the aints

In no particular order, The Barman’s Top 12 albums of 2019:

“So I Could Have Them Destroyed” – The Hard-Ons (Music Farmers)
You could say “What a comeback!” but only if they’d really gone away. So much variety yet it hangs together so well.

“The Devil Won't Take Charity” - Kim Volkman and the Whiskey Priests (Beast Records)
Kim and his band have that Stonesy-Keef vibe down pat. Raunch and roll.

“Mystery Train” – Chickenstones (Crankinhaus Records)
Sydney’s best kept secret. Doc might be driving the bus but Preacher Phil really steps up. Soulful and abrasive tunes played with heart.

“Shake Yer Popboomerang Vol 3” - Various Artists (Popboomerang)
Some of the material back-tracks but it’s a collection of rolled gold. Aussie power pop for the ages. 

“Black Door” – The Volcanics (Citadel)
High-energy, passion and variety. Their best to date. The Volcanics are truly a world class band.

“The Aints! Play The Saints” - The Aints! (Fatal Records)
Will we ever see their faces again? Maybe. Maybe not. This is a white-hot snapshot of what they delivered live.

“Ann Arbor Revival Meeting” - Scott Morgan’s Powertrane featuring Deniz Tek & Ron Asheton (Grown Up Wrong)
As historical artefacts go, this is as good as they get. It’s a generously appointed re-issue of a stellar, all-star show.

Here’s a sight you thought you’d never see: That’s Saints guitarist Ed Kuepper with B1 and B2 of kids TV show "Bananas in Pyjamas". Confused? Besides the fact that Ed is a Queenslander (and don't all Queenslander love bananas?), all three of the above are now labelmates on ABC Records, who announced today that they’ll be putting out the new studio opus for Kuepper’s current band The Aints!, the grandly titled “Church of Simultaneous Existence”.

The Aints Play The Saints (’73-78) national tour in November led by Ed Kuepper and an all-star band is selling out all over so new shows have been announced.

The gig at Melbourne's Caravan Music Club has joined Sydney’'s The Factory Theatre as a pre-tour sell-out.  Limited tickets remain for the other Melbourne show (November 18 at the Corner Hotel) and all other shows in Perth, Brisbane and the Gold Coast.

Due to demand, Sunday, November 26 has been set aside for a performance at Aussie World on the Sunshine Coast and tickets are on sale via aussieworld.com

2017 was a great year to celebrate the 50th anniversary of The Velvet Underground & Nico and "Forever Changes", the 40th of "(I’m) Stranded" and the 25th of something great (and local) which came out in 1992 that was more than likely one of Ed Kuepper’s. And speaking of Mr Kuepper, let’s launch into this Top Ten the Barman asked me to do.

I’ll just prattle on about live shows I’ve seen as they’re probably more entertaining than my thoughts on Cosey Fanni Tutti’s autobiography "Art Sex Music"  which isn’t  rock & roll enough or director Kriv Stenders’s recent feature documentary on the Go-Betweens which is probably too wimpy for readers in I-94 Land.

Fair enough - they’re not everyone’s cup of tea – especially if you prefer coffee.

1.-7. THE AINTS 2017 AUSTRALIAN TOUR OF THE EAST COAST
Apparently the best way to describe someone who follows Ed Kuepper’s shows from town to town is to call them an Edhead. In 1976, Saints fans were known as Kuepper Troopers as it was understood that even in those early days it was Ed’s band - up until 1978, at least.

So fast-forward to 2017, The Aints awake after a 25-year hiatus and decide to tour through the most of the country’s capital cities doing Saints material from ’73-’78.

2017...the year that was...and yes I have Sinatra's ''It Was a Very Good Year'' going through my head. Actually, it had its ups and downs but I'll focus only on the ultra good, in no particular chronology.

