RENT PARTY - The Waldos (Jungle Records)

I ain't owned that beautiful Nina Antonia book about Johnny Thunders for years-poor people can't have nice things - ya always have to sell it all to eat and smoke. "Everything is in the pawnshop", you dig? But all those swanky Heartbreakers photographs are etched forever in my mind.

This is bass-heavy punk rock from Sydney with an initial "we're-drinking-cans-at-the-football-on-the-hill-so-sing-along-with-us" flavour. This is five, short and sharp songs with names like "No Logo Is A Joke" and "You Want It" so you might suspect that it's all politically incorrect. Of course, first impressions are often wrong. It's punk rock with a left-of-centre social bent.

Super Best Friends (wasn't that a South Park episoide?) have already had the Triple Jay thumbs-up - but don't hold that against them. They knock around with Children Collide and Violent Soho so it's going to work as punk rock for the generation that can't remember last Friday night, let alone the Sex Pistols.

Guitarist Johnny Barrington sings in a broader-than-Sydney-Heads accent without sounding like he's bunging it on( like those worse than awful Australian hip hop acts.) Matt Roberts' bass sound hand playing s more pliable than the GDP of a small West African country and Adam Bridges' fluid drumming kicks things along nicely.

There's a lot of crunch in the guitars and a whole bunch of shouting. Blips of sythn run through "Karma Karma" so it's not just rote punk. The songs are catchy with choruses and drop-outs. All in all, perfect festival fodder. I can hear the kids at the next Splendour In The Grass singing away to "You Want It" or the scathingly anti-xenophobic "The Bleachers."

Fast, furious and fun - and a step above most of the latest wave of what passes for punk rock, Super Best Friends might lyrically fly over the heads of some the people who pick up on them but that's not going to stop anyone having a good time. - The Barman

1/2

Here's French garage rock from five guys who have soaked up a fair bit of the output of The Lyres, at a guess. I caught them in the flesh a couple of years ago, supporting a reformed Screaming Tribesmen in France's best rock and roll tavern, Mondo Bizzaro in Rennes, and this four-track 10-inch EP sounds like they do live.

Soft Cell supported by Marc Almond
The Gov, Adelaide
Friday 11 April 2025
Words & Photos: Robert Brokenmouth

This will be a brief review - I got other writing to do. But you need to know. If for any reason you've hesitated about buying a ticket, I can only repeat what I said about seeing the Sex Pistols and Frank Carter:

JUST GO.

They play Enmore Theatre in Sydney on Sunday, Fortitude Music Hall in Brisbane on Tuesday, and the Palais in Melbourne on Thursday.

Sex Pistols Featuring Frank Carter
Hordern Pavilion, Sydney
Tuesday, April 8, 2025

Quick summation: They rocked. They were a massive ball of fun. The New Guy was his own man; Frank Carter doesn’t pretend to be anything he’s not. The band behind him is still three-quarters of the Sex Pistols - and monstrously good.

Statement of the obvious: The crowd was old. Sure, there was a sprinkling of curious young millennials who’d been browsing their parents’ record collections, but mostly it was codgers bordering on, or of, pensionable age.  I haven’t this many senior citizens in one place since Oatley RSL had a disability scooter rally on the concrete apron outside the entrance, where the old dears listen to piped music as the clock counts down to the poker machine room’s 10am opening.

_{Carolyn Fenech photo.}

Sex Pistols with Frank Carter
Sunday, April 6, 2025
Hindley Street Music Hall, Adelaide

First and most important: skip whatever preconceptions you may have.

JUST GO.

People will be talking about this tour for decades and believe me, you really don't want to be telling folks how this band were loads better at the 100 Club as they change your colostomy bag in your fucking retirement village.

The squeakers of "sacrilege"  have had their say on the interwebs, and now it's time for Frank Carter's name (and back catalogue) to be on everyone's minds.