stooges

Long awaited, here are the first live recordings of the Ron Asheton-era Stooges. (Well, maybe Easy Action got there first with their "Popped" fan pack, the audio portion of which they just released separately as "A Thousand Lights"). And these are damn sure the only commercially available recordings of the lineup with ex-roadies Bill Cheatham on second guitar and Zeke Zettner on bass, recorded in a 200-capacity Manhattan club.

Don’t wanna labour the point but the opening years of this century really are turning into The Golden Age of the Stooges, what with the band’s resurrection, the recording of new songs, deluxe re-issues of the first two albums popping out of the pipeline, a live album kicking around and the prospect of a new studio effort. This six-disc box set from UK heritage label Easy Action really does spoil confirmed Stoogeaholics.

Jack White’s Third Man Records will issue a soundboard recording of the last show by the original line-up of The Stooges in August, a day short of 50 years after the performance.

"Live At Goose Lake: August 8, 1970" is a previously-unheard, high-quality recording of the Stooges, recorded just before the release of their earthshaking 1970 album "Fun House", and will be available on vinyl, CD and digital on August 7.

It’s high time this stuff was collected in one place. If you’ve no idea who Destroy All Monsters were, boy, you’re in the wrong place. If you are in the know, consider yourself lucky, take a pill and strap yourself in for a short history lesson.

Come the second half of the ‘70s, the Greater Detroit music scene was a forgotten No Man’s Land, an expanse of grey somewhere between the industry strongholds of New York City and the West Coast. The rabble-rousing and boundary-pushing of the cusp of the late ‘60s was gone, replaced by cover bands and blandness. Motown had moved to LA. Punk was just a figment of some future zine writer’s fevered imagination. Nobody cared about Detroit. 

Ultramafic – Sonny Vincent (self released)

 Ultramafic: An igneous rock with a very low silica content and rich in minerals such as hypersthene, augite, and olivine.

This is a short run of 12-inch vinyl, each copy with its own bespoke, hand-painted artwork. They were put together for a series of art exhibitions in Switzerland, New York City, Holland, Germany and France about 10 years ago. It will look great on your wall and sound devastating on your turntable.

The music was recorded by Sonny Vincent and various bands from 1976 onwards – much of it in tiny studios while on endless tours of Europe and the USA. Some of it has been heard in other versions.

The line-ups include Vincent’s Max’s and CBGB staples, Testors, as well as members of Rocket From The Crypt, Sonic Youth, The Damned, the Stooges, Dead Boys, the Velvet Underground. There’s even an appearance by Ernie Knapp, a guy who drummed for Charles Manson as well as the Beach Boys (I shit you, not.)  Don’t expect polish. It’s all uncompromisingly raw, but always passionate.

Although the singer in the more famous band's favourite tipple doesn't extend much further than a glass of fine wine these days, there's something irresistible about the line describing Melbourne six-piece Mesa Cosa as "the Stooges walking into a tequila bar". Revelling in a critic's assessment that you're very good at losing your shit, sonically speaking, is one thing but on "Infernal Cakewalk" Mesa Cosa do a good job of proving the tag right.

We're hopping back into the Time Tunnel...this time to dig up a late-'90s interview with late Stooges guitarist RON ASHETON by KEN SHIMAMOTO.

It was November 1998. Ron was at his home in Ann Arbor, Michigan. He was talking up the prospects of a release and possible tour by supergroup Wylde Ratzz, off the back of the movie "Velvet Goldmine" for which they'd supplied some of the soundtrack. It failed to materialise and the J Mascis collaboration that helped ignite the Stooges reunion was also in the future. 

The interview is one of the most revealing Ron Asheton pieces up until then, laying to rest some misconceptions about his attitude towards fellow Stooge James Williamson, and showing him to be a musician who fervently wanted to not only express his own music as much as reclaim some of his old band's legend. 

The first look at the tracklist for the James Williamson album "Re-Licked" is public and it's a dizzying reflection on the backlog of Iggy & The Stooges material that's been bootlegged over the years.

There's also a track - an inciendiary version of "I'm Sick Of You" featuring Mario Cuomo from Chicago band The Orwells - being promo'd on the Net for your listening pleasure. 

 

In case you hadn't heard, Williamson is releasing the album of re-recorded but largely not properly released Stoogesongs on his own Leopard Lady label on October 29 with an array of guest vocalists.

_{James Williamson in 2011 - Robert Matheu photo}

James Williamson staked his claim to rock'n'roll immortality based on just eight songs, but what songs they were...the ones comprising Iggy & the Stooges' epochal 1973 "Raw Power" album, still cited as a prime influence by purveyors of Rock Action from Stockholm to Seattle to Sydney.

Dunno what all the online backlash is all about. Jim Jarmusch called his film “a love letter to the Stooges” and that’s precisely what he delivered when “Gimme Danger” made its Australian debut at the Sydney International Film Festival on June 17.

