rob griffiths

Fifteen years ago, talented Victorian songwriter Danny McDonald told me that Little Murders was THE great lost power-pop band of Australia’s halcyon musical underground days of the 1980s. They were defunct at the time and an Off The Hip re-issue of their early material - and another reformation - were away off in the future.

Of course, Danny was right. He’d grown up with the band’s songs and they’d left a permanent mark. Little did he know that in 2015 he’d join Little Murders for their fifth and latest studio album “Hi-Fab!” - or that it might be the best thing they’ve ever recorded.

Dromana-Rama - Little Murders (Off the Hip)

Hello I-94 Bar Readers , well with all the bushfires and a shit Government ain't it good that there is music to take your mind this horrific summer. Folks, here is a worthy distraction

“Dromana Rama” is a pure pop sounding album with a nod to those old English mod bands. Little Murders were formed in 1979 by Rob Griffiths have a rich history in old Victoria as those who have followed the local music landscape can tell you.

Demolition – Rob Griffiths (Swerve Records)
The Girl Belongs To Yesterday Rob Griffiths (digital single through Swerve Records)

As long as I've been a music fan, I've regularly become obsessed with particular songs. At age 10, it was “Devil Gate Drive” by Suzie Quatro. It was “Department of Youth” by Alice Cooper at 12. It would be “London Calling” by The Clashand “Another Girl, Another Planet” by The Only Onesin my late teens.

I'd buy a single and replay a song again and again. The tune would stay my head for weeks and I would wear out that seven- inch single until it was a crackling mess.

I came across “The Girl Belongs To Yesterday“ by Rob Griffiths a few weeks ago on Facebook and like all the classic three-minute singles, I replayed it again and again. Just like that kid bringing home a seven-inch vinyl by Suzi Quatro or Alice Cooper. Except this one’s a download.

One of Australia's finest power-pop bands, Melbourne's Little Murders, are the subject of a forthcoming documentary but the project needs an injection of fan funds to push it over the finishing line.

Director-producer Matt Wilson has been documenting the history of Little Murders and its founding and sole continual member Rob Griffiths. "Little Murders - 40 years on the smell of an oily rag" has a funding target of $6000 and is 40 percent of the way to the goal.

"In our ageist society it's rare that a musician in his 60's can maintain what is essentially a pop band and bring it to a level allowing a tour in Japan in 2019," Wilson writes.

Hollywood – The Fiction (Off The Hip)

Much water has passed under the bridge since 1978 when The Fiction was one of a handful of struggling punk rock bands in the womb of a nascent Melbourne underground music scene.

Like a spark, The Fiction came and went. Some of their songs made it into the setlist of mod-flavoured pop-rockers Little Murders, which has become as much a brand as a band for vocalist-guitarist-songwriter Rob Griffiths, its only constant member.

Griffiths (vocals) and Rob Wellington (guitar) remain from the original band and although the passage of time may have buffed off the sharper edges, the reconstituted Fiction still trades in high-energy pop punk.

Anglesea 1981 - Little Murders (Off The Hip)

It’s a snapshot. Not grainy - this is from a well balanced desk tape - but captured with no attempt to airbrush the minor imperfections. Which adds to the charm.

If you don’t know Melbourne’s mod-pop kings Little Murders your life is incomplete. They were two years into their stop-start career and “Anglesea 1981” captures one of the early line-ups on a New Year’s Eve night in a crammed pub on the Victorian Surf Coast. There’s a fair sprinkling of what you should recognise as classics, plus some spirited covers.

Ramona - The Fiction (Off The Hip)

Simple songs simply done is a time-honoured formula often born out of necessity rather than choice. So it was in the beginning for The Fiction, a Melbourne punk band that sprang up 40 years ago, burned briefly and fell apart before spawning International Exiles and Little Murders. 

Only around for a year, The Fiction was fuelled by the nascent songwriting talents of frontman and expat Englishman, Rob Griffiths, and guitarist Rob Wellington.

Their influences were what was coming out of the UK punk scene in the ‘70s, as much as Melbourne visitors Radio Birdman and the Saints. The important point-of-difference between the UK and Australia back then was that the local standard of living made it hard to get too angry at anything much, relatively speaking. 

Don’t Let Go. A Memoir – Rob Griffiths (Swerve/Off The Hip)

He readily confesses to not being a household name but if fervent enthusiasm for rock and roll and a back catalogue of should-have-been-hits counts, Rob Griffiths should be. 

Best-known as frontman for onetime Melbourne mod torchbearers Little Murders, Griffiths is one of the most underrated songwriters in the country, and now adds author to his c.v.

The autobiographical “Don’t Let Go” is a ripping ride that cranks up in Melbourne music’s underground of the mid’70s and continues well beyond - as told by an immigrant Pommy kid who jumped in at the deep end. 

Griffiths’ first band The Fiction shared stages with Boys Next Door/Birthday Party, News and JAB in a short but noisy existence. Punk was only a starting point: the did wear suits (briefly, at the end) and it was a hint of things to come. Griffiths makes the point well that the lines between genres in Melbourne are, and always were, heavily blurred.

His ‘60s influenced Little Murders rose from The Fiction’s ashes, soaring in popularity on the back of the burgeoning mod movement of the early ‘80s. When both band and the “Quadrophenia” trend foundered, Griffiths became a club DJ, a small-time record label chief and band manager, often in tandem with a day-time career as a schoolteacher.

Under Northern Lights – Little Murders (Off the Hip)

Nine studio albums in and Little Murders might just have this rock-pop caper nailed. Again. “Under Northern Lights” showcases what songwriter, band leader and sole constant member Rob Griffiths and his current, and most enduring line-up, do so well. 

So that’s a wrap for this review. 

You don’t get off that easy. At least not until you’ve been thoroughly sold the virtues of “Under Northern Lights”. It should be an easy task if you set the tracks running in the background on Bandcamp. Let’s get stuck in. 

It could have been called “Short Lives Of The Poor and Obscure”. 

Like Reals, Negatives, Young Charlatans and News/Babeez, The Fiction is but a footnote in Melbourne punk’s earliest days, briefly existing from 1978-79. They released a posthumous EP under the name Little Murders, kickstarting that enduring brand and the career of its leader, Rob Griffiths.  They also enjoyed the patronage of the rightly-lauded Melbourne punk mover and shaker Bruce Milne and Pulp, the zine he ran with Clinton Walker. 

The Fiction had a loose affiliation with those glam-sheep- in-punk-wolves clothing, La Femme, sharing a practice space and a manager. Musically, The Fiction seems to have been drawing more from bands like The Who and the Small Faces, although there’s undoubtedly a bit of Bowie in there, too.

It was 45 years ago when Melbourne’s Little Murders released the single “Things Will Be Different” on Au Go Go Records. The single put Little Murders and Au Go Go on the musical map, quickly selling out two pressings and garnering praise from around the world, including from Greg Shaw's BOMP! magazine.

In 1981, Little Murders were the leading mod band in Melbourne and went on to release three more singles and the “STOP” album before disbanding.

Between then and now,  the reconstituted Little Murders have released eight studio albums, two compilations and a live record, toured Japan, had a documentary made about them, recorded in Los Angeles and had international and local artists record their songs for a tribute album. Which brings us to the here and now.