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in the garden of good and evil

  • passengers in the gardenMost of us will never be privy to the stories that fueled the songs on this album, but that doesn't prevent it having an emotional payload that's the musical equivalent of an atomic bomb over Nagasaki. Stripped-back and fully exposed, the songs have a quiet majesty, stunning depth and genuine power.

    The Passengers of 2007-09 are a much different entity to the original late '70s Sydney band, whose music drew on the wellspring of '60s girl groups and soul. A great single on Phantom and a set of demos (released posthumously on Detroit-powered French legacy label Revenge and re-packaged by Career Records) was their only lasting legacy.

  • reimaginedThe talent that stumbled out of the late ''70s Darlinghurst scene in Australia was astonishing: a match for anything coming out of London, New York or Los Angeles. But geography and population density is a fucking bitch.

    Even scene bosses Radio Birdman are considered an underground phenomena.  So what chance is there for the small fry?

    Meet The Passengers (if you have not already done so.).  Hey.  Make sure you find the right ones because there are some dodgy international acts with the same moniker.  They briefly graced us with their presence as the seventies clicked over.  A gift we clearly we did not deserve because we utterly failed to surrender the charts to them.