brett myers

It should be no surprise that Ron S Peno and The Superstitions have delivered their most fully realised album yet in “Do The Understanding”.

With 12 years and three previous long players behind them, they’re a crack outfit of experienced Melbourne players, fronted by a vocalist who made an indelible mark with Died Pretty.

Everyone has a COVID-19 story, and musicians are doing it harder than most.

But Ron Peno’s own experience was preceded by a diagnosis of esophageal cancer, followed by chemo and radiotherapy, and then remission. A much-delayed Died Pretty national tour in April this year was sandwiched between lockdowns.

“Do The Understanding” has a prolonged and disrupted gestation stretching back to its formative writing in 2018, but it’s a contender for best Australian album of the year.

It’s a record full of drama and delicacy; a superb collection of songs underpinned by soulful playing and (arguably) the best vocals of Ron Peno’s career.

“I really pleased with it. It's taken a while to surface but we're really pleased with the seven songs,” a dapper Peno says over a Saturday afternoon Zoom connection.

“I think it's seven wonderful songs. Nice, strong, rather than putting too many tunes on there.

“It's just an hour. It's seven songs. Nobody says you have to have 10 songs. It's a little journey…start here, you finish there, drift off into the distance, you know, and if it's  too short…play it again. Take the take the journey again.

It's been three years since Died Pretty last played on an Australian stage - as part of the Dig It Up concert series - and the same classic lineup of Ron Peno (vocals), Brett Myers (guitar), John Hoey (keyboards), Chris Welsh (drums) and Steve Clark (bass) has announced two sideshows as part of their partcipation in the A Day On The Green dates in March.

This will be a rare opportunity to see the band perform a selection of their most loved songs in an intimate club setting. Supports are to be announced soon.

Friday 4th March, 2016 
The Factory,Sydney NSW
Tix:Ticketek and SABO

Friday 18th March, 2016 
Max Watts (formerly The Hifi), Melbourne VIC
Tix:Oztix.com.auandTicketscout

_{Joeys Coop.}

JOEYS COOP
+ THE SMART FOLK
MoshPit, St Peters, NSW
Saturday 26 March, 2022

A Sydney night of intermittent rain stifles the post-COVID nightlife revival. Or so it seems. The Best Little Small Bar in Sydney, The MoshPit, has other ideas - and so do Joeys Coopand supports The Smart Folk.

It almost goes without saying that pandemic lockdowns have put obstacles in the way of everything. Joeys Coop put the release of their second album on ice and tonight is the Sydney leg of a much-delayed world (read: New South Wales) tour to launch “Lachlan Valley Dirt” at The MoshPit in Sydney’s inner-west.

The impacts of the dirty little virus live on. A whole bunch of MoshPit patrons who were at the King Street Crawl gigs a fortnight before were taken down by it. An unrelated infection forced The Smart Folk to play the Sydney Rock ‘n’ Roll & Alternative’s Sixities Stage without bass-player Keith Claringbold.

Tonight’s news is that another wave of COVID infections and the seven-day isolation rule has shut down a two-band bill at the nearby Golden Barley Hotel. A few punters and unaffected band members make their way to this show.

_{Emmy Etie photo.}

It will be an all-supergroup affair when the eminently well-credentialed Joeys Coop (pictured) launch their debut album in Sydney on April 8 with help from an all-star supporting cast.

The On and Ons (featuring ex-Hoodoo Gurus, Screaming Tribesmen, Kings of the Sun and Stems members) and Cub Calloway and The Revolutionaries (featuring ex-New Christs, Saints and Died Pretty members) will join them at The Factory Floor in Marrickville.

“Service Station Flowers” is the forthcoming album on CD on the Citadellabel.

Joeys Coop was formed by Mark Roxburgh (ex-Decline of the Reptiles) who co-wrote the album with bandmate and Died Pretty guitarist Brett Myers. It will be the first record with Myers credits in almost 10 years and the band includes past and present members of The Barbarellas, The Visitors, Deniz Tek Group and Loose Pills. You can score tickets here. 

