redeye records

Craic As It Happened
By John Foy
(Past Present Future/Skull Printworks)

Tis the season for confessional show-and-tell Australian music books. Journalist Stuart Coupe had a shot with the entertaining “Shake Some Action”, and then underground label head-turned- mainstream industry publishing chief, Roger Grierson,gave us the rollicking “Lowbrow”. Now it’s John Foy’s turn.

Foy spent many years as a behind-the-scenes operative in the febrile underbelly of the Australian underground music scene. He kicked off in retail, made a mark as a poster designer and then became the driving force behind the Redeyeand Blackeye record labels.

Like his mate Roger Grierson, he’s never been a household name, but if you bought or heard a record by Beasts of Bourbon, The Clouds, Deniz Tek, The Crystal Set, The Cruel Sea, Kim Salmon and The Surrealists and even Radio Birdman in the mid ‘80s or early ‘90s, you entered his orbit. Redeyegave the bands wide distribution via a hook-up with the multi-national Polygram/Phonogram major label operation.

 _{Filmmaker Jason Axel Summers (right) with Stuart Gray. in Jason’s apartment. This “Stutue” was commissioned by Jason and depicts him with his Super 8 camera and light meter in either hand.  The white of the lens and the sensor on the meter are made of glow in the dark epoxy.  Stuart used his own hair as the hair on the Stutue}

US filmmaker Jason Axel Summers' documentary about Australian-born musical anarchist and visual artist, Stuart Gray, “I Should Have Been Dead Years Ago”, is a prime example of what fantastic music there is out there to discover, and an excellent example of 'if you had expectations about this man, leave 'em at the door”.

Many I-94 Barflies will know of Stuart Gray (aka Stu Spasm), but not so much his music. If there's any justice, as a result of this documentary, Stuart will become a TV star and take his latest band, the New York City-based Art Gray Noizz Quartet, on an international stadium tour, complete with middle-aged ladies heaving their undies at him, while his oddly-insightful sculptures will sell for hundreds of thousands.

But hey, we live in a real world of struggle, pain, indifference, beauty, sin and downright foolishness, don't we.

So let's have a little yak with Jason Axel Summers, the somewhat determined man behind “I Should Have Been Dead Years Ago”.