lazy cowgirls

There’s no-one better qualified to decry “this counterfeit world” than Pat Todd as he does on the opening cut of the same name on his new album.

Todd’s been The Real Deal for three decades, first with Los Angeles underground legends The Lazy Cowgirls and more recently with The Rankoutsiders. “Blood & Treasure” is long=player number-four and builds on a substantial body of work.

People sometimes look down their noses at the term “bar band”. Why is a mystery. Isn’t a “bar band” the antithesis of a “stadium band”? Todd has assembled one of the world’s best bar bands in The Rankoutsiders and it would be a travesty to think of them playing Coachella.

Sons Of The City Ditch – Pat Todd and The Rankoutsiders (Dog Meat)

Pat Todd and The Rankoutsiders albums are like hernia operations: You don’t know you need one until somebody tells you, and then you can’t do without it. “Sons Of The City Ditch” is the outfit’s seventh long player and is no less desirable than the six that came before it.

You can jump anywhere into the Rankoutsiders discography and you’ll come up smelling like roses, but if you’re popping your cherry you might as well do it with this one. It’s on resurgent Australian label, Dog Meat,who purveyed some prime rock and roll beef back in the ‘80s and ‘90s, and it’s going to be considerably easier to find than the rest of the back catalogue. 

Bonus points: Pat is about to embark on an extensive Australian solo tourso you can ask him to sign a copy. 

Brisbane's Swashbuckling Hobo Records is marking the looming Pat Todd and The Rankoutsiders Australian - well, Victorian - tour  by releasing a limited edition seven-inch single.

The instantly collectable "9 Lives, Tall Tales & False Alarms" b/w "Bullshit World/Bullshit Man" will follow recent album releases on Hound Dawg Records and Melbourne's Dog Meat labels.

The Victorian Tour will follow Pat's rapturously received solo East Coast Australian run of November 2023.

For the unitiated, Pat Todd fronted the undisputed roots-punk kings of LA, The Lazy Cowgirls after blowing in from Midwest outpost Vincennes, Indiana in the early 1980s.

The Cowgirls' live album “Radio Cowgirl” was the first release on scene prime mover Sympathy For The Record Industry and ultimately inspired a resurgence of classic 1976 Ramones/Saints/ Heartbreakers-style punk that stretched across the US into Europe, Japan and elsewhere, inspiring bands like The Muffs, New Bomb Turks, Oblivions, Teengenerate, Onyas and others.

The good news: The much anticipated Australian tour by ex-Lazy Cowgirls frontman Pat Todd and his band The Rankoutsiders is on. The bad news: The tour is restricted to one state.

Pat Todd’s Aussie solo dates with Mad Macka of the Cosmic Psychos were a stand-out of 2023 and he promised to be back. Unfortunately, limited time and economics mean Victoria will host all five dates of the run. 

So if you’re anywhere else, book an air ticket. If can't, take consolation that you’ll be able to stream a live-to-air on 3PBS-FM before the live shows proper start.

Pat Todd & The Rankoutsiders
NOV
6 – PBS live to air
7 – Trash Cult, Bendigo, VIC
7 - Shedshaker Taproom, Castlemaine VIC
8 – The Tote, Collingwood, VIC
9 – River Rocks, Barwon Club, Geelong
10 – St Kilda Bowls Club, St Kilda, VIC
11 – Last Chance Bar, Melbourne, VIC

Cosmic Psychos guitarist Mad Macka has announced a run of shows with him double-billed with legendary Los Angeles figure Pat Todd.

Pat Todd is best known as front man for hugely influential rock'n'roll-punk band The Lazy Cowgirls from the early '80s to the early '00s, and more recently for his great high energy rock'n'roll band Pat Todd & The Rankoutsiders.

“…there’s pretty things in Palookaville…” - Pat Todd & The Rankoutsiders (Hound Gawd!)

