australian

It's been mentioned here before that Fast Cars are a 1980s Sydney mod band, revolving around the creative core of Di Levi (vocals, guitar) and Fabian Byrne (guitar), that reformed a couple of years ago to make more music. This EP is their second since re-convening and was compiled for the “15th Dream of Dr Sardonicus Festival” in Wales earlier this month.

Mod is a label that suggests Union Jacks, sharp clothes, Vespa scooters and The Who, but Fast Cars aren’t constricted by the genre’s straight jacket. “Rarebits” comprises four old tracks and two new ones and takes the band deep into psychedelic pop territory.

They were around for only a year and were well short of being a household name in Australia by the time they played their final note in 1967, but Steve & The Board left a handy collection of recordings in the wake. Legacy label Playback has applied love and diligence to this historical release and more power to them for preserving Australia’s musical past.

Steve & The Board played beat pop, pure and simple. Some of it carries the aroma of a stab at the charts, other songs shows broader love for the hard-edged R&B of the times. Most Australian bands in the mid-‘60s were in the thrall of the British Invasion that had hit the USA and Steve & The Board were no exception. Their recordings aren’t world beaters but have vibrancy and some occasional grit.

_{Mark Fraser photo.}

The Hard-Ons have announced the supports for their “I'm Sorry Sir, That Riff's Been Taken” Australian tour - their first with their new line-up which features new singer Tim Rogers.The tour comes on the back of the band's first ever ARIA Top 5 album, and takes in all East Coast capitals and key regional hubs.

The tour was pre-empted by NSW warm-up shows at The Link & Link in Woy Woy (December) and Frankies Pizza by The Slice in Sydney (February), billed under the name Clandestine Sausage, attracting rabid fan attention.   

The list of supports includes strong locals as well as a couple of bands with a shared history on the Alternative Charts in the '90s – namely Smudge in Sydney and The Meanies in Melbourne. Sydney's C.O.F.F.I.N. are main support for tour closer at the Corner in Melbourne. 

For full dates, click More.

_{Chris Allen and Chris Britton up front of The Troggs, 2016-style. Mandy Tzaras photo} 

The original Troggs were Ronnie Bond (drums), (guitar), Reg Presley (vocals) and Pete Staples (bass), and their first hits began over 50 years ago. Along the way, they profoundly influenced ‘60s garage rock (not to mention glam) and seem likely to have been the inspiration for “Spinal Tap" when a spirited recording session was recorded, edited and bootlegged ("The Troggs Tapes").

Those reasons alone would be good enough to shell out your $70+change and hurry along to the fine establishment on Port Road in Adelaide, The Gov.

One of the most irreverent bands ever to come out of the Southern Californian punk scene,Descendentsare returning to Australia and New Zealand this October, playing six headlining shows. 

Descendents have one of the most enduring legacies of any punk rock band in history. Known for their early, defining timeless classic albums such as “Milo Goes to College” and “I Don't Want to Grow Up” and songs, “Hope”, “Suburban Home” and “Good Good Things”.

Milo Aukerman (vocals), Bill Stevenson (drums), Stephen Egerton (guitar) and Karl Alvarez (bass) will be joined by a swag of local supports listed below.

Can you define psychedelica? Behind punk, it’s probably the most over-used term in the musical genre lexicon. That won’t change with this sprawling two-disc exploration of Australian psych, past and present.

Mixing ‘60s and ‘70s tracks with contemporary ones is an approach that could have gone horribly wrong.The wonder of this is how well the old tracks blend seamlessly with the new. Compilers Gaz Cobain (aka The Amorphous Androgynous) and Brian Dougans have done a splendid job of unearthing lost, forgotten and current nuggets and the mastering is great. It’s the fourth edition in a global series.

_{Wreckless Eric. Zac Bonnell photo.} 

“I will never have anything said against that man!” Eric Goulden, aka Wreckless Eric, is waxing lyrical about a fellow traveller in the English rock’n’roll and pop scene.

You’d be forgiven for thinking Eric might be talking about the late Ian Dury, the iconoclastic poet-cum-musician who provided a rough template for Eric’s own career, or maybe one of the sundry punk rockers who attached themselves to Stiff Records around the same time Eric bounced into popular consciousness with the now classic "Whole World World". Maybe even Joe Strummer? Pete Shelley?

