velatine

Comic b/w No God - Velatine (Spooky Records)

You need this gritty, honey-dipped red platter of imminent death and vaulting beauty on your turntable now.

And when I say “now”, you need to get your skates on. 150 were pressed, and Spooky has less than half left.  This single is pure, powerful Euro-class with tinges of Dead Can Dance, Laibachand Depeche Mode...but with the kind of darkly angelic singer that spotty teenage boys top themselves over.

Have you heard Velatine's first few long-player releases yet? “Store Atmospherics” and “The Trap” (both on Spooky in 2020). Mean, moody and magnificent. Remember that soundtrack to “Twin Peaks”? Well, imagine a similar series set in the Alphabet City, the midnight Gotham of our souls - Velatine slide right in. You can even wear your leather biker jacket. These songs were the result of, as the media release says: "Loki Lockwood delving deep into the world of electronica in an unconventional way, combining a love of cinematic, industrial and pop". 

The Trap - Velatine (Spooky Records)
Store Atmospherics - Velatine (Spooky Records)

Well, pop tarts, you're all wondering what the fuck to do during lockdown (apart from fucking, fighting, boozing and drugging), so here I am to sprinkle sparkles of hope and joy...

This is my first and probably last music review for 2021. So this will be short, but sweet. 

As I may have reflected, we live in a golden age of music, where the vast majority of what is popular is unbelievably smug and gittish.

Unlike, to take one label by way of example, Spooky Records (sometime home of such mainstays as The Beasts of Bourbon, 6 Ft Hick, Sun God Replica, Shifting Sands, The Braves, Spencer P. Jones, Brian Henry Hooper, Lost Talk, Harry Howard and the NDE, and a host more), whose releases are exciting, curious, intriguing and often downright addictive.

 _{Jurgis Maleckas photo.}

“The concept was taking the business model of The Eurythmics,” laughs Loki Lockwood, studio engineer, producer, Spooky Records label owner and, more recently, auteur behind the electro-noir-goth studio project Velatine.

“Because I’d been in so many bands that had fallen apart, the less people involved, the better! I didn’t want to be the singer or the focus. So with The Eurythmics, they were sort of the ideal: they’d come from being in a band, they’d fallen apart and then as a duo they developed this thing.”

Lockwood says he’d been “fucking around with electronic music since about 1986”. Australian electronic music pioneer OllieOlsen, music director on 1986 cult classic movie "Dogs in Space" in which Lockwood featured as guitarist in Marie Hoy’s band, suggested some artists for him to listen to further his knowledge of the genre.

I Won't Be Civilised - Velatine (Spooky Records)

Melbourne duo Velatine is now a constant in my life, in the  same way that (say) disco was a constant in some people's lives every Friday and Saturday night, or punk was, or AFL every season, or cricket... you know?

I'm not alone, it seems - this week my local independent radio station, 3D in Adelaide, made it LP of the week. And it's not out till Friday.

However, I must be frank here. Velatine ain't for everyone. It ain't yer commercial radio fodder for sparkies and housewives. The independent radio stations should love "I Won't Be Civilised", but of course, you know. They have zero taste after being told for so long what's hip and cool by... paint salesmen. Sorry, I mean “record executives”.

Whisper Park b/w One and Only – Velatine (Spooky Records)

Damn, “Whisper Park” is dark and groovy. Just listen to that rippling rhythm, those soaring cadences..and Maggie Alley's louche, almost deadpan vocals. By god, she's got a voice on her.

Band member/producer Loki Lockwoodhas shot another sterling ICBM into an uncaring stratosphere, look out Shen-zen, here comes detonation... and yes, Velatine do provoke that effect. At least on me. A graceful, deadly shot into the air, where it lands, god won't help you.