My musical year started with a performance with the Queensland Symphony Orchestra as my backing band at The Tivoli. in Brisbane.  We played my most recent album “Lost Cities” in its entirety, as well as a selection of material I did for the “Last Cab to Darwin” soundtrack, plus earlier solo and Laughing Clowns tunes. “Ghost Gum” and “Collapse Board” were real high points for me. 

Richard Davis conducted and made the transition from the garage to the concert hall for me not only possible but an enjoyable experience. Robert Davidson did the orchestral arrangements and brought the songs to life in a context I'd often dreamed about doing but hadn't actually heard.  

Richard Wenn put the whole thing together. It would not have happened without him. His enthusiasm for bypassing the “greatest hits” approach and general tenacity made it work. Thank you, Richard. 

We did the show again in Cairns a little while later, this time with a slightly trimmed-back orchestra (even flat-stacking them, there are only so many orchestral musicians that fit into the back of my ute.)

This was also great and quite different due to the smaller orchestra. The whole thing has been a great learning curve for me. Thanks, one and all.

The next thing I went on to do was what was announced as my last ‘’Solo and By Request'' tour, this time taking in all those out of the way and rural places I don't get to that often. The idea for these shows started in 2013.

This is going to be a very biased view and I’m not trying to hide it. I’ll make my own rules just so I can bend them to suit my agendas.

Best gig of the year - The Stew Cunningham Benefit night in Sydney at Marrickville Bowlo. All the bands were awesome but what won the night over was the atmosphere and goodwill of all the people that attended. A truly special night.

Best local live act - The Celibate Rifles. The Rifles slayed it in support of The Sunnyboys at The Factory, then followed it up with a couple of scorchers at The Marrickville Bowlo and The Narrabeen RSL. The old fellas have still got it. Honourable mention to Stiff Richards who tore the roof off in support of The Rifles at the Bowlo, great band.

Best local release - The Aints!, "The Church of Simultaneous Existence". Wonderful album from go to whoa. Honourable mention to Warped - "Bolt From The Blue" - brutal honesty at its best.

Best international gig - Señor No at The Botany View Hotel. It was wild, crazy and a helluva lot of fun. honourable mention to Los Chicos at the Rad Bar in Wollongong, they put on a show and a half, they were just pipped at the post.

KC goes to more live shows than your mother goes to Tuppaware parties. Here's his Top Ten of Sydney gigs.

EVEN – NEWTOWN SOCIAL CLUB
A power pop fans dream and a very early “gig of the year” contender from the Fab Three. Supported by the wonderful On and Ons and Soul Movers on a stinker of a summer EVENing. Is it heresy to say I like them and their songs so much more than You Am I? I eagerly await the Christmas Even show at The Landsdowne on December 23.

THE APARTMENTS – THE FACTORY FLOOR
A wonderful set of sparse songs, full of emotion, not sentimental but heart tugging and soul searing.  Spare and simple arrangements enhanced by nuanced and subtle musicianship of Peter Milton-Walsh’s fellow musicians, including Amanda Brown.

DIED PRETTY – ENMORE THEATRE
Following on from two cracking shows in 2016, Ron Peno and co delivered another amazing set and they were the band of the night at Radio Birdman’s big show. Brett Myers, what a guitarist.

The long-awaited “The Church of Simultaneous Existence” album from Ed Kuepper and his Aints! Is almost upon us, with a September 21 release date announced for CD, LP and digital formats. The album will be accompanied by an Australian tour taking in Queensland, NSW, Victoria and WA over October-November, culminating in a show at the Meredith Music Festival on December 7.

This version of the Aints! differs from previous ones in its focus on not only revisiting the material of the original Saints but mining a well of woodshedded songs intended for what would have been that band’s fourth LP.

The Exploding Universe of Ed Kuepper
+ DC Cross
Blue Mountains Theatre, Springwood, NSW
Saturday, 2 September 2023 

Photos: Vic Zubakin / Look Sharp Photography

Ed Kuepper is a deep thinker.I imagine he puts a lot of time into considering his next detour, which is usually unpredictable and highly creative.