The Aints Play The Saints (’73-78) national tour in November led by Ed Kuepper and an all-star band is selling out all over so new shows have been announced.

The gig at Melbourne's Caravan Music Club has joined Sydney’'s The Factory Theatre as a pre-tour sell-out.  Limited tickets remain for the other Melbourne show (November 18 at the Corner Hotel) and all other shows in Perth, Brisbane and the Gold Coast.

Due to demand, Sunday, November 26 has been set aside for a performance at Aussie World on the Sunshine Coast and tickets are on sale via aussieworld.com

One of the most influential and groundbreaking bands to rise from the British punk scene in the late '70s was Gang of Four.

To celebrate the 40th Anniversary of their debut album “Entertainment!”, the UK dance-punk pioners will play the album in full with other“hits” on an Australasian tour in November.

Gang of Four
Australia-NZ
NOV
2- PERTH Rosemount
5- ADELAIDE Lion Arts Factory
7 - BRISBANE The Zoo
8 - SYDNEY Manning Bar
9 - MELBOURNE Croxton
12 - AUCKLAND Tuning Fork
13 - WELLINGTON San Fran

_{Michael Plater live. Fawnia photo.} 

Now, there are a few of you out there who read The I-94 Bar regularly. You may have noticed I'm rather a fan of Australian musician/songwriters Michael Plater and Tim Hudspith.

Plater's music spans various indie, gothic folk, country and “noir” influences, and his first two albums “Exit Keys” (2012) and “Mythologies” (2016) have received worldwide critical acclaim. Hudspith plays guitar with  Goldentone, Colourhweel, The Low-Fi Cowboys, Death Valley PTA and Dead Eyed Seraphim and is a solo artist in his own right. 

This month Melbourne-based Plater and Adelaidian Hudspith (a Ballarat expat) will be touring select interstate venues with intertwining dates, plus some shows in their own right at the end. So, Sydneysiders, Brisvegas residents, Canbrites and Newkies, get out of the house. Dates are at the bottom of the article.  

I was hoping to see the two Sydney shows, but... as you know, Adelaide's electricity bills aren't what they used to be, so I had to content myself with doing an interview with both Plater and Hudspith..

Already confirmed for the 2016 Laneway Festival, Feel are now pleased to announce headline shows for Brooklyn based trio Battles. 

The idiosyncratic three-piece, featuring drummer John Stanier (The Mark Of Cain/Tomahawk), bassist and sonic manipulator Dave Konopka, and multi-instrumentalist Ian Williams, will bring the noise via new album “La Di Da Di” for sideshows in Sydney and Melbourne.

The world’s greatest exponents of down and dirty, heart breaking, soul shaking rock ‘n’ roll,The BellRays, are about to hit Australian shores again in August. The re-scheduled dates follow the cancellation of their planned double-headed tour of Australia with Supersuckers.

The ROCKPOCALYPSE Make Up Tour takes in three states and the national capital and includes forays into regional centres.

Radio Birdman is embarking on a short, sharp Australian tour with Citadel label-mates The Stems in tow. The five-date run will include Spanish band Los Chicos as guests on three gigs.

Tickets are on sale via venue websites.

Radio Birdman
+ The Stems
OCT
25 – Factory Theatre, Sydney
+ The LangLangs
26 – The Gov, Adelaide
+ Sunday Reeds
NOV
1 – The Triffid, Brisbane
+ Los Chicos
2 – Coolangatta Hotel
+ Los Chicos
4 – Croxton Ballroom, Melbourne
+ Los Chicos

Iconic punk rock pioneers, Black Flag, will tour Australia for the first time in a decade in December, playing two sets a night.

Four shows have been announced and Black Flag will reprise its 1984 album, “My War”, in full over the course of one of them. 

Black Flag is built around founding guitarist Greg Ginn and vocalist/pro skateboarder Mike Vallely,and are joined by Joseph Noval on bass, and Isaias Gil on drums,

Ironically, Vallely stepped up to the mic and assumed the job in Perth on the final show of the band’s fractuous 2013 Australian tour after Ginn sacked then incumbent Ron Reyes onstage.

