hard-ons

Sydney’s underground music scene recently lost a great mate, gig buddy, champion of great music and all round top bloke, Graham Bowditch, of the Stamp Out Disco record label.

Member of inner-west punk powerhouse Hellebores and renowned artist, Glenno Smith, and Evil Tone Records  have arranged  a six-band memorial show at The Great Club in Marrickville on January 26 to celebrate the the life of “Grazza”.

_{The Mis-Made in fulll flight at Sydney's Lansdowne Hotel.} 

The Hard Ons + Arse + The Mis-Made
Lansdowne Hotel, Sydney
December 13, 2019

Didn't think I would get to see this gig but very happy I did. If anyone says that girls can't rock, they obviously were not at the Lansdowne tonight to see The Mis-Made.

Mis-Made kicked off the proceedings with a tight set of blitzkrieg killer metal tunes. This is the sort of set that gives you goosebumps. Guitarist-singer Jessamine Finlayson's vocal style reminded me of Patti Smith and the band was tight.

Arse came up next with a toxic concoction of brutal, kinetic energy. In your face rock and attitude. Always a pleasure to watch.

Hard-Ons are celebrating 40 years of punk rocking in public with tours of both Australia and Europe, and the release of new music - and the release of that stalled full-length feature film, The Most Australian Band Ever”. 

The single "Buzz Buzz Buzz"is out today on Cheersquad Records & Tapesand is the first taste of the current Hard-Ons line-up's yet-to-be announced third album. It's a Tim Rogers/Peter Black co-write and a promise of great things to come. 

“The Most Australian Band Ever” is directed by Jonathan J. Sequeira for production companies Living Eyes and Play Vintage.Sequeira made the acclaimed 2017 Radio Birdman documentary, ”Descent Into The Maelstrom”.

 The film will premiere on October 16 at SXSW in Sydney with a screening and Q&A at the Dendy Newtown. Here's a taste:

Perfectly timed with the band’s anniversary, “The Most Australian Band Ever” offers insight into the band's long existence, with plenty of live footage and interviews and guest appearances from Dave Faulkner (The Victims, Hoodoo Gurus), Ross Knight (Cosmic Psychos), Jerry A (Poison Idea), Steven Hanford aka Thee Slayer Hippy (Poison Idea) and Rob Younger (Radio Birdman).

The film has a particular focus on the Hard-Ons' early days, the obstacles - some self-inflicted - which they've had to overcome, and the legacy they've built.  

The Hard-Ons' 40th Anniversary Australian Tour Oct - Nov 2024
OCT
18 - Soapbox, Brisbane
24 - Sussex Inlet Tavern, Sussex Inlet
25 - La La La’s, Wollongong
26 - Paddo RSL, Sydney
27 - Hamilton Station Hotel, Newcastle
31 - Altar, Hobart
NOV
1 - The Tote, Melbourne
2 - Singing Bird Studios, Frankston
3 - Red Hill Hotel, Castlemaine
4 - Barwon Club, Geelong
7 - Amplifier, Perth
8 - Indian Ocean Hotel, Scarborough
9 - Froth & Fury, Adelaide
Tickets

Those pop-punk-metal-psych-whatever legends the Hard-Ons are having a 30th birthday party and Australia (and anyone who wants to fly in from overseas) is invited.

Hard-Ons - currently undertaking the European leg of their 40th Anniversary tour - have released their new album “I Like You A Lot Getting Older”.

It’s the third album by the band's current line-up of Blackie, Murray, Ray and Tim, and follows 2021's ARIA top 5 debuting “I'm Sorry Sir, That Riff's Been Taken” and last year's “Ripper '23”. 

It’s on CD, digital format and in several coloured vinyl editions.  An exclusive limited edition green vinyl pressing (250 only, with different color on the cover) is available via the album's UK distributor. 

The new album's release precedes the recently announced 40th Anniversary Australian tour, and the Sydney SXSW premiere of the feature length documentary about the band, “The Most Australia Band Ever”. Additional screenings have been announced and all you need to know is below.

Rose Tattoo’s "Never Too Loud", released in 1997 through Repertoire Records in Germany, was a compilation spanning the band's career at the time. Now, 22 years on, the Hard-Ons join Rose Tattoo on their "Still Never Too Loud" tour heading out across Australia in March, April and May.

