Ride Hard Ride Free b/w Smokestack Lightning - Zeke (Hound Gawd Records)

Seattle speed metal merchants Zeke cop a perennial barberqueing from critics who perceive their Motorhead-meets-Black Flag to be one-dimensional thrash. That might be partially correct - the 2000 cover of “Rhiannon” was certainly an attempt to crack the mould - but what’s wrong with sticking to your guns? It never hurt Lemmy.

This vinyl-only single (as in it won’t be on any streaming service anywhere, soon) vindicates that single-minded approach. The production is more metal orientated than the band’s high-water mark album, “Dirty Sanchez”, but that won’t deter any more than a handful of followers.  

With original members Blind Marky Felchtone (vocals and guitar) and Dohnny Paycheck (drums) “Ride Hard Ride Free” is as uncompromising as ever, with a furious whirlwind rhythm the foundation for a tidal wave of fast guitars. Feltchtone’s serrated knife vocal might be even more toxic than two decades ago. 

Be forewarned: The B side “Smokestack Lightning” is not the Yardbirds-appropriated blues smoker from “Five Live” but a similarly pitched blistering aural assault. 

Buy it 

Tract Home Chippy - Chris Masuak & Dog Soldier (I-94 Bar Records/Gaga Digi)

Chris Masuak has been shredding guitar on Australian stages since he was a teenager with Radio Birdman in the mid-‘70s. It’s still hard to grasp that by the time he'd made his mid-20s, he'd played with Birdman, the Hitmen, the New Christs and the Screaming Tribesmen, surely four of the most rocking and influential acts to emerge from Australia in any 10-year period.

Fast-forward to 2023 and Masuak now lives in Spain; in recent years, he’s released a couple of stunning, riff layered, street level yet melodic albums in “Bruijita” and “Address To The Nation”. The new digital single “Tract Home Chippy”, released to concide with his first Australian tour in six years, is no different.  

With a weaving, melodic guitar hook that crosses several scales, it’s a clever lead-in that sparks off a pumping rhythm section that’s as tight as an ant’s arse. The song gets along like a roller-coaster, aided by solid backing vocals that add spark. Masuak’s own vocals is in fine form, and it’s wrapped in a shower of hooks. The song carries the classic Masuak trademark: a slab of guitar power with a hard edge that nods nod to garage rock and toll.

Lyrically (and

) is an ode to counter culture hero Lenny Bruce, who was a father of cultural insight who faced an obscenity trial and was hounded into poor health. Chris Masuak has landed a bullseye with a fitting tribute.

Wait ‘Til The Summer Comes b/w Tonight Tonight Tonight - Little Murders (Off The Hip)

The formula is as simple as it is timeless: Verse-chorus-chorus. Melody lines and a hook or two. Melbourne’s Little Murders have it down pat and this 45 is another object lesson in powerpop.

“Wait ‘Til The Summer Comes” is the tough pop rocker, “Tonight…” its lighter reflection. The former swoops early and replicates its own melody line in a short but effective blaze of guitars. Rob Griffiths’ agreeably distinctive vocal suits the song’s summery mood. And it is always summer, somewhere around the world.

Flip it over and “Tonight Tonight Tonight” is a simpler but no less catchy gem. Griffiths and lead guitarist Rod Hayward do a little sparring the song kicks back into its chorus. Hayward takes it out. Finito. Simple and effective.

Bonus: Buy the vinyl single and you’re gifted another four digital tracks. An easy call, really.

    3/4

Buy it 

Almost Dead In Hollywood b/w La Dolce Vita – The Fiction (Off The Hip)

The glam-punk “Almost Dead In Hollywood” has a momentum that belies a reality that The Fiction are superannuants who originally convened as a band in Meloburne way back in 1978. Rob Griffiths spits out a word salad about a huge and hazy night before leading us it into a gold-plated singalong chorus. High tension guitars from Rusty Teluk and Rob Wellington are barbs on the end of the hook. Bait taken.

The B side is an ode to a neighbourhood sexpot and if they remake the movie of the same name, it should be on the soundtrack. A nagging guitar line and a bubbling bass-line propel “La Dolce Vita” forward with a relentless but melodic punk urgency. The throaty guitar solo that punctuates the song towards the end of its two-minute lifespan is a cool touch.

Snap it up without hesitation here.

    3/4

You're Not What I'm Looking For - Flowers for Jayne (Glowing Ember Records)

So what is it? "You're Not What I'm Looking For" is classic tough power pop with a dead-set groove you can light a fire with.

So. I know nothing about Flowers from Jayne except the name and the members have "form", as The Truth newspaper used to say of "colourful racing identities". Lead guitarist Jayne Murphy played in the Lime Spiders (presumably there are one or two similarly "colourful" stories to be told there), bass player Bill Gibson is a familiar figure from The Eastern Dark, and drummer Jess Ciampa can boast being in the Jeff Duff Band and Monsieur Camembert. 

These folks know what they're doing.

The Lost(Ish) Tapes – The Preytells (Fantastic Mess Records)

It’s a four-song EP from an obscure (at least on the other side of the country) Adelaide band that deserved prominence - and might have managed it if they’d come from Sydney. The Preytells formed in 1986, shared stages with just about every worthwhile underground local band of the era.

These songs were among sixn recorded in ’92 for release by Greasy Pop. Alas, the band fell apart before that could happen, and singer Mick Reed left this world a month later. The tapes have been exhumed by boutique label Fantastic Mess Records and are superb ‘60s punk-inspired rock and roll.