tour

New York City punk original Sonny Vincent is taking to the European touring circuit in support of not one but three albums.

The massive tour of eight countries spans April, May and June and includes three supports to the Dead Kennedys. 

Already in the record store racks is “Spiteful” by Sonny Vincent and the Spiteful, whose ranks include Rat Scabies (The Damned), Glen Matlock (Sex Pistols) and Steve Mackay (Iggy and the Stooges.)

Out on Swami Records on March 28 is “Vintage Piss”, a woodshedded 2003 studio recording from Sonny, Speedo, ND and Ruby Mars from Rocket From the Crypt, his onetime US touring band.

Hot on its heels is “Psycho Serenades” on Spanish label H-Records, and features members of Rocket From The Crypt, Doc and the Medics and Stiv Bators solo band, as well as the late Scott Asheton.  

If that’s not enough, there’s also a single from Sonny’s pre-Testors NYC band, Liquid Diamonds, out on Hozac Records.  Tour dates in full after the break. 

As Comets on Fire burnt out – inevitably perhaps, given the band’s incendiary exploration of psychedelic expression – guitarist Ethan Miller looked to the warm and free spirited grooves of ‘70s rock when forming his new band, Howlin Rain.  

For lyrical inspiration, Miller cast his eye over the complex cultural melting pot that is the United States. Howlin Rain’s fifth album, “The Alligator Bride”, was released mid-way through the Trump era; the band’s latest album, “Dharma Wheel”, was conceived just as Trump’s tumultuous presidency ran head long into the descending clouds of global pandemic.

A prolific touring act, Howlin Rain had been scheduled to tour Australia in April 2020, only to find itself marooned at home as international borders banged closed. Now heading back to Australia for the first time since Comets on Fire toured here 15 years ago, and with “Dharma Wheel” finally released after 18 months’ abeyance, Ethan Miller talks about Howlin Rains’ symbiotic relationship with America, American culture and Americana.

The Dammed
The Factory Theatre, Marrickville
Thursday, August 20 2019
Photos: Monique Simmons

Culturally, Britain was so different to the USA in so many ways in the ‘70s, and that had much to do with distance.  The US is a vast place with all sorts of cultures and entrainment influences. The south was different to the west coast and out was again different to the east. And that really showed in the disparate pockets of music that sprang up everywhere.

On the other hand, England was more centralised. Long before the ‘70s dawned, it had the ingrained tradtiion of music halls as its historical DNA.

Music halls were everywhere. At one time there were more than 200 theatres in London alone. They hosted events running for four hours and ranging from comedy, clowning, horror to serious drama. For more than a century, popular theatre was a staple for the working man and middle class alike. 

Well, you may ask, what has this got to do with The Damned appearing live in Sydney on a Thursday night? I say, everything. A Dammed gig is like a trip through classic British pantomime and theatre, full of drama and packed with wit and slapstick. 

_{Wreckless Eric. Joe Mabel photo.} 

Talk about Wreckless Eric and what immediately comes to mind is his enduring hit "Whole Wide World" – covered in stadiums and sheds from Aberdeen to Alabama – but there’s a whole lot more to the story than just that.

With more than 40 years of recording and touring behind him he shuns the dictates of nostalgia and doesn’t do comebacks for the simple reason that he never went away. Except maybe where the Antipodes are concerned and where he'll be touring for the first time in 28 years in November.

After more than two weeks of raved-about Australian shows, English punk-era singer-songwriter Wreckless Eric heads home shortly. But before he does – and after he plays his sole WA show at the Rosemount (with guest Joe Bludge) on Monday November 26 - he’ll be playing one last gig in Melbourne, this Tuesday November 27 at the Merri Creek Tavern in Northcote.



Opening for Eric on the night will be the Merri Creek Tavern’s publican, much-loved singer-songwriter, Weddings Parties Anything mainman and Wreckless Eric superfan Mick Thomas.
 
Fans of either artist – Wreckless Eric or Mick Thomas – won’t want to miss this super intimate show, so get your tickets here.

English psychedelic punk legends The Damned are returning to Australia and New Zealand in March 2017 for their 40th anniversary tour.

Since their formation in 1976 and playing their first gig as supports to the Sex Pistols, The Damned have carved their own path.

They released UK punk’s first LP, followed by 10 studio albums, 15 live records and countless more 45s.

Known for songs like “Neat Neat Neat”, “Love Song”, Smash It Up” and “Eloise”, they’re ranked one of the most influential punk groups.

After a series of line-up changes and a temporary break-up, the band have continued to release masterful music, with their latest offering “So, Who’’s Paranoid?” their first album in seven years.

The tour will be lead by original members Captain Sensible on guitar and the remarkable David Vanian on vocals, as well as long time members Monty Oxy Moron, Pinch and Stu West.

Dates and ticketing dertails after the break.