More than 45 years since they first formed during the froth and frenzy of punk in Scotland, the Skids are coming to Australia for the first time for a “greatest hits” tour.

I lived overseas and saw them quite a few times in the 2010s, and each gig was a triumph. The last time I saw The Skids, in December 2019 in Glasgow, was the best of the lot.

_{Kim Scott.}  

Formed in Adelaide in the early 1980s and based on the core membership of brothers John (guitar) and Kim Scott (bass), The Mark of Cain was always something of an enigma in the Adelaide, and Australian independent music scene. 

The Mark of Cain took its initial musical cues from English post-punk bands like Joy Division and Gang of Four; the band’s muscular sound was complimented by a existentialist lyrical bent, inspired by John Scott’s interest in the writing of Jean-Paul Sartre, Albert Camus and Herman Hesse, spliced with figurative militaristic imagery. 

The fact that the Scott brothers, both qualified engineers, held down day jobs in the Department of Defence added to The Mark of Cain’s mystique. 

Much-travelled James McCann (ex-The Drones, Harpoon, James McCann And The New Vindictives, James McCann's Dirty Skirt Band, Nunchukka Superfly) is back with a new LP, a new band name - and even a different first name.

The Melbourne-based singer-guitarist’s latest recording, “Hit With Love” – under the moniker JJ McCann Transmission - is 12 cracking, original tracks that combine elements of ‘80s hard rock, pop and post-punk, and a few that are almost impossible to compare to any others.

Produced by Rob Younger, “Hit with Love” is another solid entry onto McCann’s already exceptional back catalogue. For me he’s one of the country’s great singer/songwriters of the last 20 years. We spoke with JJ via telephone.

_{Robert Fagan photo.}

By tragic coincidence, a few hours before my interview with L7 guitarist and singer Donita Sparks, news broke of the passing of Irish musician and songwriter, Sinead O’Connor. 

At first glance, the association between L7 and O’Connor is opaque: L7 was a hard-rocking, all female rock’n’roll band who emerged from Los Angeles; O’Connor was a talented singer and songwriter from Ireland, whose angelic voice belied her outspoken views on religious dogma and practice. 

But on a cold evening in October 2009 at the Myer Music Bowl in Melbourne, O’Connor had taken to the stage as part of the Melbourne Music Festival’s “Seven Songs to Leave Behind” to belt out a mesmerising version of L7’s “Shitlist” – a track which O’Connor had chosen, per the structure of the evening for the various guest performers featured, as the song she’d wished she’d written.

 _{Ravin Divito photo}

Portland outfit Jenny Don’t and the Spurs have been recording and playing for the last 10 years and show no signs of slowing down. A supergroup combining members of Don’t, Wipers and Pierced Arrows, the Spurs combine the fast energy of garage and punk, with the attitude of outlaw country. If Patsy Cline started a band with some ratbags hanging around CBGB, it would sound like this.

We spoke with singer/guitarist Jenny Connors and her husband, and also Spurs bass player Kelly Halliburton from their Portland home just before they land in Australia for their second Spurs tour. 

The first thing you hear when the stylus drops on Radio Birdman’s “What Gives?”, “Aloha Steve & Danno”, ”Descent Into The Maelstrom”, “Do The Moving Change” or The Visitors’ “Hell Yes” are the drums.

Solid, to the point, perfectly simple, lots of swing and dead on the money, That drummer’s name is Ron Keeley, who also played with Radio Birdman precursor The Rats (with Warwick Gilbert and Rob Younger), The Other Side (with Rob Younger) , The Hitmen (with Chris Masuak and Warwick Gilbert) and Comrades of War. 

I wanted to hear Ron’s story first-hand and have a beer or three with him in his adopted home of Woking, Surrey,l just outside of London. It's only a short, 17,000-mile trip from Sydney, Australia. We met in The Crown, a wonderful old-style “wet pub” (no food, no gambling, no TV - just drink, so what’s not to like?) in July 2023.

Read on at your own peril.