nitrocris

Loud As Ever – Various Artists (Sound As Ever)

Every generation of music lovers grows up thinking its era was the best. So it goes with those who ploughed through puberty in the ‘90s, a time now digitally immortalised  (as all things are) by a Facebook page, “Sound As Ever”, dedicated to Australian independent music from 1990-99.

“Sound As Ever” is a snapshot of what life looked and sounded like on the fringes of Australian music in the ‘90s. It has an audience of 72,000 Facebook users after just a year. Like any retrospective, some of what’s thrown up is gem-like and some is shite.

Personally, the ‘90s were a letdown: Once the tidal wave of grunge had subsided, it left a lot of mediocrity on the surface and it seemed there wasn’t much Real Rock and Roll left. Bands like the Powder Monkeys and New Christs that were grossly underappreciated at the start of the decade criminally remained so at the end.

The latest episode of Thursday Evening Gunk is here and the theme is "Chicks Who Rock". Guest host Heather Goodman talks to Jessamine Finlayson of Raising Ravens, The Missmade  and Nitrocris and Bianca Kotoulas of rising young Sydney band Euterpe.  

The episode in the season steams this Thursday at 8pm Sydney time and is a Died Pretty special. Guest host Danny Lau speaks to Brett Myers and Steve Clark from Died Pretty and Brett's bandmate Mark Roxburgh from his other band, Joeys Coop. Steve Clark's duo Nothing But Dust will play a live set. Follow this linkto watch the stream live from the MoshPit Facebook page,  or pop into MoshPit Bar in St Peters, Sydney, at 8pm AEDST.

Cousin Betty – Cousin Betty (Vi-Nil Records)

You know you’re in for a different trip when the title of the opening track is: “If This Makes You Off Your Family, Please Contact Us For The Royalties”.

Cousin Betty are non-conformists in an age of conformity. Their music is a mix of hard-psych, high-energy Desert Sessions rock, industrial-tinged metal and lyrical blizzards. Sounds messy in print but somehow it works. 

The band is the brainchild of guitarist Damien Stofka (ex-Molten Universe) and vocalist-keyboardist Matt Downey (ex-Death Mattell). Originally a studio project, overseas airplay led to the assembly of a full-blown line-up. Members are scattered around Greater Sydney and its environs. Drummer Andi Dyson (Nitrocris), bassist Tara Doyle (Spurs For Jesus) and guitarist Astrid Carr (Madam Fatale, Quiet Carriage) completed the ranks and this is the debut long-player.

_{Scotty Bradbury. Photo by Lisa G Photography}

Top 10 Drum influences for 2024
Let me start this by acknowledging that John Bonham is a given for any rock drummer, so to make it fun I will leave him off this year, honourable mention to Zigaboo Modeliste of The Meters (Cissy Strut).. who had an influence on the great Bonzo of Led Zeppelin, for sure.

This list is a mix of old faithful and new players that got me off the sofa in 2024, only to land straight back on my ass … putting the drum throne through its paces.

1. Phil Rudd (AC/DC)
Phil Rudd is a feel, an adjective in drumming. Comments like “give it more Phil Rudd” can be heard in studios across the world. His less is more, play to serve the song, dig into the grove – see “Whole Lotta Rosie” approach is legendary. We only ever miss him when he isn’t there, because man… does he make a difference. The heartbeat to some of the most iconic rock songs ever, there is no other like him. I would refer the reader to the eight count at the beginning of “Back in Black”. The guitar scratches along for the first six beats … the last two hits on the Hi-hat “three…. four..” are to me, the best two notes ever played in rock’n’roll.

2. Dave Grohl (Nirvana, QOTSA, Them Crooked Vultures, Killing Joke, Probot)
Yeah look, a lot has been said about this guy musically …my wife rolls her eyes and leaves the room whenever I mention his name …I probably do talk about him a lot, so what, he really is that fucken good…albums like “Songs for the Deaf” or “Them Crooked Vultures “ and songs like “No One Knows” or “Elephants” come on!! Oh and please listen to “Killing Joke” (2003 album) this album lived rent free in my head for a full year when it came out, it’s a really cool record, the drums were recorded last and Dave Grohl worked to adapt parts written on a drum machine all of which is a little unconventional.

Dave doesn’t play fancy, lots of doubles and Triplets where the hand speaks to the foot in reply, he is creative and hits hard. You have to hit the drums to make em sound good, dynamics are fine but …tapping them won’t work. Drumming and music come naturally to Dave; he manages to play great parts most every time. “Dave Grohl – Play” (Official Video) is a good example of the level that this guy is at, it’s a journey no judgment if you don’t watch it all the way through. If an artist sounds like themselves then you are truly serving the moment. You can be influenced and inspired by anything, but when you play, if people recognise that sound as you, you channelling through an instrument …. That’s a most excellent moment.