1. THE MUNKS and THE STALLERS @THE MOSH PIT, SYDNEY
Opening act The Stallers pumped out a high-energy set , a mix of obscure garage covers and originals. Loved it , good guys , great players led by head gunslinger DARREN FALCONSTEIN who plays in many other bands like BAHNE SUPER-FLEX.  All the way from Ulladulla  THE MUNKS pumped out the Raw ROCKNROLL, a sense of humour , showmanship and quality playing. Probably my favourite Semi - local band I've seen in a long time. 

2. The JOHNNYS, @THE OLD BOATSHED, MANLY
I saw THE JOHNNYS  many times in the ‘80s, one time at Selinas supporting the HOODOO GURUS and THE JOHNNYS blew them away. It's  ow 2024 , 40 years later. SPENCER, unfortunately, isn't there but HOODY, SLIM and BILLY still blasting the stuff that hooked me as a teenager. 

3. The DAMNED @ENMORE THEATRE, SYDNEY
Some bands get old and bitter, these guys don't. The more I listen to THE DAMNED the more I appreciate and love them.  Punk, Goth, Pop - call them what you want, I call them  awesome. RAT SCABIES was a highlight,  I didn't realise how good a drummer he was.....possibly second only to CLEM BURKE.

You asked... we'll deliver!

2023 Top Tens coming soon.

1. Big Bongin’ Baby
Gutterball Pete is perhaps the only person currently alive who can vomit during the middle of a guitar solo and not fluff a single note. He’s a character – an amalgam of Nikki Sudden, Ronnie Wood and Peter Perrett in style and grace. The affectionately –named Bongers have played around town for over 25 years and like the Saints, failed the Academy of Music’s Battle of the Bands.

2. The Double – "Dawn of the Double" LP (In the Red ITR-295)
Drummer Jim White and guitarist Emmett Kelly playing Bo Diddley for three quarters of an hour in E over two sides of an LP. This is probably too avant for the fans of rock ‘n’ roll and too in the pocket for the rockist set. I don’t think rockists know what that term even means but I’ll leave it in here anyway.

3. Kitchen’s Floor – "Battle of Brisbane" (bruit direct disques ‎ Br-d 19)
Whether they’re blissfully unaware or overtly conscious of the fact they’re carrying this anger and sense of punk that goes back to Brisbane’s day one is probably pointless and not worth fretting about right now.

_{Doc Temple (centre) with Chickenstones}

What's my Top Ten? Now, there's a question best reserved for someone young enough to still have a memory that lasts longer than a week. But as there is scant actual non-payola industry reference around, fuck it. I will try.

First off, I have had a number of recordings thrown at me this year as I rather often do a radio show co-host replacement thing (when one of the usual hosts is off doing what parallel universe shit they do.) This does not, however, make me any wiser or more influential than anyone else. 

Some picks were not committed to Pro Tool hard drives this last year but took many, many months of work to do so, thence, they deserve some spotlight,  but I subscribe to the Bob Short model of 'Do I have Ten?'. Maybe, maybe not. Being numerically dyslexic, I shall offer thoughts, not numbers:

_{Penny and her trademark Ikinger Pennycastor.  Carbie Warbie photo}

1. Kid Congo and The Pink Monkey Birds at The Caravan Club, Melbourne - Wow!!! What a band!!! It was like being given a music lesson!

2. Radio Birdman, Max Watts, Melbourne. A really diverse and powerful set of new and old classics.

3.  James McCann and the New Vindictives - James McCann’s new band is truly awesome - punk meets well crafted songwriting with a good strong dose of youthful & invigorating mayhem. I have been guesting as vocalist and guitarist at their live shows singing a Spencer P. Jones song and another I co-wrote with James for their soon to be released album.

In no particular order...here's the best of 2016:

"Brujita" - Chris Masuak and The Viveiro Wave Riders
Best rock pop record of 2016 by a long way. Did I mention it’s on I-94 Bar Records and you can buy a copy here?

