the reals

Corporate con or well-meaning act of benevolence? History tends to deliver a verdict of the former. for "Lethal Weapons", the 1978 compilaiton album of Australian "punk". 

"Lethal Weapons" was a product on an offshoot of major Australian label Mushroom (the same people who brought you Chain, Skyhooks and the Sunnyboys) and it was clearly a cynical attempt to commercialise underground music scenes then burgeoning in Melbourne and Sydney, especially.

Compiled by would-be A & R man Barry Earl, the album was notable for its eclectic cast which included The Boys Next Door (soon to become The Birthday Party), JAB, The Survivors,  whose members would go onto Sacred Cowboys, The Moodists, Radio Birdman, Teenage Radio Stars and the Bad Seeds. 

Trevor Block went in search of many of the original protagonists in bands that signed to Suicide. We're reprising his article to mark 40 years of "Lethal Weapons", and the decade since its CD re-issue. 

_{Sacred Cowboys on St Kilda Beach with the SS Minow.}

“Sydney audiences can expect to hear much of the ‘Diamond in the Forehead’ album and a number of songs that will comprise our second album. Expect rock and roll out of the early 1970s, expect high volume in the guitar department, expect Nobel Prize-winning freak flag songs”

Garry Gray wrote this to me, and I visualise him, pounding the keyboard with pride about his forthcoming shows in Sydney in mid-November.

Gray has been making music for 42 years. I imagine by now he knows when he has a killer album ("Diamond in the Forehead") and a killer live band (The Sixth Circle) locked in. As I wrote a few months ago who when I caught The Sixth Circle live at the Tote Hoteland was blown away by a great, pure rock, street-level band:

All that dark and shade in this set; theatrics and drama. The tempo pulls back with “Club Siren”. “Our God hangs #6” is wild rock beat and with the guitars blues-based. Gray’s menacing vocals howling: 'I got hung without a trial'. "Cadillacs” has that proto punk rawness and a blues progression. There are elements of deep soul with raw gritty urban blues, and a solid rock 4/4 backbeat. Live, it is a no-nonsense rock monster.

_{Ian "Ollie" Olsen.}

Australian underground music has lost two important figures in Melbourne’s Ian “Ollie” Olsen and Andrew Picouleau.

Picouleau was best-known as a member of Dave Graney and the Coral Snakes, The Metronomes and Sacred Cowboys, while Olsen was in Whirlywirld, Orchestra of Skin and Bone, Noand Max Q, the short-lived but high-profile collaboration with Michael Hutchence.Both passed last week after protracted health issues. 

Multi-instrumentalist Olsen was a key driver of the Australian post-punk electronic movement of the late 1970s whose punk lineage went back to The Young Charlatans (home to Rowland S Howard) and The Reals. Her was musical director for “Dogs in Space”, Richard Lowenstein’s gritty 1986 depiction of Melbourne’s underground music scene, and went on to make a mark internationally in electronic music and soundtracks.