Unless you’re one of the lucky few you won’t have yet heard the latest album from ex-Lazy Cowgirls frontman Pat Todd and his pack of old stagers, The Rank Outsiders. So what’s the point of a song-by-song description? You’ll forget the song titles before you clap ears on the real things, anyway. So let’s dispense with that bullshit and tell you how it will make you feel, instead…

Slap it onto the turntable or whack it into the player. Crank it. Good and loud. The opening G chord of “All The Years #1” kicks in and hangs in the air, and it’s like an old friend just walked in the door with a case of cold beers and a headful of fresh stories. 

It’s all jagged riffs and Todd’s impassioned vocal, urgent and insistent. It sounds immediately familiar, yet fresh, a menu of yarns set to punkish, rootsy rock and blues, basted in minor chords and a harmonica dry rub, and roasted in a slow cooker.

 ^{Michael Passman photo.}

Pat Todd is one of the greats of American music in recent times. I say that not just because he has one hell of a set of pipes on him, and is an incredible songwriter, but because he’s also combined elements of garage, punk and country all into one mix. I can’t think of anyone that has done that as long as he has, or has done it so well.

Todd makes music that I find hard to believe anyone could dislike. He’s one of the great American songwriters. Todd formed his latest outfit The Rankoutsiders in the mid-2000s and they pick up where his legendary group the Lazy Cowgirls left off. Their latest release “…….there’s pretty things in Palookaville”is up there with his best work, but every LP he does is brilliant and it’s hard to pick a standout “classic”.Pat spoke to me from his Los Angeles homebase via Zoom, where Rankoutsiders guitarist Nick Alexandergreets me before Pat comes on.

Pat Todd
+ Mad Macka
Golden Barley Hotel, Enmore, NSW
Saturday, 25 November 2023 

Australian music legend and label owner Sebastian Chase once said to me: “Punk rock is folk music with volume - street music, if done right”. And with local bands like Cosmic Psychos and X, a case can certainly be prosecuted that street music and its stories can be  found in bars and pubs across the land.

Mad Macka has played his fair share of pubs and bars for almost 40 years, originally with The Onyas and lately with Cosmic Psychos. Macka’s music mirrors what you’ll still see and hear in drinking establishments across the land: cynical yarns by blokes on the punt and into their sixth schooner.

Americana is a term that excuses all sorts of sins. It’s so sweeping as to be meaningless - and it’s been homogenised to the point of dross - so let’s not speak of it again.

Some folks call Pat Todd “Americana” and it doesn’t remotely cover what he and his Los Angeles-based Rankoutsiders play. They’ve been tagged “Mellencamp with the Les Paul turned right up” by one reviewer, which is a bona fide compliment if you ignore the stuff that charted in Australia…

So, the fifth Rankoutsiders album, “The Past Came Callin’”, is rootsy and muscular rock and roll, an amalgam of rock, country, blues and everything in-between, and a contender for their best yet.

What makes the 14 tracks on “The Past Came Callin’” stand out? The songwriting, for one. Pat Todd doesn’t do mawkish sentimentality and writes from the heart. These are a mix of old and new songs, stories about relationships and crimes - which we all know are sometimes one and the same thing.

The surging, urgent guitars of Nick Alexander and Kevin Keller are another distinctive plus. Like Thunders with a clear head or Keef with a new-found dose of inspiration and less noodling, these guys make you take notice of every lick and steamrolling riff.

 _{Josie Jose photo}

Best Albums of 2021 (not in order)

Blowers – “Blowers”  
In the tradition of Jay Reatard and the Oblivions, Blowersare a band that proves less is more. Killer bare basics, as well as plenty of humour. One take, if there’s a mistake, fuck it, that’s the take. This LP is prime example of garage rock at its purists and best.

Civic – “Future Forecast”
After a few brilliant EPs it’s great to finally get a full Civicrelease. Combining elements of ‘90s Melbourne rock and US 2000s gunk rock, this stayed on the turntable for a good fortnight.

Cutters – “Australian War Crimes”
Six tracks clocking in at 10 minutes, including a diss on Rye, a suburb I don’t care for, and the title track, a reaction to revelations of Australian SAS soldiers’ behaviour in Afghanistan. Brutal and superb.