Medew

Number 1
February 2 at The Lyrebyrd Lounge, Ripponlea:  The Lyrebyrd Lounge was the first of seven shows for me in Melbourne this year. It felt like coming home; what a marvellous club - run by my buddy Leon Storch. This show also featured Penny Ikinger and would turn out to be the start of something good.

Number 2
Late January marks the birth of my special new friend '' Arthur Robert Collie''

Number 3
Stephen Cummings at The Triffid on April 4:

An unlikely choice for my Top Ten but when you are hot you are hot. This was the gig of the year, no doubt about it. Clare Moore on drums and Sam Lemann on guitar.  

In no particular order, The Barman’s Top 12 albums of 2019:

“So I Could Have Them Destroyed” – The Hard-Ons (Music Farmers)
You could say “What a comeback!” but only if they’d really gone away. So much variety yet it hangs together so well.

“The Devil Won't Take Charity” - Kim Volkman and the Whiskey Priests (Beast Records)
Kim and his band have that Stonesy-Keef vibe down pat. Raunch and roll.

“Mystery Train” – Chickenstones (Crankinhaus Records)
Sydney’s best kept secret. Doc might be driving the bus but Preacher Phil really steps up. Soulful and abrasive tunes played with heart.

“Shake Yer Popboomerang Vol 3” - Various Artists (Popboomerang)
Some of the material back-tracks but it’s a collection of rolled gold. Aussie power pop for the ages. 

“Black Door” – The Volcanics (Citadel)
High-energy, passion and variety. Their best to date. The Volcanics are truly a world class band.

“The Aints! Play The Saints” - The Aints! (Fatal Records)
Will we ever see their faces again? Maybe. Maybe not. This is a white-hot snapshot of what they delivered live.

“Ann Arbor Revival Meeting” - Scott Morgan’s Powertrane featuring Deniz Tek & Ron Asheton (Grown Up Wrong)
As historical artefacts go, this is as good as they get. It’s a generously appointed re-issue of a stellar, all-star show.

Pig City author ANDREW STAFFORD speaks to former Screaming Tribesman and I-94 Bar Records signing MICK MEDEW about all the old, all the new, and "All Your Love". Cartoon by Rick Chesshire.

The big three are money, drugs and women – the three things that invariably fuck male bands up. For the Screaming Tribesmen, it was women, or a woman, though the whole thing was probably the bass player’s fault, really. It’s the best story of its type I’ve ever heard.

_{Brian Mann and Mick Medew trading licks in Thirroul. Shona Ross photo.}

Gonna break that rule about not reviewing I-94 Bar gigs, as the second of this two-night engagement was badged thus. If you can’t write about things you like, what’s the point? It’s the ethos of why we do this e-zine thing.



So let’s be up front and say that Mick Medew is a good mate and his band, The Mesmerisers, are lovely people. In customary evangelical spirit, I’m unashamedly going to tell you that if you love rock and roll then you have to see them - in their native Brisbane or on one of their few forays outside of Queensland. 

The first leg of this two-night weekend stand was a support to the mighty Sunnyboys, opening a bill shared with the mercurial Ups & Downs. The venue was the magic Anita’s Theatre in Thirroul, an hour-and-a-bit south of Sydney. The second was a Sydney show at the increasingly familiar stamping ground of Marrickville Bowling Club. The Mesmerisers are making the road trip a family affair with partners and two offspring in tow.

The Aints Play The Saints (’73-78) national tour in November led by Ed Kuepper and an all-star band is selling out all over so new shows have been announced.

The gig at Melbourne's Caravan Music Club has joined Sydney’'s The Factory Theatre as a pre-tour sell-out.  Limited tickets remain for the other Melbourne show (November 18 at the Corner Hotel) and all other shows in Perth, Brisbane and the Gold Coast.

Due to demand, Sunday, November 26 has been set aside for a performance at Aussie World on the Sunshine Coast and tickets are on sale via aussieworld.com

"The idea that 'disinformation' is something that just happened during the last four years is absurd. How did the U.S. public become the most ill-informed, easily manipulated public on the planet if not as a result of systematic 'disinformation' from the rulers? Now these same rulers want to 'regulate' social media speech." - Ajamu Baraka

“Fascism should more appropriately be called Corporatism because it is a merger of state and corporate power.” - Mussolini

Ridiculously, I am suspended from social media, by fascist corporatists for posting this quote. How Zucked-up is that? I've been Zucked. You could be next.

All the left media sites are being censored, demonetized, or taken down, by corporatist Zuck-bots, and the gentrification shitlibs accept this, casually and completely, because their pyramid-scheme higher-up superiors have told them that censorship is okey-dokey, because social media is privately owned, and therefore, tech-lord billionaires have the right to censor any facts, opinions, quotes, or evidence that contradicts their corporatist agenda. More worryingly, attractive and beloved celebrity figureheads have, once again, been recruited to promote monopoly tech-lord control of information flow, by telling their followers to rat on any voices online that question or contradict official narratives, as spreading mis-information. This is exactly the cultish Blue MAGA equivalent of crazy Trump yelling "fake news".

