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  • david thomas holy soulSydney band The Holy Soul have a way with collaborating with the rich, at least in in history, and infamous. Here’s another example of that maverick magic. 

    Seven years ago, The Holy Soul combined with Damo Suzuki (Can) and a Drone to punch out a live album on Repressed. This time out, it’s a half-studio/half-live 45 of similar vintage, this time with Rocket From The Tombs and Pere Ubu frontman David Thomas, with whom they played on a blink-and-you-miss-it Australian visit.

    “Master of The Universe” is the A side (it’s a Hawkwind cover) and hovers between industrial skronk and space rock. Theremin and a throbbing bottom end underlay dry guitars and Thomas’s unique, plaintive vocal. A melange of guitars - presumably John Hunter and Trent Marden or both - and synth raises the tension in the breakdown before Sam Worrad’s hypnotic bass resumes its ominous march. 

    The live “Man In The Dark” starts with the wheeze of Thomas's accordion wheeze and plays itself out with restraint for its five-minute duration. Delicate guitars chime to a subtle bass-line while Thomas expounds on (I think) a lapsed relationship, half-talking, half-crooning. Measured and magnificent. it was left off the live album that you can find here. The link below will lead you to the single. Odds are it won't last long. 

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  • slights still unspoken smThere was a time when sharp divisions ran like Pacific Rim fault-lines between underground musical factions in Sydney. 

    One one tectonic plate stood the Radio Birdman-influenced, leather-clad, guitar warriors steeped in ramalama-fa-fa-fa and the Stooges, on the other an esoteric bunch of people making sounds with synthesisers and other assorted machines. Picket lines were established and few crossed them, unless by accident or if no-one was looking.