Ed annually tours with a re-invention of something from his past. Tonight, he’ll show off  this year’s model - and add another chapter to his almost five-decade-long career.

The post lockdown tours of 2021- 22 with The Dirty Three’s Jim White were notable for re-invention. Those shows were dark and adventurous, exploring some obscure tracks and well as better-known Laughing Clowns material. The performances were all about atmosphere, and full of light and shade.

Prior to that, we had The Aints! tours, with Ed re-staking his claim to his roots in proto-punk, while giving a nod to Crazy Horse. 

Saints co-founder and leader of the Laughing Clowns and The Aints!, Ed Kuepper, is teaming with Jim White, the brilliant drummer of renowned instrumentalists Dirty Three and revered '80s-90s post-punks Venom P Stinger, for an Australian tour in May, June and July.

The pair will reprise classics from Kuepper's stellar 45-year career in a multi-state tour that includes a stop-off at the Sydney Opera House.

The shows will coincide with a trio of retrospective releasesfrom Kuepper covering his solo years, Laughing Clowns and The Aints! All titles will be released in limited amounts, on coloured vinyl, and with select CD issues also.

Ed Kuepper and Jim White
MAY
25 - Castlemaine, Bridge Hotel
26 - Melbourne Rising, Comedy Theatre
28 - Meeniyan Town Hall
29 - Macedon Hotel
JUNE
4 - Cairns, Tanks Arts Centre
5 - Sunshine Coast, Imperial Hotel
6 - Gold Coast, Miami Marketta
10 - Newcastle, Lizottes
11 - Wyong The Arthouse
12 - Blue Mountains Theatre
13 - Sydney Opera Houuse Studio (matinee and evening shows)
6 - Eltham Hotel (SOLD OUT)
17 - Brisbane, Triffid
24 - Canberra, The Street
27 - Adelaide, The Gov
JULY
3 - Fremantle Social Club
All shows on-sale now via edkuepper.com

_{Ed Kuepper leads his Aints! through their final show for a while.}  

Sedition 2019
The Aints!
The Flaming Hands
Shy Impostors
The Professors
Paddington RSL, Sydney 
Saturday, August 31 2019

It could have been an exercise in nostalgia for its own sake. It was anything but.

On paper, a bunch of bands digging into their own back pages is a fraught exercise. Things can never be what they once were; voices age and players who were at one time singularly focused on the musical here and now inevitably drift on or find new interests. Some pass on. Others fall out with each other.

Each of these bands come from a special time and a place that can’t be re-captured. Each was leaning, to some degree, on their back catalogues tonight. All were doing their best to be true to their own legacy without getting hung up on it.

 
Take a look at the photo. There they are. The original Saints, outside their Brisbane share house, Club 76. Now a posh real estate agent's rather scrappy-looking digs, the house still stands. 

Queensland does have a heritage register: the Saints' Petrie Terrace share house should surely be on the list, but it's not. Queenslanders, make it happen!

It's mid-winter in Adelaide, and I'm reflecting on the passage of time. As I get off the bus, I pass the new and improved Her Majesty's Theatre on the corner of Pitt Street and Grote, adjacent to the shop I worked in for a year nearly 30 years ago. A few doors up Grote, toward Victoria Square, was the one building I worked in periodically over 22 years, The Antique Market, run by Dean Donovan and his wife, Kathy.

Quite an awkwardly-designed building, after Dean sold all the stock in 2018, it was sold, remodelled and occupied for a few years, then finally emptied and demolished; today a huge hotel or somesuch is heading upwards with a great deal of clamour, gusto and grunt. 

_{The Aints in full flight: Peter Oxley, Paul Larsen and Ed Kuepper, with Alastair Spence obscrured. Mandy Tzaras photo.}

You knew something special was up in Adelaide tonight because as you approached The Gov, heading determinedly back to the carpark was a small group of lone pushing-toward-pensioner men, each clutching the same record: “The Aints Live at The Sarah Sands 1991”. There can’t be too many left of this, they only made 300; get yours at the gig; two LPs, $50.