Sydney underground rock’s best kept secret, Joeys Coop, brings up its 10^th anniversary with a special show at Camelot Lounge in Marrickville at Saturday May 4.

Fronted by dapper Mark Roxburgh (ex-Decline of The Reptiles) and with a sound shaped by the distinctive guitar stylings of ex-Died Pretty guitarist Brett Myers, the gig follows a five-month absence from the stage.

Joeys Coop promises special guests, a giveaway release of previously unreleased material and (maybe) balloons and party hats. Tickets are available here.

Seasoned Sydney-via-Newcastle outfit Joeys Coop are prepping to release their sophomore album, “Lachlan Valley Dirt”, and the first video single, “I Am Alive”, has been unveiled.

Featuring the songwriting talents and playing of Brett Myers (Died Pretty) and Mark Roxburgh (Decline of the Reptiles), the line-up is rounded out by ace bass wrangler Marc Lynch (from 90s JJJ faves Glide) and Lloyd Gyi (drummer for Perry Keyes and Dave Warner). "Lachlan Valley Dirt" is out on February 26 and is the follow-up to "Service Station Flowers". 

Joeys Coop will be playing dates to support the album:

Link and Pin, Woy Woy - Fri March 4
Moshpit, Newtown -  Sat Mar 26
Federal Hotel, Bellingen - Sat April 2
Cave Inn, Brisbane-  Sat April 30
Hamilton Station Hotel, Newcastle - Sun May 8
Flow Bar, Old Bar - Sun May 22

"In The Flesh" with
Joeys Coop
+ Paul Berwick
The MoshPit, St Peters, NSW
October 11, 2020

I attended a very special show from the delightful Joeys Coop. Must have been something in the stars or numbers - as on 10/10/20 we were part of something special. In these Covid days where we have been starved of live music, the hip MoshPit played host to 20 fans and close associates of the band AND it was live-streamed by Zenn Stream.

I felt hugely privileged being there and in the company of my music bestie after a wonderful Greek taverna feed nearby, and felt obligated to share my thoughts.

For those who need an intro, JC is a supergroup of sorts with the critically acclaimed Brett Myers (Died Pretty) on guitar, Mark Roxburgh (Decline of The Reptiles/ME262) on lead vocals, the engine room of Lloyd Gyi on percussion/vocals (Perry Keyes/ Sicarios et al) and Marc Lynch (Glide), they are a tight and sophisticated outfit who play smart Rock from the heart.

Died Pretty Live – Died Pretty (Citadel)

Live albums were things a band pulled out of its collective arse when members were short on ideas and had “contractual obligations” to a label. These days, they’re a  quaint anachronism in a market that treats digital singles as a currency.

The only contractual obligation Died Pretty has these days is keeping their record label boss and manager, John Needham,in the lifestyle to which he is accustomed (that's a joke, John), so a live recording of a February 2008 performance of the cross-over album “Doughboy Hollow” at Melbourne’s Forum Theatre is probably of interest only to diehard fans.

Guilty as charged but thousands of others will take the same plea.

Lachlan Valley Dirt  – Joeys Coop (Citadel)

Following John Ventura’s pre-release review of the album that appears below is almost redundant, but let’s have a shot now that the record has undergone repeated listening.

It would be lazy to say that if you grew up with the underground sounds of Australia in the 1980s then you need “Lachlan Valley Dirt”. Of course you do -  but the appeal deserves to be much broader.

This is a world-class “grown up rock” record – and that label is both a term of endearment and a reflection on the absolute dross that passes for most popular music these days.

It’s tempting to do as the marketing does and label Joeys Coop’s “Service Station Flowers” as an outlet for Died Pretty guitarist Brett Myers. His distinctive sound is all over this album, like sunscreen and a rash-shirt on a redhead in summer, but this really is a record that’s more than just a billboard with all-star billing for one.

Singer Mark Roxburgh conceived Joeys Coop a couple of years ago, after the implosion of the reformed Decline of the Reptiles, and his vision was simple: He wanted to play with people whose work he’d long admired and to find an outlet for his own songs (something that Decline clearly was not.)