sonic

When Big Black toured UK in 1987, playing their last gig in Europe, they had a few members of Wire come up on stage. Afterwards, having played with his heroes, Steve Albini commented: "Tonight we’ve walked with giants."

Wire are giants in a world of pygmy bands. Chrome are legends among giants.

^{Dennis Thompson (rear) with Fred Smith, Wayne Kramer, Rob Tyner and Mike Davis.}

We are marking the passing of Dennis Thompson, last man standing from the MC5, with this flashback interview. Ken Shimamoto conducted it in two parts, beginning on March 24 1998 and winding up on March 28, 1998.

Besides being the party who propelled the MC5 (and New Order, and New Race, and The Motor City Bad Boys, and...) into the stratosphere with his percussive power, Dennis "Machine Gun" Thompson is also undoubtedly the greatest living high-energy conversationalist on the planet. He talks the same way he plays the drums -- energetically, assertively, aggressively, thoughts spilling over each other two or three at a time, punctuated by explosions of laughter.

K: How'd you get started playing music back in Lincoln Park?

D: Well, what it was, was that I had a friend named Billy Vargo who played guitar, and I'm thinking, how old were we, we were like maybe 15-years-old, and he was the leader of the band. We had three guitars, no bass, and me on drums. And I was doing it, I was playing.

My brother is 10 years older than I am, and he's been a musician all his life. So when he was 16, I was six years old, and they had a rock and roll band, practicing music in my basement, the drummer would leave his drums, so four year old, five-year-old Dennis would run down there and bang on the drums and Mom would yell down there, "Dennis, get off those drums, they're not yours!" But she'd always give me at least 10 minutes, you know?

 Heavy Lifting – MC5 (earMUSIC)

I made an oath to not write reviews about albums that gave me the shits.  But The Barman sent me a copy of “Heavy Lifting” and I gave it a go.  

As far as an MC5 album goes, it's not even a good Wayne Kramer record.  I hoped for more after the MC50 shows and Bob Ezrin's recent work with Alice Cooper.

I made track-by-track notes as I listened.  I'll just give you my notes as written rather than an actual review.  You can work it out from there.

There's a lot of competition but this might just be one of the best Australian releases of 2005, certainly in the (self-imposed) sub category of Voodoo Psych Garage. Think multi-layered fuzz guitar entwined around chunky organ chords and you're in the neighbourhood. As good as their debut EP "Ladies May We Introduce Ourselves" was, "Sonic Seducers" is a quantum advance with the songs sounding more rounded, and the band much more in control.

Consider the Sonic's Rendezvous Band saga... 

Arisen, phoenix-like, from the ashes of four of the Motor City's finest proponents of high-energy rock -- the MC5, the Stooges, the Rationals, and the Up - the Rendezvous steadfastly refused to bank on their illustrious pasts (which, granted, might have been more of a liability than an asset at that point in history). Rather, they insisted on a more original kind of expression -- hardly a guarantee of steady employment for a local band in the mid-to-late '70s.