Thirty-five years since their formation, the Hard-Ons have amassed an unprecedented and never-to-be-paralleled 17 consecutive number-one releases on the Australian alternative charts, making them one of Australia’s most commercially successful independent bands. Their cult following extends into Europe and the UK, and as of 2019, their brand of unapologetic punk rock has never sounded better.

The band are fresh out of the studio having just finished recording their 12th studio album due to be released later this year.

Angry Anderson’s Rose Tattoo recruits, considered some of the best in the business, comprise legendary bass player extraordinaire Mark Evans of AC/DC fame, iconic guitarist Bob Spencer of The Angels & Skyhooks, as well as unbelievably talented maestro of rock mayhem, Dai Pritchard.

Rose Tattoo hit the high seas on the Monsters Of Rock Cruise out of Miami in late February and headed straight into the recording studios in March.

STILL NEVER TOO LOUD
Friday 29th March 2019 - Metro Theatre, Sydney NSW
Saturday 30th March 2019 - Waves, Wollongong NSW 
Friday 5th April 2019 - Shoppingtown Hotel, Doncaster VIC 
Saturday 6th April 2019 - Chelsea Heights Hotel, Chelsea Heights VIC 
Friday 12th April 2019 - The Gov, Adelaide SA 
Saturday 13th April 2019 - Capitol, Perth WA 
Friday 26th April 2019 - The Triffid, Brisbane QLD 
Saturday 27th April 2019 - Coolangatta Hotel, Coolangatta QLD 
Friday 3rd May 2019 - Diggers, Ettalong NSW 
Saturday 4th May 2019 - Cambridge Hotel, Newcastle NSW 
Tickets from rosetattoo.com.au
 

Here's where the affair ended, for a time - I never got into the sound of "Love Is a Battlefield…" There were some great songs (or singles) here, for sure ("Missing Me, Missing You", "Don't Wanna See You Cry", "Just Being With You") that were among the band's best, but there was something about the shiny, semi-polished metallic sheen (coming after the confusing "Dickcheese") that pushed this album to the back of the collection.

Rose Tattoo
Hard-Ons
The Meatbeaters 
The Gov, Adelaide. Friday, April 12 2019
Photos by Somnambulist Dillinger

The morning after the night before I'm trying to make sense of it. My ears are still hissing like a grumpy king brown, so I guess it's time I used earplugs at gigs. 

Here's a question for you. What does Angry Anderson, rough'n'tough rock'n'roller, taste like?

I'll come back to this.

His nearest and dearest might know him as Peter but you'll most likely recognise him as Blackie from the Hard-Ons. Not that this, his second solo album, bears much relation to that esteemed band's fast and furious output. "No Dangerous Gods…" is off-the-wall, whip-smart and often lush acoustic rock that suggests Syd Barrett more than Sid Vicious.

One of the most important people to come out of Perth's music scene since the 1970s is Dave Faulkner. Whether he’s playing punk, pop or electro music, he's always trying to create something new and exciting. The Hoodoo Gurus’ latest single “Hung Out To Dry” is a perfect example.

Faulkner picks a target in the current US President, someone who has been a punching bag for many people, and sticks it to him in a fresh and personal manner.

As well as the new Gurus single, Faulker's reconstituted former band The Victims had their first release in many moons this year. It was a physical EPfeaturing recordings of four songs (“Charlie”, “Horror Smash”, “I Wanna Be With You” and “Everynite”) that were written, but never recorded, when the legendary band formed in Perth in the 1970s.

The re-born Victims reunites Dave with original member James Baker and new recruit, the great Ray Ahnof the Hard Ons, who give a slightly modern touch to some classic tunes that were birthed at the dawn of punk rock. 

 Dave spoke to me via Zoom in Sydney where he tells me he is fresh from mastering the next Gurus single.

This is the closest thing you'll see to a full-blown reunion of seminal Perth band The Victims.

For one night only, The Television Addicts will perform songs by The Victims with origional members Dave Flick (nee Faulkner), James Baker and Ray Ahn (Hard-Ons, Nunchukka Superfly) at Perth's Rosemont Hotel on August 9.

Tickets will be available from June 25 from www.oztix.com.au

It’s hard to work out when Hard-Ons ceased being just another band and evolved into an unstoppable force of nature. Thirty-four years after publicly emerging into the dim lights of an inner Sydney pub stage, this indefatigable trio keep punching out albums when most of their contemporaries have long put their own cues in the rack.

