New 45 recaptures the Groovies' glory
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- By David Laing
- Hits: 5516
As the Flamin’ Groovies celebrate 50 years with a special gig in San Francisco this week, DAVE "DOG MEAT" LAING checks out their new single vinyl seven-inch, "Crazy Macy" b/w "Let Me Rock"...
Okay, so the Flamin’ Groovies have a new single out for Record Store Day, on the very cool Californian Burger Records label. This is exciting stuff – even more exciting than walking into my first Groovies show on the ’86 Australian tour, seeing they had a new single (“Way Over My Head’ b/w ’Shakin’’) for sale, and buying five copies of it because I never knew if I’d see it again.
That was what, maybe five or six years since their previous release, the “River Deep Mountain High” single? This one comes more than 25 years since we’ve heard anything new from the band – a long fucking time.
Of course the Groovies, with ’71-’80 lead singer Chris Wilson back in place, have been back in action since the second-last Dig It Up! Festival in Australia a few years back.
While we Down Under may have copped them a tad underdone (the Caravan Club show on Melbourne was sensational though), a look at more recent YouTube footage shows the band firing on all cylinders and sounding very much like they must’ve live in ’75 or so, on the cusp of releasing the landmark “Shake Some Action” LP.
Stiff Little Fingers live in Australia
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- By Edwin Garland
- Hits: 6053
During these past few weeks there has been a stream of classic 1977 UK punks band bands floating through, or announced to play in, Sin City, aka Sydney. Names like Buzzcocks and The Stranglers have been something of a call-to-arms. And now a band that has less of a profile locally, Stiff Little Fingers, is playing.
Stiff Little Fingers emerged out of Belfast in 1977 as a bunch of teenagers playing in a punk band in a city with its soul ripped apart. It was a hard place but one that still had heart. Anyone who looks at news footage at the time knows Belfast was a warzone.
I remember a great uncle telling me first-hand stories of how brutal the city really was. Daily body searches by the English soldiers, ruthless gangs that murdered you for your religion and children that were bashed within an inch of their lives after school for walking down the wrong street. Entrenched generational anger and hatred ran deep on both sides.
Boil Your Blood & Aldecide EPs - Jim Jones and the Righteous Mind (self-released)
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- By Robert Brokenmouth
- Hits: 4429
Tell me, was the Jim Jones Revue one of the highlights of the Big Day Out (2011) or fucking what? They were utterly on fire, all Jerry Lee and compressed brutality … I thought the majors would scoop them up and take them to war …
Well… almost. The band broke up after years of battle, but Jones, retaining Gavin Jay on bass, picked up Joe Glossop on keyboard, Phil Martini on drums and David Page on pedal steel and theremin … why?
Well, when the main songwriter is … I think “trangressing” might be appropriate here rather than “progressing”… from one place to another, it’s not fair on the band he’s gathered to try to shove them down a hole they don’t want to go. If you thought JJR were shit hot, wait’ll ya get a load of this stinky skanky beast.
Brujita - Chris Masuak & The Viveiro Wave Riders (I-94 Bar Records)
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- By Edwin Garland, Bob Short & Robert Brokenmouth
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It’s difficult to believe that Chris Masuak is only in the second half of his 50’s when you examine his output. It’s been a diverse and solid career, spanning almost four decades.
He was in his late teens when he joined Radio Birdman. He was half of the sound of the “twin-guitar attack” that assaulted Sydney with its array of proto-punk influences, to forever stake Birdman a claim as one of the most influential bands the city has produced.
Then there were the post-Birdman bands. The Hitmen never had the songs, in my opinion, but they always delivered as a live act. Masuak’s guitar playing was the stand-out. Chris was still in his early 20’s and still forging his own style. It lay somewhere between the technical brilliance of Mountain and the pop-rock sensibility of The Dictators.
Gotta Get Away b/w Six Foot Dirty Looking Beast - The Strollers (Crusher Records)
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- By The Barman
- Hits: 3827
These Swedish garage rockers really were The Shit back around the turn of the ‘90s but with just two albums to their name (“Falling Right Down!” and “Captain Of My Ship”) their legacy was too slight for a band of their quality. The good news is that they’re back with a single that’s just as great as their old material.
“Gotta Get Away” is the perfect blend of fuzz and Farfisa that’s ideal to shake up any parry. Henrik Wind’s insistent organ and Mathias Lilja’s commanding vocal pushes the song into a singalong chorus on the back of an irresistible feel. “Six Foot Dirty Looking Beast” is a slower simmer of a song with lyrics straight out of the life playbook for misfits. Another great tune that soars. The band’s back for festivals in Europe this summer. Is it too much to hope for an album?
The Lucky Girl - Julitha Ryan (Silver Ray Productions)
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- By Robert Brokenmouth
- Hits: 5513
“The Lucky Girl” is a seven bottle CD. This is a brilliant, fabulous record (yes, she has vinyl as well) and if there was any justice in the world she’d be making a triumphant return to Australia after touring the stadia of the USA and Europe, coming home to pack the Rod Laver Arena four nights in a row. If this were only 25 years ago, the industry would be elbowing each other with intent to get ahold of a moneymaking talent on a par with Kate Bush.
That good? Well, don’t blame me, I didn’t make it. You need “The Lucky Girl” like you need your thumbs; not having “The Lucky Girl” is the equivalent of having paws. She’s currently recording a follow-up. But why seven bottles?
Sleepless in Adelaide: A tale of two bands
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- By Robert Brokenmouth
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Hunky Punks.
It’s a Friday night in Adelaide and I’m coming down with a bug. Systemaddicts are headlining, but I miss them and go home to crappy night’s sleep, so serve me right. But let's re-cap...
First up, was a support with the best name I’ve heard in years: Those Magnificent Screaming Bastards.
Won’t Give Up - Charlie Marshall and The Body Electric (Red Ted Entertainment)
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- By Robert Brokenmouth
- Hits: 5010
It seems every Australian city had its underground "punch-above-its-weight" scene in the ‘90s. Hell, all of Charlie Marshall’s Melbourne band members here had serious form. That said, just because there’s a track record doesn’t mean there’s always gonna be magic. There might be concrete. Or salad instead.
In Marshall’s case, it’s magic. If you recall Harem Scarem in the ‘80s, well alright. But this ain’t that, and now ain’t then. If you’re a Nick Cave or Kim Salmon completist, you’ll snaffle this anyway (the presence of Warren Ellis and Jim White of The Dirty Three should send warning bells, and surely Brian Henry Hooper needs no introduction.) Same applies if you’re investigating Hugo Race ditto (Bryan Colechin of The True Spirit) and Darren Seltmann of The Avalanches.
Cherie of a tour
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- By The Barman
- Hits: 4713
The voice of The Runaways, Cherie Curie, is heading to Australia and New Zealand in May and June for her first Antipodean tour.
The Runaways burst onto the LA scene in 1975 with a 15-year-old Currie out front screaming the instant classic “Cherry Bomb!” The Runaways created a sensation wherever they appeared and quickly catapulted from playing small clubs to selling out major stadiums—headlining shows with opening acts like the Ramones, Van Halen, Cheap Trick and Blondie.
- The Baddest Man in Shit Town - Ben Gel and The Boneyard Saints (Bad Ass Records) and EP - The C-Bombs (C-Bombs)
- New Chris Masuak album now available on pre-order
- Don't cry for me, Argentina: King of Cool delivers a KISS-off
- Hypnic Jerk - The Country Dark (Humu Records)
- The Buzzcocks live in Australia
- Peter Wells Memorial set for Sydney
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