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fabels

  • belle trio soaring

    Belle Phoenix with Jeffery Wegener and Ken Gormly
    + Fabels
    Thursday, 4 September 2025
    Lazy Thinking, Dulwich Hill, NSW

    WORDS: Ed Garland
    PICTURES: Keith Claringbold

    With her elfin appearance and cat’s eyes, Belle Phoenix, is part musical performer and part Factory girl, and surely would fitted into Andy Warhol’s Bohemian scene of 1966. Her sweet vocal has held her in good stead as a backing singer on other people’s albums, but she’s steadily built an impressive body of work with her own material.

    Belle Phoenix’s music would work as a soundtracks to European movies (indeed, she did live in Europe for a time with Finland a home base.) It has hints of the spoken word spirit that pervaded the San Francisco of 1958 when alcohol-fuelled beat poetry nights were all the rage, long before anyone had an inkling of the Summer of Love that was lay ahead.  Yet, Belle can also sing like the angels and produce pure soprano bliss amidst her swamp darkness.

  • edwin garland 2023

    I have been making lists and, damn, it has been a huge year of music for me; so many records and so many gigs.  I cannot think of a year so jam-packed.  I could have made a Top Ten list by August this year. Best that I don’t count these off or it could be limiting.

    1. Loud Hailers at the Hollywood Hotel, Surry Hills, NSW
    Ben Fink
    is one of the most tasteful and sonically powerful guitarists in town, evoking Blind Lemon Jeffersonand Jimmy Page. Then there’s drummer Jordon. And vocalist Christa Hughes,who mixes it up, referencing everyone from Nina Simone to Lydia Lunch to a deranged Lisa Minnelli. Confrontational and soulful. Their gigs at the Hollywood set the place on fire. The Sydney inner city band to catch in 2024.

    2. Fabels at the Hollywood
    Ben Alyward and Hiske Weijers have been making music together for 13 years and have developed a cult following both in the inner city and Europe.  It’s a creative, surreal form of shoegaze with a huge palette of influences. They sit in their own space and avoid the pub rock tradition, forging their own identity and sound.