Wayward Serenades - Long Hours (Spooky Records)

The cover features a topless Julian Medor on his back on what looks like a garage floor covered in oil, eating his necklace, mic in hand and eyes shut. Shades of Darby Crash, and Iggy Pop.

Which are pretty good introductory comparisons, though Long Hours don't sound much like Iggy (well, alright, maybe “A Ghost To You”), but perhaps a bit like The Germs. But that's where comparisons pretty much end. 

Out of Time – Sonic’s Rendezvous Band (Easy Action)

Some bands defy objective assessment and Sonic’s Rendezvous Band is one of them. So let’s not even try to pretend.

How can you be objective about a band that issued just one single in its lifetime when it happens to be “City Slang”, inarguably the greatest rock and roll seven-inch of all time? Can you really question the worth of a band whose lineage is former MC5, Rationals, Stooges and The Up members?

Yes, you could. But that’s just you.

Tears of the Minotaur - The Christopher Marshall Predestination (self released)

I guess the starting point here will be 1980s noisy blues outfit Harem Scarem, formed by Charlie and Christopher Marshall. Until they found Chris Wilson, Christopher was lead vocalist. And I do wish for a few live tapes of that line-up. 

And, curious how things turn out. 

Like his fellow bandmate the late Chris Wilson, Marshall's voice is quite extraordinary, and you can pretty much pick your own favourite blues vocalist to compare him to. 

Punk Traumatic Stress Disorder - Cull The Band (Tomorrow Records)

“Punk Traumatic Stress Disorder”  is one helluva a punk rock record and by that I mean it’s everything you want in a punk album: songs full of anger, hate, profanity and, most of all, humor. Yes, humor abounds throughout these 11 wonderful tunes.

Jeff Stephens (ex-Exploding White Mice) was kind enough to drop me a line and talk a little about how some of Adelaide’s finest musicians got to together in Cull The Band:

Strung Out On Heavens High, 1980-1982 - Religious Overdose (Optic Nerve Recordings/Glass Records)

Nope, never heard of Religious Overdose. So I put it on. And suddenly, that weird Adelaide time from about 1978 to 1981 was back.

Bands like Nuvo Bloc, Systems Go, The Lounge. You sort of knew some of their influences. And rather than be like so many other bands smitten with the underground music movement currently sweeping the globe, they'd deliberately avoided mimicry to produce something both damn strange and damn good. 

The Fallowing - Adam Geoffrey Cole Cornish (Sunstone)
The Tracks of the Afterlander - Adam Geoffrey Cole (Ramble Records)

I don't have much taste for what gets defined as “folk”.. Which conjures up the same sorts of things for you as it does for me, really. Marxist Orstrilian dingbats dressed up in “traditional” Oirish garb, wittering out stuff which all sounds a bit too twee and cliched, while bunging on a nasally twinge and waxing lyrical about a lifestyle they're only really familiar with through reading about it (and possibly a holiday in the Auld Coontry when they were 11). Oh, and bags of make-believe wailing humility.

Shoot them all, I say, and be quick about it.