“Gimme Danger” was never going to be a deep dissertation about what made the Stooges tick. Read Paul Trynka’s magnificent “Open Up and Bleed” for that.  It was more like a shallow duck dive into the broad history of the band. Or bobbing for apples.

I enjoyed "Gimme Danger" but this was the Stooges, dumbed-down for beginners. Or “Stooges 101” as someone later said.

Redline EP – Sweet Justice (Eternal Music Group)

Hello Barflies! Well folks, The Farmhouse has been rocking these past few weeks. Los Angeles’ Sweet Justicehave released the follow-up to their debut album - and it's only taken 18 years.

Why so long? Well, these boys are always busy, what with their other band the fabulous Streetwalkin’ Cheetahs (among other projects) keeping these fine musicians very busy.

Sweet Justice is a three-piece band featuring Frank Meyer (guitar and vocals), Bruce Duff(bad ass bass) and Mike Sessa on the skins (replacing original drummer Chris Markwood.) What as pedigree these blokes have. having worked with James Williamson (Iggy & the Stooges), Eddie Spaghetti, Jeff Dahl, ADZand Wayne Kramer (MC5).  So you know this ain’t no garbage or garage band I’m talking about.

Celebrated American rock poster artist Gary Grimshaw has died at the age of 67 after protracted health battles. Some Detroit musical greats are gathering for a concernt to benefit his family in March.

On December 6, 2013, some of Sydney's best-known rock and roll stalwarts gathered to celebrate the life of Stooges guitarist Ron Asheton, who passed away in 2009. 

"Will you nail yourself on to a cross for me? Will you blow your fucking brains out with a gun for me?"

James King and the Lonewolves have a reputation that precedes them; evolving out of the Glasgow punk scene in the late '70s and early '80s, the band quickly became renowned as hard-drinking sociopaths whose mercurial live shows featured a punked-up Velvets' approach.  Curiously, their singles tended to showcase the catchy pop side of their repertoire, which die-hard fans felt was unrepresentative of the band.

Seismic changes in music don’t occur spontaneously. They’re usually a result of people unwittingly being in the right place at the right time, running into a catalyst and stumbling over a big stockpile of serendipity.

Does anyone think CBGB would have been anything more than the source of dogshit on the soles of a few Bowery bums’ shoes if Hilly Krystal hadn’t been conned by a supposed bluegrass band into giving live music a try?

How quickly would the Sex Pistols have fizzled out if Queen hadn’t cancelled on Bill Grundy at the last minute, presumably so Freddy could get his nails done? McLaren had no more planned the TV outburst that propelled his band to infamy as Steve Jones had sworn off the booze.

In 1966, a former dance hall on the shady side of Detroit called The Grande Ballroom became both a focal point for the counter culture and a scene. It attracted and generated a strain of high-energy, blue collar rock and roll, the likes of which have been seen rarely anywhere else. It came into being through good management, but also through incredible luck.

Nobody loves a band more than a diehard follower of the Stooges. Through thick and thin, they cling to whatever recording detritus or tidbit of lore is handed down, like a drowning man clutches a life preserver in an ocean liner sinking.

They chase every bootleg with the fervour of a pre-urban renewal Cass Corridor junkie hustling a hit. They celebrate the band’s posthumous legend status and annoy non-believers with trivia, simultaneously living vicariously through the stories of the Stooges' addled (pre-reunion) stumbles and falls.

All this and more is why the news that broke in June this year about a high-quality desk tape concert recording of the original line-up materialising, a full five decades after the event, hit the faithful like a phalanx of neighbourhood leaf blowers at 7am on a hungover, suburban Saturday morning.

Out of Time – Sonic’s Rendezvous Band (Easy Action)

Some bands defy objective assessment and Sonic’s Rendezvous Band is one of them. So let’s not even try to pretend.

How can you be objective about a band that issued just one single in its lifetime when it happens to be “City Slang”, inarguably the greatest rock and roll seven-inch of all time? Can you really question the worth of a band whose lineage is former MC5, Rationals, Stooges and The Up members?

Yes, you could. But that’s just you.

The Golden Age of the Stooges is upon us and the onetime "biggest joke in SW Michigan" (so described by more than one person who saw them in their original incarnation) now has almost universal critical respect. From derided to celebrated and the latest news is that Easy Action's latest offering, "Popped", does them justice.

There are two reviews already here, each definitive in their own right. Beaten to the punch with little to argue about, all I can offer are some additional observations.

A quote in a pre-release interview has led many to believe that this is Iggy’s recording swansong. The neat closure of the record’s final song “Paraguay” supports the proposition…and don’t writers love that sort of shit. If “Post Pop Depression” is Iggy’s “LA Woman” - and a shambolic Jim Morrison performance with the Doors in Detroit had a big impact on Teenage Jim – then it’s a shutting of the creative loop.

The Iggy and The Stooges guitarist and the BellRays vocalist. Out July 29.