It is my great privilege to interview the elusive Chris Spud at his home. Who? You may ask. Among other things he’s a member of Fear and Loathing, who might just be Adelaide’s most seminal band of the last 30 years. He’s also a solo artist in his own right with persona like Captain Spud producing quirky music that spans the genres of exotica, punk and electronica.

Chris Spud’s home: It’s the kind of neat and tidy which frankly gives me a headache, yet is essential for Chris and Mrs Spud to live an orderly life while creating … a certain kind of chaos. A sheep’s skull peers in through the window…a pricey artwork leers down like the bottom of Poseidon’s trunks…

Gary Slater of Voodoo Lust.    Shona Ross photo

One of the hottest Sydney days of the year translated to one of the coolest gigs in almost as long when Voodoo Lust made their first appearance for five years in the Harbour City last Friday night.

With the mercury clocking 42 degrees Celsius (nearly 103 on the old scale) on this fine Friday it was no time for sitting out in the sun (setting or otherwise) and the appointed venue, Marrickville’s Factory Floor, was accommodatingly air-conditioned.

Remember Voodoo Lust? You would if you set foot in an Australian East Coast rock and roll venue in the late ‘80s. The Voodoos toured the shit out of this place and were a powerpop-punk outfit extraordinaire.

Miss out on the Radio Birdman box set? After unveiling vinyl versions of the re-issues, Citadel has now announced individual double-CD packs, including one for the killer and highly sought-after “Live at Paddington Town Hall” album.

Each package is loaded with the extras that came in the box set. Go to Citadel Mail Order and get clicking in time for Xmas. 

We three ladies - my daughter, sister and I - got into town, parked in the nearby parklands and hurried to the Cathedral Hotel. There was no sign of religion in the Cathedral, so we sculled a wine each and hurried across the park through the crowds to the Oval.

What was it like? It was six hours on my feet. Occasional whiffs of dope smoke. Beer spilled over me from all sides and from above. The odd three, four or five angry altercations, quickly stifled before the bouncers could arrive.

Mr Junior has a hell of a quirky appetite, ranging from dirty ultra-hawkwindish rawk to a dirtier electro punch in the head (‘Jetzt’ is killer) some sort of hip-hoppy thing. He’s a former boyband member (!) from Switzerland who plays everything himself.

This is a man who covers a lot of ground in a very short space of time, forcing your feet onto the floor at the same time. If you bought “Max Q”, get “Dr S and Mr P” right the hell now. If you like Ollie Oleson, Culturcide, SPK, Iggy and the Stooges, nasty soundtracks…

(ED: Urban Junior has shared stages with John Spencer Blues Explosion, Bob Log III, John Schooley, Jack Oblivian, Iggy Pop, G. Love & sSpecialSauce, Thee Oh Sees, King Khan, the Pussywarmers and Reverend Beat-Man. That might give you some more clues.)

This is dead dirty rock’n’roll and it’s like being seduced by an oil-stained camel in Doc Martin’s boots (not the star of the TV show Doc Martin, tho, …)

Three-and-a-half bottles. Oh, fuck it, four bottles.

Ex-Saints and Laughing Clowns trailblazer Ed Kuepper's 50th (!) album “Lost Cities” is on its way and available for pre-order.

“Lost Cities'' will be released on December 20 on CD only and we reckon it would be the ideal Xmas gift. You can place your order with Ed's own Prince Melon Records webmaster James Last here.

Copies purchased before the official release date will be personally signed by Ed and cover artist Judi Dransfield Kuepper.

The album features nine new songs recorded in August following the successful Nostalgia for the New Australian mini-tour by Ed. Titles are ''Pavane'', ''Friends with the Leader'', "Free passage to Mars'' ''[It's] Never too Late'', ''The Ruins'', ''Fever Dream'', ''What can I leave you'', ''Some said....'' ''Queen of the Vale [that's V.A.L.E]''.

 Legendary garage rock icons The Mummies are almost certainly going to be making just two Australian appearances.

The Mummies play Max Watts (formerly the Hi Fi Bar) in Melbourne on Wednesday, March 9 with the mighty Mesa Cosa and Midnight Wolfe supporting. Tickets are available here. On March 13 they're billed to appear at Adelaide's Kustom Kulture Show. 

We're told that organisers will put on a Sydney date only if Melbourne doesn't sell - which seems highly unlikely - and there's no thought to playing anywhere else. 

For overseas readers: Cold Chisel created a bubbling, intense hard-rock scene in ythe 1970s and greatly influenced the Australian music industry. 

They came before Radio Birdman. And they started in Adelaide.

To be precise, quite often at the Largs Pier Hotel. Which, if you look at a map, you will discover nestling in Largs Bay, to the north-west of Port Adelaide which, back in the early-mid ‘70s, was not quite as foul as Port Melbourne, but none-the-less, decent people didn’t go there. A local joke goes that over there you can hear the largs baying, but … as I said, decent people don’t go there…

Cold Chisel had a rough-as-guts image, and played rock akin to punk before punk, used feedback where it was effective, and were huge all around the country in the '70s and '80s. It would be interesting to see what might have happened had the Hitmen been this successful at Chisel’s expense… but that is to tempt the cobra called Fate.

In typically random style, those Kings of Budget Rock, The Mummies, have announced an Australian gig.

The mysterious Californians, who play their shows swathed in bandages, will visit Australia for the first time in 2016, with only one date announced so far: March 9 at Melbourne’s Max Watts. More news as it comes to hand.