Our own loss-leading I-94 Bar Records is proud to announce the imminent release of "OPen Season", the new album by Mick Medew and The Mesmeriers.

Led by Brisbane legend Mick Medew, the band includes members of his Screaming Tribesmen, the Lipstick Killers, The 31st and Shy Impostors.  "Open Season" is available for pre-order from our Bandcamp now and will be out on CD and digitally from June 4. Enjoy this teaser and the ordering link is here.

Mick Medew and The Mesmerisers bring their killer brand of rocking powerpop to New South Wales in March for just two shows. 

Catch them Friday, March 27 at Marrickville Bowling Club in Sydney and Sunday, March 29 at Mayfield Bowling Club in the Hunter.

The only Sydney show pairs them with Peter Simpson and his Vanity Project, the  rock machine par excellence led by Peter Simpson of The Dubrovniks and his hand-picked line-up. 

Opening proceedings will be local psychedelic-garage rock super-group Jupiter 5, with members of Psychotic Turnbuckles, Buffalo Revisited and Sheek the Shayk. Tickets are on sale here. 

It’s 4pm doors at Mayfield where the supports are Imaginary Things, The Stoids and The Perils. The Mesmerisers hit the stage at 9.30pm.

“Open Season” is the latest album for Mick Medew and the Mesmerisers (on I-94 Bar Records) and it’s full of clever, hooky song-writing, a soulful engine room and driving guitars.

And of course there’s the unique voice of Mick Medew, front-man for the Screaming Tribesmen, the Brisbane-born and Sydney-bred pop-rock legends who topped independent charts in Australia and the US in the ‘80s.

Long regarded as one of Queensland rock and roll's most venerable singer-songwriters, Mick Medew is returning to a Sydney stage after a five-year absence with his band The Mesmerisers.

With one album ("The Mesmerisers") under their belt and another underway, Mick Medew and The Mesmerisers will play Marrickville Bowling Club on Saturday, February 24, with support from Loose Pills and The Dark Clouds. Tickets are on sale here.

The Sydney show has been added to follow a support to The Sunnyboys in Thirroul on February 23.

Vocalist-guitarist Medew is co-founder of the Screaming Tribesmen and more recently leader of Mick Medew and The Rumours, and he's been making a mark on Brisbane (and Australian) music for more than 30 years.

Originally a member of seminal inner-city Brisbane band The 31st, whose ranks included future members of the Hoodoo Gurus, the Hitmen and Died Pretty, Medew went on to front the Screaming Tribesmen, a band schooled in tough guitar rock overlaid with alternately hooky and plaintive melodies.

The Tribesmen outgrew their home town and moved to Sydney in the 1980s, becoming Australian independent music chart toppers with the classic single "Igloo".

The band lasted 16 years, signed to a US label, released three albums and toured North America and Europe (twice) before Mick moved home to Queensland and put them on hiatus in 1993. Reunions for tours followed in 2011 (Australia) and 2012 (Europe).

Ex-Screaming Tribesmen Mick Medew has been awarded the Grant McLennan Lifetime Achievement Award by Queensland's peak music organisation, QMusic. 

Mick received his honour at last night's Queensland Music Awards in Brisbane.

Previous recipients include the late GoBetweens member Grant McLennan, indigenous artist Kev Carmody, producer Mike Chapman, the Bee Gees, Railway Gin vocalist Carol Lloyd and Ed Kuepper of the Saints and solo fame.

This is a return to the record store racks (those that are left) for Mick Medew and one that's well overdue. His regular band The Rumours are still a going concern and this was conceived as a solo side project, but grew into a full-blown, plugged-in album with a new band. "The Mesmerisers" is a superbly rounded record.

 _{Bec Lee photo}

Hi all. This is my first Top Ten. Happy 2022 to you all.

1.In May this year I married my partner in life, and now in music, Mick Medew.Taking the self-appointed term “Brisbane power couple” to the next level was a most fun and loving day and to be surrounded by our families and friends was truly lucky, considering these times.

2.In April Mick Medew and Ursula (the Meduo) were invited to support two shows with Died Pretty at The Triffid in Brisbane. I wanted to look my best, so an online acquisition from Spotlight, meant fringing kept me busy sewing. But I still had time to practise with Mick and the whole night was amazing! Plus I got to see Died Pretty perform twice in one night. It was lovely spending time with the blokes backstage too...

_{The Barman at an I-94 Editorial Board meeting with Our Man in Dimboola, Ron Brown (left).}

THE BARMAN’S BEST ALBUMS OF 2022

Do The Understanding – Ron S Peno and The Superstitions (self released)
Ron S Penohas equalled and maybe surpassed his output with Died Prettyafter a succession of excellent records with his champion Melbourne band. The man needs a muse and found an outstanding one in co-writer and guitarist Cam Butler.This is the Album of the Year.

The rest in no particular order: