Emmy Etie photo
The tour is almost over and the verdicts are in following a re-tooling of the line-up with the controversial omission of guitarist Chris Masuak. We present divergent views of the sold-out Australian run of Radio Birdman shows.
Go here to read an appraisal of the Adelaide gig by Robert Brokenmouth and here to read Edwin Garland's read-out on the band's two Melbourne gigs. You can leave comments on both reviews. Photos are by Emmy Etie and Kyleigh Pitcher.
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- By The Barman
- Hits: 12733
The cover - taken by Lydia Lunch - shows the ruins of an ancient desert city. Could be Jericho. Whether Jericho is in the Mid-East or the West of the USA makes little difference. We’re dealing with perennial humanity in a perilous place with a mythological backdrop. But, you know, the Israelis and the Palestinians are still killing each other, and as I say, it’s a big thing on a big, operatic stage with no solution and no apparent beginning, never mind end…
… and there are plenty of abandoned towns in Australia… it doesn’t take much, just a bit of intolerance and a bit of ignorance, and idealism for a hopeless, not very sensible cause…
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- By The Barman
- Hits: 11180
If one of those great, booze-soaked rock and roll weekends like Garage Shock or the Las Vegas Shakedown were still a going concern (correct me if I'm wrong and one of them still is ) the Bloody Hollies would have been one of those bands that came in unheralded, blew everyone away and sold a ton at the merch table. And anyone who picked this album up would have been plenty satisfied 'cos it's 30 minutes of fire-breathin' punk fury.
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- By Andrew Molloy
- Hits: 9909
Keep Moving – Xani (Live At Fight Night Records)
It’s been a month since I saw Xani at The Recital Hall in Sydney, in support of John Cale. Those in attendance that I’ve spoken to were blown away by the lone figure on stage with her Irish jig footwork and extraordinary violin playing.
That night Xani produced a vast array of sounds from that tiny instrument. Of course, in a studio with multi-track recording, an artist doesn’t need the same level of complexity, timing and, in Xani’s case, looping. I suspect the songs in a studio setting came first and looping is a means of reproducing a wild tapestry of sounds when playing live.
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- By Ed Garland
- Hits: 260
Revenge – Plastic Section (Chaputa Records)
If you ask us, “refinement” and “Rock and Roll” make strange bedfellows and Melbourne’s Plastic Section is a case in point. This retro trio is so out of kilter with 99.999 percent of the straight musical world that it hurts. And in a time where music is an ever debased commodity, that is very much a good thing.
Plastic Section take their lead from rockabilly, rough-edged R&B and ‘50s rock and roll. “Revenge” is their album nomenclature, but reverb is their religion and they worship at the altar of Link Wray.
It should be no surprise. The band’s lineage is in outfits like The Exotics, Wrong Turn, The Wraylettes, Wet Ones and Girl Monstar. They probably wouldn’t have existed over the course of a couple of albums and an EP in any Australian city other than Melbourne.
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- By The Barman
- Hits: 867
LightHeavyWeight 3 - Jack Howard (self released)
If you don't know who Jack Howard is, I can only assume you are a newcomer to Australian music, and probably a newcomer to this website. For the benefit of the uninitiated, he played trumpet with Hunters & Collectors, toured the world with Midnight Oil as their multi-instrumentalist and has played with the likes of Rodriguez, The Violent Femmes, The Living End, You Am I, Tex Perkins and Kate Ceberano.
So let's move straight away to the nitty-gritty. It's the music, it's the beat, it's the soul. Those are the only things that matter.
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- By Robert Brokenmouth
- Hits: 1499
The Revenge of Alice Cooper - Alice Cooper (earMUSIC)
Goddamn. It's been over 50 years. I loved the original Alice Cooper Band. That live album they recently did of old songs was fucking cool. Surely this will be great. My anticipation, like pride, comes before a fall.
The Revenge of Alice Cooper? That might be too strongly stated. It's not even really the return of Alice Cooper. Maybe it's the retirement plan of Alice Cooper. Christ. The boys in the original band definitely deserve something. They were royally shafted.
We've had a few of these reunion albums over recent years. The Stooges did "The Weirdness" which was pretty much loathed but I rather liked. "Ready to Die" followed to a better reaction. I loved it but others weren't so keen.
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- By Bob Short
- Hits: 1285
After The Flood - Ed Kuepper and Jim White (Remote Control)
“We took what Jim and I had been doing live and brought it into the studio. It was important that we capture the immediacy of what we had been doing and everything was not laboured. Everything was laid down.”
Ed Kuepper spells it all out in his media release announcing this album. Anyone who has witnessed the powerful, atmospheric and unforgettable performances of Ed Kuepper and Jim White live will testify that they’re something not to be missed.
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- By Ed Garland
- Hits: 1952
The Sugar Beats – The Sugar Beats (Vinil Records)
It was a Saturday afternoon earlier this year when I stumbled on a Sugar Beats set. I was filming a documentary at MoshPit Bar in Sydney. There were whispers on the grapevine that the band was awesome. So, we raced down with a cameraman and a buddy in tow, in the hope that the band would deliver.
The word on the street was correct. Live, The Sugar Beats were overwhelmingly tight, blistering, gutsy and hooky, a three-piece playing high-powered punk rock.
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- By Edwin Garland
- Hits: 3108
More Articles …
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- Good day, (Mr) Sunshine
- The sun still shines on The Breadmakers
- "Roads, Stars" makes a fitting addition to the Asteroid-B612 catalogue
- The Owen Guns shoot to thrill with fucking idiots in their sights
- The Dunhill Blues are still shaking things up, two decades down the track
Subcategories
Behind the fridge
Artifacts and reviews from days gone by.
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