evil twin

It sneaks up on you. “Broken Blues” kicks off modestly enough with “I Don’t Mind”. It sounds like a sparse blues and winds up sounding like a monstrous fuzz workout, in the vein of Midwest duo Left Lane Cruiser. From then on in, the ride gets better.

Evil Twin set a high bar with the 2014 debut “Kill The Funk” and set out to record a follow-up EP. When he heard the new songs, label boss Mickster Baty suggested something more substantial. (He probably had a Cooper’s in his hand at one of the bacchanalian fests that pass for an in-store at his shop, and he’s one bloke you don’t argue with when he’s got beers on board.) So “Broken Blues” came into full bloom.

Third In Line For The Throne b/w Yeah Orright – The VeeBees (Evil Twin)

Twenty-five years of The VeeBees? Hard to believe but here’s the proof that they still excel at excess. The A side is a stringing sub two-minute trip of raging guitars and fun. The VeeBees’ engine room has never sounded more powerful.

And the lyrics? They’re about lining up when you really need to lay a cable and (thankfully) have nothing about the succession plans of entitled and terminally boring Royals.

At a tick over three minutes “Yeah Orright” is an odyssey in comparison. The band eases off the throttle and while Its lyrical journey doesn’t go much further than the chorus, the chugging guitars stick like shit to a blanket. That term could apply equally to "Third In Line".

The VeeBees don’t own Yob Rock but they’ve carved out their own little corner, spanning Canberra and Wollongong. More power to their (drinking) arm. As the boys themselves say: "Four blokes, 3 chords, 2 brain cells, 1 carton of beer." 

1/2

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