Now then.

Ever hear of Reid Fleming, World’s Toughest Milkman? Good. Now you have. 

The first comic came out, it must’ve been 30 years ago. I had a T-shirt, gave it to Bob, who has cherished that damn thing for about 25 years now. I did my heart good to see Bob bouncing around tonight in that tattered t-shirt. “I thought I told you to SHUT UP!” Fleming bellows from the shirt. It perfectly matches the night.

By the time you read this, Ed Kuepper and his new favourite band The Aints will be ensconced in Phil Punch’s Sydney studio, recording their new album.

“The Church of Simultaneous Existence” was previewed on the recent runs of Aints shows across Australia, and will consist mostly of old songs intended for a fourth album by the early (definitive) version of the Kuepper-Bailey Saints.

The Aints lineup is Peter Oxley (bass), Paul Larsen (drums) and Alister Spence (keys) with Kuepper on vocals and guitar, backed by a three-piece horn section. The photo at right of Peter Oxley in the studio yesteday is courtesy of Feelpresents. 

Last Friday night at Sydney's Marrickville Bowling Club, The Aints played a bracket of the album songs in their entirety. They backed up that blistering show with an appearance the following night at the Gumball festival in the Hunter Valley..

Did we say recording “a new album” (singular)? The Aints are also recording a new Ed Kuepper album - with strings.

It’s the same “electric trio” configuration that appeared with Ed and the Nonsemble Strings at Leftys Old Time Musical Hall in Brisbane in December 2017.

No release dates have been announced for either album but mixing sessions have been scheduled, so watch this space.

It wouldn’t feel normal in Australia if it wasn’t raining Ed Kuepper shows. Already announced as the Melbourne headliners for this year’s Reclink Community Cup at Melbourne’s Victoria Park on June 24, Kuepper's new favourite band The Aints! are playing an additional show at Geelong’s Barwon Club Hotel the night before.

Joining Kuepper in The Aints! are Sunnyboys bassist Peter Oxley, Paul Larsen (drummer for both The Celibate Rifles and The New Christs) plus solo jazz performers Alister Spence (keyboards), Eamon Dilworth (trumpet) and an additional brass section. Tickets for The Aints! play The Saints with special guests Ausmuteants are on-sale here.

Johnny Thunders and the Heartbreakers famously played “rent parties” at the turn of the ‘70s when they’d finished living in the UK and were back home in New York City.

What proportion of the proceeds from their sporadic gigs went towards keeping a roof over their heads was purely speculative. There were other activities to feed and audience members used to throw loaded syringes onto the stage.

Things were a world removed at the Manning Bar in Sydney on Friday night, where the audience threw two bouquets of flowers at Ed Kuepper.

We’re drawing a very long bow here, I know. This was the first leg of a modest two-city run (the next one in Melbourne on March 23) by Ed’s band The Aints. Chances are, the most popular drug in the room was Lipitor. The objective here is not to pay the rent – shit, Ed Kuepper now has a Brisbane park named after him so he can always live on a bench there - but to fund new recordings.

If that’s not exciting news, you’re in the wrong bar.

_{Richard Sharman photo.}

The label "Elder Statesman" doesn’t do Ed Kuepper justice. His career started in 1973 and spans the Saints, Laughing Clowns, The Aints! and scores of bands bearing his own name. His solo work explores a wide range of musical styles, including punk (whatever that is), folk, rock, blues, and jazz. 

His landmark solo records, "Electrical Storm” (notably his first) and "Honey Steel's Gold" (his break-out effort) were recently re-mastered and re-issued. Sounds like a good excuse for an Australian tour, not to mention an interview at the hands of Robert Brokenmouth. Here’s how it played out.