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canberra

  • young docteurs beginningHas this debut album really been three decades in arriving? The details of how and why are more than a little shrouded in mystery but what counts more is that it’s here and it delivers.

    Young Docteurs materialised in Canberra in 1978 with a potent brew of punk-psych that has always been hard to categorise. They made the move to Sydney in the early ‘80s and became part of the rich tapestry of life that was Surry Hills and the Sydney Trade Union Club scene. Despite some heavyweight backing (Jeremy Oxley, Nic Dalton and Steve Kilbey were fans), they never emerged to major prominence nationally and have flashed off and on like a lighthouse in the thickening fog ever since.

  • dave studdert colourDave Studdert.

    When drawn to writing about Tactics, their new album and their forthcoming Australian tour, I had a youthful flashback to being a 17-year-old and moving down to Sydney from the bush. Armed with smudgy-ink copies of RAM magazine, I was aware of so many bands that I knew mostly in name only: Midnight Oil, Hitmen, The Saints…and some weird shit (at least in my mind) like The Tactics, Thought Criminals and Dead Travel Fast. I was like a sponge and I wanted to see every one of them.

    I had a hunger for a tapestry of sounds and new, sharp sonic edges - stuff that was so far from the bland radio fodder like Cold Chisel and Dragon. I left a live music scene centred on a dilapidated pub by a river that often flooded…a place with peeling paint and populated by old tradies with battered faces, professional alcoholics and underage kids. We watched the odd cover band and the place was home to weekend rock-stars playing poorly -delivered Chuck Berry riffs. The alternative was the local blue light disco that usually ended in a bloodbath by the end of the night.

    So, I moved. I headed to Sydney.

  • maz smithsChris Masuak and Dog Soldier
    Il Bruto
    Sunday, 28 May 2023
    Smith’s Alternative, Canberra, ACT

    Chris Masuak and Dog Soldier hit the stage for a rousing two hour set after terrific support act, local Canberrans Il Bruto, did excellent work by warming us all up with their versions of many classic songs from 1960s and '70s Detroit bands.

    It was terrific to have an unexpected catch up chat with Chris prior to their gig; the days of the Funhouse, and all his previous band experiences behind him. My enjoyment of his forays in various bands, all true to his own vision of honest modern music has never diminished.
     
    For apart from his incredible skill as co-lead/rhythm guitarist in Radio Birdman when he was still a teen, he went on to co-found the Hitmen with the wonderful and charismatic Johnny Kannis, as well as The Screaming Tribesmen.
     
    The last time I spoke to Chris was post his stint in the New Christs and Hitmen DTK; and pre his departure to Spain to make his name in Europe leading his own bands to a wider audience across the Continent. So this pre-gig conversation was a cherry on the cake.
     
    The skill of Tony Bambach on bass and Stu Wilson on drums, augmenting Chris’s exceptional guitar playing, was a total joy. Perfect rhythms, pure thrumming drive throughout each song; and the ability to traverse the best of groove and Detroit based sounds was a trip for the sold-out crowd.
     
    Chris’s own virtuosity as a guitarist and his terrific range of original songs was on full display. We all cheered for more.

    I conquered a three-day bout of sciatic pain by doing some stretches and then dancing with total abandon for a few songs. Such is the delight that a pure, dedicated and quality trio can deliver to a discerning audience!
     
    Thank you, Masuak! Bravo Dog Soldier! You’re all champs for coming to Canberra; so many others don’t bother to embrace this passionate regional audience.
     
    smiths crowd
  • new wave space partyAustralia’s national capital isn’t exactly known for its crop of present day garage bands, so Space Party is a pleasant surprise. 

    They might even be Canberra’s only garage band, except their PR sheet helpfully says that they recruited their singer from another outfit called Okinawa Girls, so that means there are at least two. 

    (Before any public servants send thoughtfully composed emails of complaint, it’s been many years since I lived in Canberra so I’m possibly talking through my arse. The place does have at least two regular live venues and a cool community radio station in 2XX, so there are signs of rock and roll life amongst the roundabouts and grim Stalinist architecture.)

  • the arkIt’s said that the only good thing to come out of Australia’s national capital is the Federal Highway, but it’s not true. Canberra’s also spawned some decent punk rock, and here’s more evidence. 

    It’s not a hanging offence if you’ve never heard of The Vacant Lot. Molly Meldrum never made their acquaintance either. If he had, he would have hated them. Take that as a plus. 

    The Vacant Lot grew out of the Australian National University campus in 1978. Canberra had a small but energetic punk or new wave scene by then. Wearing less Detroit leather than Sydney, not as ragged and oppressed as bands from Brisbane and not as artfully smacked out as the Melbourne crew, it was a community that tolerated - no, encouraged - music that didn’t fit with convention. 

  • by the seatBy The Seat Of Our Pants - Pilots Of Baalbek (Outtaspace)

    Next time somebody tells you that rock and roll is dead, know this: They’re either projecting their own sad existence or they’re looking for it in all the wrong places. The best Rock Action almost always exists on the fringes, never attracting mainstream support because most people don’t know what they like, they only like what they know. 

    Dig, and you shall find.