Hipbone Slim (aka Sir Bald Diddley) is a musical slut, fathering nine records by four different labels in three countries in 10 years at last count. The parentage of each of his offspring js easy to pick - by rockabilly out of garage rock with dashes of ’50 instrumental and skiffle thrown in - and “The Out Of This World Sounds Of” throws up no surprises.
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- By The Barman
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One Thousand Years sound like they’ve spent that accumulated amount of time listening to their dads’ record collections. And exactly why is that a bad thing? Rock and roll’s grim hold on the collective consciousness is eroding by the day so if bands like this West Australian quartet are going to fly the flag, who are we to complain?
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- By The Barman
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Whatever happened to Andy Shernoff? He might have turned his back on his old band but the Dictators’ main songwriter is alive and well enough to be charting his own solo musical course these days. This is his debut solo EP from 2012 and there’s a lot to like about it.
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- By The Barman
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Here’s a 4-CD collection of rough gems from Latin America, Spain and South America that sums up all that’s great about ‘60s garage rock and roll.
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- By The Barman
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Since, I was recently taken back by Suzie Stapleton’s compelling performance at the Bitter Sweet Kicks album launch Prince in St Kilda on Anzac Day, I did some searching. I found Suzie’s hypnotic and dark EP, “Obadi Diablo”, and it’s been on heavy airplay for more than two weeks. I contacted Ms Stapleton and requested a copy of her self-released debut EP of a few years back. Again, I was not to be disappointed.
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- By Edwin Garland
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Melbourne’s Bitter Sweet Kicks believe in the ethos of hitting hard and fast and then moving on. Each of their three releases to date has been a seven-track affair, long on dirty, high energy rock and roll and short on indulgences.
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- By The Barman
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