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rust

  •  RUST garry campbellGarry Campbell in full flight. 

    WORDS: Ed Garland
    PHOTOS: Jules

    I am the first to admit I got it wrong about Sydney band RUST.  

    You these hear stupid comments around the scene (by those who claim to be “in the know“) that RUST is a right-wing Oi band.  As time’s gone on, the penny has slowly dropped.

    First,  I watched the band put in a blistering set at The Metro in Sydney support of Stiff Little Fingers and they impressed me .

    A couple of years later, pre-Covid, I caught them at Time and Tide in Dee Why in one wild punk night. They struck me as a solid Oi cross-over punk band, but maybe but not my thing.  

  • edwin 2024Every year The Barman makes the call-out for the Top Ten. Every year I can’t reduce mine to only ten.  Near impossible. I have cheated and there way too many highlights. For me personally, it was good to step out and do an acoustic gig for the opening might of Bryan Cooke’s musical photography exhibition in Sydney.  I used to play these shows at The Excelsior, Hopetoun and Manly Fishos and aim to do more this year.


    Live Gigs


    1. Grace Cummings in several places
    It has  been a long time I have seen one artist or band four times in a year. I was envious of other people as Grace’s local performances, up until recently, have very rare. In fact, it’s been almost 18 months between Sydney shows. Notably, one was a warm-up prior to a gruelling American and European tour that included a live performance on the Steven Colbert late show.  

    Four months later came an actual album launch for “Romana” at Sydney’s Metro Social in August. Then I won a lottery for a spot at the Phoenix Theatre, and finally caught a packed Crowbar show in early December.

  • edwin 2025I thought this was quiet year but, looking back at It, there were many more than 10 gems that stand out for me. So it’s a round-up - with only a slight concession to numbers.

    I do see myself as a hermit compared to most people who go to gigs every week and constantly buy albums. But 2025 was a bustling and explosive year for me with some real highlights.  

    “South by South West” in Sydney was chaotic, a lottery dip and well worth a look for some superb bands. From Chinese metal art house to the best indie pop this side of Half a Cow Records, I recommend checking it out next year.

    For personal musical highlights,  I was honoured to be part of Ernie Oppenheimer’s post- punk album, “The Institutionalist”.  Playing a gig at Geoff Datson’s hootenanny with someone I believe in one is one of the best blues-swamp guitar players, Bones of The Deadly Hume, was a hoot. There will eventually be a YouTube clip.  

    Finally, there was a little doco that I was involved with about the photography of Bryan Cook. There will a book out early next year, “Spirits of the Hopetoun” will feature his photos with some magnificent research and interviews by Dr Greg Ferris and Dr Liz Giuffre.