One of the harbingers of the Southern Californian punk scene since forming in Hermosa Beach in 1976, Black Flag has had a string of frontmen including Keith Morris and Henry Rollins. 

Tickets are on sale here.

Black Flag December 2023 Australian Tour
DEC 

7 - GOLD COAST, Mo’s Desert Clubhouse
8 - BRISBANE, Mansfield Tavern
9 - SYDNEY, Factory Theatre
10 - MELBOUURNE, Corner Hotel

To coincide with The Stems’ 30th anniversary tour celebrating the release of their 1987 debut LP "At First Sight Violets are Blue", Citadel Records is re-issuing the long deleted album as a limited digipak edition CD on November 3.

The album has been digitally re-mastered and includes three bonus tracks. A vinyl reissue will see light of day early next year.

Originally released through Mushroom Records' off-shoot White Label, the album was first pressed in mid-1987. The title track and subsequent singles “For Always” and “Sad Girl” gained mainstream airplay – a big call for an underground band back then. The Stems influenced a host of new local bands playing '60s garage rock and roll.

_{Dave Studdert.}

When drawn to writing about Tactics, their new album and their forthcoming Australian tour, I had a youthful flashback to being a 17-year-old and moving down to Sydney from the bush. Armed with smudgy-ink copies of RAM magazine, I was aware of so many bands that I knew mostly in name only: Midnight Oil, Hitmen, The Saints…and some weird shit (at least in my mind) like The Tactics, Thought Criminals and Dead Travel Fast. I was like a sponge and I wanted to see every one of them.

I had a hunger for a tapestry of sounds and new, sharp sonic edges - stuff that was so far from the bland radio fodder like Cold Chisel and Dragon. I left a live music scene centred on a dilapidated pub by a river that often flooded…a place with peeling paint and populated by old tradies with battered faces, professional alcoholics and underage kids. We watched the odd cover band and the place was home to weekend rock-stars playing poorly -delivered Chuck Berry riffs. The alternative was the local blue light disco that usually ended in a bloodbath by the end of the night.

So, I moved. I headed to Sydney.

Back in Australia for the first time since 2012, punk rock pioneers Descdents are touring next month in support of their new album, “Hypercaffium Spazzinate”.

Many say that the Descendents invented pop punk. t. They perfected the warp-speed amalgam of adolescent angst, snotty attitude and championship melody infesting the airways today. They took a genre that was about spikes, chaos and anarchy, and brought it to earth, singing about girls, growing up and food.

Died Pretty have added a Brisbane date to their run of select club sideshows to go with their A Day On The Green commitments:

Friday 4th March, 2016
The Factory, Sydney NSW
Tix: Ticketek and SABO

Friday 11th March 2016
The Triffid, Brisbane QLD
Tix: http://tickets.thetriffid.com.au/?Event=57714

Friday 18th March, 2016
Max Watts (formerly The Hifi), Melbourne VIC
Tix: Oztix.com.au and Ticketscout

Dinosaur Jr have sold out their Melbourne show just 24 hours after the on-sale. Feel Presents are pleased as punch to announce a second Melbourne show for the original power-trio: Saturday, January 21 at the Croxton Hotel and it's on sale here.

Elsewhere Dinosaur Jr tickets have got off to a great start with the tour set to be a national sell-out well ahead of time. For all your Dinosaur Jr ticketing needs and up-to-date news check in at http://www.feelpresents.com/

It's the fourth full album for Japanese trio Mustang Jerx and while they're not a household name in Australia, there's a small but willing fanbase here awaiting their third visit on the back of this record.

"Easter Monday" is nimble blues-rock with a swing in the bottom-end and a scything slide guitar up front. Their 2019 visit to these shores will follow similar hit-and-run missions six and five years before, and will owe much to the mutual admiration between them and Sydney band Bunt.

Mustang Jerx sing in their native language so the lyrical themes are impenetrable to these ears, but the music they grind out is universal in its rawness and punchy appeal. It's dirty and unpolished - and you know that's gotta be a plus when you mix it with sticky carpet and liberal amounts of beer.