Broken – Kevin k (Vicious Kitten) 

Recorded with all dials in the red in a basement in the cold of a Michigan winter, “Broken” shows Bowery veteran Kevin K is anything but. Your sound system may be, though, after 12 songs that don’t skimp on distortion.

Glossy production and Kevin K have rarely been mentioned in the same breath. Ironically, his most polished record, “Magic Touch”, also came out on Vicious Kitten 23 years ago. Apart from being on the same imprint, “Broken” bears no resemblance and sounds like Blue Cheer.

Kevin K played all the instruments on “Broken” (with some minor drum machine assistance) and the production is homespun. The “never too loud” ethos and claustrophobic feel might leave you gasping for breath midway through but I suspect that’s the intention. 

The Dividing Line – The Primevals (Heavy Medication/Triple Wide/Ghost Highway)

It’s 40 years after they formed in the no-nonsense Scottish city of Glasgow and If you haven’t worked out what The Primevals are on about three songs into this, their latest and 14^th album, you need to have a wee dram and a good, hard look at yourself.

Admittedly, a band that dates from 1983, worked the European circuit on the back of a French New Rose Records deal, disappeared and resurfaced to start a second life a decade-and-a-half ago and has undergone considerable member churn could be a hit or miss proposition, but The Primevals keep delivering. 

Rock ‘n’ Roll Homicide – Trading Aces (Ripple Music)

Hello I-94 Barflies , it’s been a while but there’s a bit to talk about with The Farmhouse rocking to the sounds of  Trading Aces’ “Rock ‘n’ Roll Homicide”, and what a ripper this album is.

Trading Aces is a supergroup of well-known, and not so well-known, musicians coming from all over the world to pay homage to one, the late Eddie Van Halen, and, boy, does it rock. 

Frank Meyer of the Streetwalkin’ Cheetahs is joined by Dennis Post of City Kids (both on guitar and vocals) .Bjarne Paamand (Warrior Soul) is on bass and Ivan Tambac (also Warrior Soul) is on drums. They got together to make some tunes and express their grief at the loss of Eddie into some hard rock, metal, punk and pop.

Legend Of The Bleeding Heart – Golem Dance Cult (Flying Rats)

Employing both organic instruments and all the latest digital technology, this Suicide-like duo have known each other since their teen years and have been collaborating off and on since then. Charles Why shares vocal duties along with production, bass, guitar, etc., while brooding and mysterious frontman Laur cuts a profile like a dashing cross between Peter Murphy and Ian Curtis. I dig their new album, thoroughly. 

With membership drawn from Belgrave, Victoria (Australia) and Besancon (France), Golem Dance Cult has poetic lyrics that are super visual collages informed by ancient horror films, low budget sci-fi, vampires, Bowie, Frankenstein's monster, a haute couture eye for detail and ‘70's superstar celebrity glam rock pomp and circumstance. 

Get Old – The Holy Soul (self released)

There’s undoubtedly some self-effacing irony in the title of the fourth long-player by Sydney veterans The Holy Soul. Ageing is an inevitability and these guys (and gal) have been around since the early 2000s, coalescing in a shed in the suburban outskirts before establishing a base in the creative oasis of the inner-west.

Since then they’ve collaborated with the likes of Damo Suzuki (Can), David Thomas (Pere Ubu) and Robyn Hitchcock (The Soft Boys), the latter an adopted Aussie who produced this while on one of his extended stays in Sydney.

“Get Old” contains The Holy Soul’s trademark interlocking guitars and throbbing rhythm section, and typically dodges easy categorisation. There’s a touch of jangle, some bluesy swagger and a large slice of glam.

Woke Up and Seen my Reflection - M.J. Halloran (Torn & Frayed Records)

Well, it's been nearly a month since I was almost not here at The Bar anymore. And here I am, finally getting to a few reviews before I shut down again and get on with “my book”. 

MJ Halloran's “Woke Up and Seen my Reflection” was recorded in Melbourne live to two-inch tape with his long-time collaborators Steve Boyle (Moler, Hungry Ghosts, Rowland S. Howard, Brian Henry Hooper, among others) and Tim O'Shannassy (The Paradise Motel, Penny Ikinger, Belle Phoenix, Brian Henry Hooper, among others) with the addition of Andrew McGee (the founder of Shock Records), and guest performances from Kim Salmon (who you've never heard of, right?). 

There's a good back story to how it came about too.

Steve, Tim, Andrew and MJ decided to try, in Melbourne, what they'd done previously with Steve Albini in Chicago. That is, recording in one room without overdubs. So, they'd better get it right first go. MJ's press notes remark that Link Wray was a good reference point, as Wray did something similar with his 1971 self-titled record from 1971, which he recorded in a converted chicken barn.