Ask any record tragic. There’s a tried and tested rule for albums. Most long-lasting bands deliver one or two gems at their high point and the rest are shit or on a plateau. “Peel Me Like A Egg” easily stacks up against most of the Hard-Ons’ 10 previous studio efforts. It’s not so much because the band has stayed true its composite punk, metal, speedcore and pop roots (it’s always good to know what you’re going to get) as much as they’ve managed to make each release sound fresh.

_{Would you buy a song a day from this man?}

Peter "Blackie" Black, notably of the Hard-Ons and Nunchukka Superbly, has always done things differently. He’s taking his own path again as a solo artist, releasing a song a day via his Bandcamp site Subscribe to Peter Black Solo.

Why, you ask?? When we asked him, after scrunching his face for a few minutes, his reply was: "Why not!"

Hard-Ons and Nunchukka Superfly co-founder, Peter Black, (aka Blackie) is launching his third full solo album with an Australian tour that includes a run of dates as special guest support to King Buzzo of The Melvins.

"The Paintings On The Wall Say Gambler! Gambler!" is said to be "a flaming solid ball of creative explosion, whereby storm-trooping guitars and rhythm" that abandons the storm-trooping sounds of Hard-Ons and Nunchukka for "beautiful, introspective and whimsical".

The man always known as Peter Black - but perhaps best known as Blackie from the Hard-Ons - is releasing his sixth and seventh solo albums on November 27.

"If This Is The Hand I'm Dealt" and "I'm Gonna Cheat As Much As I Can" are acoustic and electric efforts respectively, and both were recorded with Jay Whalley of Frenzal Rhomb and Neptune Power Federation. Whalley also contributes some keyboards and vocals  and his partner in Neptune Power Federation, Lauren Friedman, contributes vocals. Musical pals like Heather Shannon from the Jezebels,  fellow Hard-On Ray Ahn and former Nunchukka Superfly drummer Joel Ellis also help out.

_{Angry Andrson pontificates and Bob Spencer enjoys it. Shona Ross photo.}  

Rose Tattoo
Hard-Ons
Metro Theatre, Sydney
Friday, March 29 2019

Photos by Shona Ross

There were plenty of people giving plenty of reasons why people should not go to this gig. The announcement that Rose Tattoo would team with the Hard-Ons for a the national "Still Never Too Loud" tour caused some people to lose their shit online - and not in a good way. More on that soon.

The more mundane reasons were timing (“it’s a Friday night in Sydney after a long working week, maaaaan”), the venue (“the sound at The Metro is sooooo dodgy”) to ignorance (“I never heard that was on”) so most of it was nothing unexpected. Another apathetic night in the Harbour City.

Then there was The Angry Issue.

 _{Tim Rogers frontign the Hard-Ons is As Beautiful as a Foot.} 

Hard-Ons
Ratcatcher
Enigma Bar, Adelaiude
Saturday, April 3, 2022

Long story short - I'm still reeling. The Hard-Ons have crossed the Rubicon and what they're doing in Australia is anyone's guess. Right now they should be out slaying the world, Europe then USA, then South America. We're damned lucky to have them. I might add, I don't reckon we deserve them.

Cull was  mean to be the opemnig band but cancelled. Dammit. I've tried about six or seven times to get out of the door to see them. The one time I get there... Reports have reached me that they're damn fine. 

New support, Ratcatcher, went on later than planned because one of the folks in the band second on the bill couldn't do it – thanks COVID.

It’s a brilliant idea so why didn’t someone do it before?

What’s that? you say. Record a bunch of iconic, mostly Sydney, underground songs in a way that honours the originals but makes them their own – at least for a few minutes.

UK-born, Brisbane-bred John Kennedy became a fixture on Sydney inner-city scene in the 1980s after cutting his musical teeth in his hometown. His distinctive “urban western” songs, and his bands JFK and The Cuban Crisis and John Kennedy’s Love Gone Wrong, earned him a healthy niche in a city that back then was groaning with musical talent.

John Kennedy was always backed by excellent bands and inevitably joined his peers in spreading their versions of the word on the national touring circuit, before moving overseas for a time. He and various line-ups of his John Kennedy’s ‘68 Comeback Special have been kicking around the now skeletal Sydney scene (read: Inner-Western Delta) for the last decade or so.

Not the original EP but a collection comprising it, the bits-and-pieces LP "Hot For Your Love Baby", early singles and live and rare cuts, this is the first of a series of re-issues putting the first 10 years of the Hard-Ons' recordings in one place. We're talking a feast here with this 1984-87 package containing 61 songs and spanning 150 minutes.