"Friday Night Heroes" - Leadfinger
The soulful Sydney-via-Wollongong rock and roll band par excellence just keeps getting better.

"Evolution" - Tamam Shud
Damn, if this doesn’t rock I don’t know what does. Veterans from the beginning of time (well, birth of Australian surf-psychedelia) sound dirty and relevant at the same time. They deliver the goods live, too.

"Post Pop Depression" - Iggy Pop
His best album since “New Values”. Big grooves and melodies with a sharp, Germanic essence, it’s proof that Iggy needs another talent to bounce off to deliver his best work.

“Diamond In The Forehead" - Garry Gray and The Sixth Circle
The album was killer and the short run of Sydney shows was just as good. Were you you? One day you might claim to have been. Nice people, to boot.

"Lost Cities" - Ed Kuepper
Ed’s been an underrated treasure since finding his solo feet in the late ‘80s. This adds to the considerable body of work. An album of great songs with understated intensity.

Kylie Pitcher photo

EAGULLS - “Ullages” LP (Partisan Records) 
Second album from these lads from Leeds. It’s bleak, it’s dark but you would expect that from a Leeds band. 
Think – The Cure, Cocteau Twins

THE GOON SAX - “Up To Anything” LP (Chapter Music) 
Brisbane kids. Pop music played as it should be. A familiar last name amongst the members. The apple doesn’t fall far from the tree. 
Think – The Go-Betweens, Beat Happening

DAVID BOWIE - “Black Star” LP (Columbia Records) 
The artist of our generation? I’d say so. He changed my perspective of music when I was young. His finest work since the 70’s. Respect.
Think – David Bowie

2016 was a great year for new music in my view, from both new and established acts. I found it pretty difficult to whittle the list down to ten, but here goes.

1. deux furieuses - "Tracks of Wire"
In a year dominated by abject misogyny and the rapid rise of idiocracy in the western world, Ros Cairney and Vas Antoniadou kicked against the pricks with a masterful collision of tribal drums, brutal guitar and razor-sharp feminist/humanist critique. The true heirs of Patti Smith's mantle.

2. Iggy Pop - "Post Pop Depression"
Jim Osterberg and his notorious alter-ego finally coalesced on a brave, compelling album that sought resolution of the key themes of his life's work.

3. Ela Orleans- Circles of Upper and Lower Helll.
Dark, trippy and completely absorbing, an album that mirrored the free-fall disorientation of 2016.

4. David Bowie- "Blackstar" 
You know about this one. A class act, to the end.

In no particular order...

Garry Gray & The Sixth Circle:
The former Sacred Cowboys frontman's "Diamond in the Forehead" was one of the stand out albums of the year. Great songs, big unhinged guitars, fantastic vocals and solid rhythm section behind it. You could be forgiven for thinking that their show at the Factory Floor would be sell out, but no. Barely 50 people witnessed one of the gigs of the year. Supports Leadfinger were fabulous (they always are) and the Chickenstones put on the best show I've seen from them.

Leadfinger’s "Friday Night Heroes":
Stew and the boys were back with their fifth and best to date album in "Friday Night Heroes". Great songs for grown ups, plus two excellent guitarists and a top notch rhythm section. The album was backed up with some fantastic shows. Probably Sydney's best rock band at the moment and it makes me wonder what things would have been like in another era when people actually bought and went out to see this stuff. One of the albums of the year.

Jim Dickson’s "Coelum Verses":
The year's most unexpected debut? Yep. This is not what I would have expected from the New Christs and Birdman bassist. It took a few listens before I really got into and then the penny dropped – one man's journey through a life of listening to and playing music. Anyone who's had a beer with Jim knows that he has an encyclopaedic knowledge of music and is a hell of a nice guy too. After each listen, this record was becoming less surprising and more enjoyable. Great songs, great band, great production. Can we have a live show please Jim?

