sparks" CD
My brother and I saw Marc Valentine in ‘93 in London when he was fronting power-pop outfit the Last Great Dreamers. He released a killer album a couple of years back that included Wreckless Eric and Matt Dangerfield from The Boys, but this new album, “Basement Sparks” goes one better. Great songwriter who understands the pop/hook combo very well.

Marcus' Top Ten Albums for 2024 (with Spotify playlist after the fold)

1. Bad Nerves - Still Nervous:
I'm hooked on this album ! Full-throttle garage punk but with an ear for hooks and melodies. They're from Essex and have lately been opening for the likes of The Hives, Royal Blood and The Darkness. Billie Joe Armstrong has labelled them “the best band in England right now." This album is so much fun !
Fav Track: You've Got The Nerve

2. The Lemon Twigs - A Dream Is All We Know:
These guys are absolutely brilliant ! With this album, they've really honed in on the 60's Pop/Baroque sound but also with elements of 70's power-pop. A couple of tracks on this sound like The Raspberries ! Amazing songwriting/performances and they look cool, what's not to like?
Fav Track: How Can I Love Her More?

Bob Short's incredibly accurate Top Ten predictions for 2025 (and beyond).

1. When Trump reduces military aid to the Ukraine, Putin will essentially be gifted the disputed Eastern territories. The three wise monkeys of Russia, North Korea and the USA will have a delightful tea party whilst watching the executions of their political enemies. Lewis Carroll will arise from the grave, vindicated by the realisation his major works were true and accurate.

2. Trump will deport so many agricultural workers that American supermarket shelves will empty and the United States economy will slump. No-one will be able to afford the tariffs on overseas food. The poor will look suspiciously towards their pets.

3. Across the pond, as the economy, good manners, social services and the art of staying calm collapse, the UK will quietly sink into the Atlantic and no-one will notice. It may have happened already. (Has anyone looked?). If anyone does notice, a variety of suckholes and knuckle draggers (particularly those who resemble potatoes) will petition to make Gina Reinhardt Queen of Australia. She will unilaterally declare it so and poison all the drinking holes.

 Here's a Top Nine of righteous soul, blues, funk and jazz classics from Scott Morgan (The Rationals, Sonic's Rendezvous Band, The Hydromatics, The Solution, Scott Morgan Band and many more) preceded with one of his own.  

1. THE MUNKS and THE STALLERS @THE MOSH PIT, SYDNEY
Opening act The Stallers pumped out a high-energy set , a mix of obscure garage covers and originals. Loved it , good guys , great players led by head gunslinger DARREN FALCONSTEIN who plays in many other bands like BAHNE SUPER-FLEX.  All the way from Ulladulla  THE MUNKS pumped out the Raw ROCKNROLL, a sense of humour , showmanship and quality playing. Probably my favourite Semi - local band I've seen in a long time. 

2. The JOHNNYS, @THE OLD BOATSHED, MANLY
I saw THE JOHNNYS  many times in the ‘80s, one time at Selinas supporting the HOODOO GURUS and THE JOHNNYS blew them away. It's  ow 2024 , 40 years later. SPENCER, unfortunately, isn't there but HOODY, SLIM and BILLY still blasting the stuff that hooked me as a teenager. 

3. The DAMNED @ENMORE THEATRE, SYDNEY
Some bands get old and bitter, these guys don't. The more I listen to THE DAMNED the more I appreciate and love them.  Punk, Goth, Pop - call them what you want, I call them  awesome. RAT SCABIES was a highlight,  I didn't realise how good a drummer he was.....possibly second only to CLEM BURKE.

You asked... we'll deliver!

2023 Top Tens coming soon.

1. Big Bongin’ Baby
Gutterball Pete is perhaps the only person currently alive who can vomit during the middle of a guitar solo and not fluff a single note. He’s a character – an amalgam of Nikki Sudden, Ronnie Wood and Peter Perrett in style and grace. The affectionately –named Bongers have played around town for over 25 years and like the Saints, failed the Academy of Music’s Battle of the Bands.

2. The Double – "Dawn of the Double" LP (In the Red ITR-295)
Drummer Jim White and guitarist Emmett Kelly playing Bo Diddley for three quarters of an hour in E over two sides of an LP. This is probably too avant for the fans of rock ‘n’ roll and too in the pocket for the rockist set. I don’t think rockists know what that term even means but I’ll leave it in here anyway.

3. Kitchen’s Floor – "Battle of Brisbane" (bruit direct disques ‎ Br-d 19)
Whether they’re blissfully unaware or overtly conscious of the fact they’re carrying this anger and sense of punk that goes back to Brisbane’s day one is probably pointless and not worth fretting about right now.

_{Doc Temple (centre) with Chickenstones}

What's my Top Ten? Now, there's a question best reserved for someone young enough to still have a memory that lasts longer than a week. But as there is scant actual non-payola industry reference around, fuck it. I will try.

First off, I have had a number of recordings thrown at me this year as I rather often do a radio show co-host replacement thing (when one of the usual hosts is off doing what parallel universe shit they do.) This does not, however, make me any wiser or more influential than anyone else. 

Some picks were not committed to Pro Tool hard drives this last year but took many, many months of work to do so, thence, they deserve some spotlight,  but I subscribe to the Bob Short model of 'Do I have Ten?'. Maybe, maybe not. Being numerically dyslexic, I shall offer thoughts, not numbers:

_{Penny and her trademark Ikinger Pennycastor.  Carbie Warbie photo}

1. Kid Congo and The Pink Monkey Birds at The Caravan Club, Melbourne - Wow!!! What a band!!! It was like being given a music lesson!

2. Radio Birdman, Max Watts, Melbourne. A really diverse and powerful set of new and old classics.

3.  James McCann and the New Vindictives - James McCann’s new band is truly awesome - punk meets well crafted songwriting with a good strong dose of youthful & invigorating mayhem. I have been guesting as vocalist and guitarist at their live shows singing a Spencer P. Jones song and another I co-wrote with James for their soon to be released album.

In no particular order...here's the best of 2016:

"Brujita" - Chris Masuak and The Viveiro Wave Riders
Best rock pop record of 2016 by a long way. Did I mention it’s on I-94 Bar Records and you can buy a copy here?

"Friday Night Heroes" - Leadfinger
The soulful Sydney-via-Wollongong rock and roll band par excellence just keeps getting better.

"Evolution" - Tamam Shud
Damn, if this doesn’t rock I don’t know what does. Veterans from the beginning of time (well, birth of Australian surf-psychedelia) sound dirty and relevant at the same time. They deliver the goods live, too.

"Post Pop Depression" - Iggy Pop
His best album since “New Values”. Big grooves and melodies with a sharp, Germanic essence, it’s proof that Iggy needs another talent to bounce off to deliver his best work.

“Diamond In The Forehead" - Garry Gray and The Sixth Circle
The album was killer and the short run of Sydney shows was just as good. Were you you? One day you might claim to have been. Nice people, to boot.

"Lost Cities" - Ed Kuepper
Ed’s been an underrated treasure since finding his solo feet in the late ‘80s. This adds to the considerable body of work. An album of great songs with understated intensity.

Kylie Pitcher photo