fred smith

This recording is where it all started for recent Sonic’s Rendezvous Band fans. Originally issued in 1998 as “Sweet Nothing”, it was the first non-bootleg, live recording that stood up, sonically speaking, and both the CD and LP pressings sold out quickly.

A second disc of live and tweaked studio stuff (“City Slang”) surfaced a year later and we’ve been fairly spoiled with a flow of material since then.

“Sweet Nothing” was an ear-opener in all senses of the term. No longer did you need to listen to “Strikes Like Lightning” or any of the other lamentably poor quality boots and ponder why nobody in Detroit in the mid-‘70s owned a boombox with a decent microphone.

The steady stream of releases peaked with Easy Action’s lavish 2006 “Sonic’s Rendezvous Band” box set, a six-disc CD collection that included rehearsals, other live recordings and a spruced-up version of this show. Now, this vinyl release has arrived as part of the annual Record Store Day hoopla.

^{Dennis Thompson (rear) with Fred Smith, Wayne Kramer, Rob Tyner and Mike Davis.}

We are marking the passing of Dennis Thompson, last man standing from the MC5, with this flashback interview. Ken Shimamoto conducted it in two parts, beginning on March 24 1998 and winding up on March 28, 1998.

Besides being the party who propelled the MC5 (and New Order, and New Race, and The Motor City Bad Boys, and...) into the stratosphere with his percussive power, Dennis "Machine Gun" Thompson is also undoubtedly the greatest living high-energy conversationalist on the planet. He talks the same way he plays the drums -- energetically, assertively, aggressively, thoughts spilling over each other two or three at a time, punctuated by explosions of laughter.

K: How'd you get started playing music back in Lincoln Park?

D: Well, what it was, was that I had a friend named Billy Vargo who played guitar, and I'm thinking, how old were we, we were like maybe 15-years-old, and he was the leader of the band. We had three guitars, no bass, and me on drums. And I was doing it, I was playing.

My brother is 10 years older than I am, and he's been a musician all his life. So when he was 16, I was six years old, and they had a rock and roll band, practicing music in my basement, the drummer would leave his drums, so four year old, five-year-old Dennis would run down there and bang on the drums and Mom would yell down there, "Dennis, get off those drums, they're not yours!" But she'd always give me at least 10 minutes, you know?

 Heavy Lifting – MC5 (earMUSIC)

I made an oath to not write reviews about albums that gave me the shits.  But The Barman sent me a copy of “Heavy Lifting” and I gave it a go.  

As far as an MC5 album goes, it's not even a good Wayne Kramer record.  I hoped for more after the MC50 shows and Bob Ezrin's recent work with Alice Cooper.

I made track-by-track notes as I listened.  I'll just give you my notes as written rather than an actual review.  You can work it out from there.

_{Original image by Leni Sinclair.}

A few hours before the clueless moguls of the music industry rattle their jewelry at a black-tie knees-up in Cleveland to officially induct the MC5 into the Rock and Roll Hall of Lame, a more appropriate commemoration will take place in the band’s home state of Michigan.

Friends and supporters will gather at Memorial Park in Lincoln Park - the city where Rob Tyner (Derminer), Wayne Kramer (Kambes), Fred Smith and Dennis Thompson (Tomich) attended high school - from 3pm on the afternoon of October 12.

Enmore Theatre, Wednesday, October 30, 2013

Restraint is not often a by-word around these parts but let’s at least try to keep some perspective. A visit to Australia by Television seemed unlikely, if not an absurd proposition, just a few years ago. The band was scarcely active, Richard Lloyd having had long flown the coop, and Tom Verlaine had let a label issue two mothballed solo records that were barely promoted. It seemed if the TV hadn’t been turned off it was in storage and in danger of being forgotten.