Iggy Pop’s "Post Pop Depression":
Over the last 25 years or so, Iggy's records have been patchy at best. This one was recorded with a small band with production responsibilities handed over to Josh Homme. Stripped back, tight and brooding, it looks backwards and forwards. It's the sum of where he's been and may be where he intends to go. For mine, his best since the Berlin albums he did with Bowie. Compelling. Iggy's not done yet.

1) Died Pretty at Factory Theatre, Sydney
Astounding, amazing, Ron Peno sounding great and enjoying himself. What am I saying? The whole band sounded great.

2) Died Pretty at Factory Theatre for Spencer Jones Benefit
Not content with being brilliant just once, they came back and proved it wasn’t a fluke, a pretty (!) tough trick, given the more relaxed vibe of the evening and the fact they were playing a short set.

3) Los Chicos - Marrickville Bowling Club
I’d never seen nor heard them but trusted the raves of folks with good taste and went along! What a night! So much fun. Notable Celibate/New Christ/Leadfinger/Birdman guests joining in all star renditions of MC5 and Flamin’ Groovies classics..let alone the quality of the originals.

There is a school of thought that suggests great art is the product of suffering. 2016 has largely put paid to that notion.

I mean, this year should have positively dripped genius. I couldn't come up with a full ten. Here's my Top Six.

1. FRIDAY NIGHT HEROES - LEADFINGER LAUNCH AT THE FACTORY FLOOR, SYDNEY 
Wollongong’s finest, led by Stew Cunningham, blitzed the Factory Floor in Sydney launching their album "Friday Night Heroes", my favourite Australian release of the year. Dillon Hicks, Reggie Screen and Mick Boyle certainly brought their A game in front of an augmented line-up that included Carrie Phiilis on BVs, Doug Hazell on sax and Andy Newman on keys. I could have sworn it was the E Street Band at one stage. Extra points for covering Warren Zevon’s “Lawyers, Guns and Money”.

Some damn fool asked me for a list of my top ten favourite CDs this year.

Well, no. I don’t have enough time, frankly, to listen to everything wonderful which deserves to be listened to over and over again, and I think that putting down a list, implying that what isn’t on there is somehow beneath my interest, would be bollocks.

So here’s a list - in a random order - of music which I’ve been listening to a lot this year:

1. My increasing exploration of soul music and samples.

2. My increasing discovery of unknown female artists throughout history.

3. Cable Ties

4. Patti

5. River Rocks

6. Lolling Stones

7. That female rapper Kate

8. Deaths... Malcolm, Prince, David...

9. Alice Cooper

10. Dancing in my own living room and sitting in front of my system.

11. HITS Bandcamp

12. All my friends' bands who gigged all year, put stuff out and all my friends who helped it happen. Friends at gigs.

The Top 10 People I Love In RocknRoll That Make Me Love People In RocknRoll  (2017 Edition)

1. Shannon Cannon
Shannon is an A1 World Class Top Shelf Human. She is somehow simultaneously all ticker, all smarts, all love, all staunchness, all practicality and logic yet all compassion and instinct. That kinda mix just don't happen often.

From her borderline illegal and harmful practical jokes on idiots she works with to her endless efforts and love to rehabilitate her dear daschund Bruce to walk again against all odds and massive financial hurdles, she is a wave crossing the full spectrum of traits of inspiring people.

Shannon takes this all into her music, I've seen it get pummelled outta her on stage playing bass like a war machine, I've seen it in the drive and focus with which she has forged Juliette Seizure and the Tremor Dolls (incidentally the majority of which are honourable mentions for this top 10), and I've seen it in the difficult, taxing and uncomfortable work she does/has done to earn money to fund music. I've seen it in the minimal twitch of her eye in place of a fist to the cock that she chose to use to respond to a dear and misguided friend of mine's amazement at her wearing a Dictators shirt ("a chick! Wearing a Dictators shirt!"). Shannon is the real deal whatever the hell that means to any of us. 

Honourable Mention: Tremor Doll Graeme Cole (happiest man in rocknroll) and of course Bruce.