A compilation of 17 of the most bent, raucous and screwed up lo-fi musical artists from New Zealand? Sounds like a concept worth bottling and who better than Switzerland’s Voodoo Rhythm to bring it on?
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- By The Barman
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Whether the label finds them or the bands are now lining up at the door proffering their latest recordings, matters not a zot. Alive Naturalsounds has firmly established itself as the Los Angeles-based home for America’s legion of early-to-mid ‘70s styled hard rock acts and Mount Carmel are its latest recruits.
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Another day, another blues duo. Or so it seems. The economics of travelling light are obvious for a band playing ballsy blues-rock in these lean times, so it’s a relief when they actually sound good.
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Freakbeat doesn’t swing much more than than this. Perth’s High Learys are children of the ‘60s, metaphorically speaking, from their meticulously ruffled haircuts down to the pointy tips of their winkle-picker boots. If such retrofitting offends your sensibilities, leave now.
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Don’t be put off by the band name, appropriated as it is from a cheap ‘80s men’s cologne, or the inside cover shot of the group members that drips unadulterated hipsterism. Stripped back Melbourne garage duo Blue Stratos pepper “Diamond Afterlife” with enough primal gems to dazzle the most demanding fencer of stolen jewels.
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Amid all the recent deification of a soul-less, vapid, posturing band like INXS and its execrable white bread music, the greatness of acts of a similar vintage goes sadly under-acknowledged. This re-tooled version of Died Pretty’s second album won’t bring them sainthood or riches in their dotage, but might remind you of what could, and should, have been.
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