This French band's EP is one Sweed ride
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- By The Barman
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Thee Sweeders - Thee Sweeders (Let’s Sweed Records)
No idea if there’s a decent garage rock “scene” of any sorts in Annency, France. The French tend to do to rock and roll what Australia's backpacker killer Ivan Milat did to tourists, both using a place called a shallow grave, but if there is, it’s lucky to have Thee Sweeders as part of it. This release is six tracks on vinyl of fine, hard driving punk rock and roll.
Comparisons are often odious and best avoided but let’s pause and consider a couple:
The Murder City Devils gave equal prominence to keys and guitar and produced some of the best Stooges-in-the-garage skronk to come out of Seattle, Washington, in the wake of grunge in the ‘90s.Thee Sweeders peddle a similar style, with Oliv’s swirling electric piano mixing it with Cuibs’ chunky guitar. Sweeders vocalist Gilles approximates Spencer Moody’s uncivil yowl - and probably speaks better English.
A double-dose of pop and punk fun
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- By The Barman
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Little Murders EP - Little Murders (Off The Hip)
Sweetness Brings The Light EP - The Fiction (Off the Hip)
It’s a crazy, mixed-up world where music-lovers buy things in every available format. This four-track vinyl EP comes direct from the “Dromana-Rama” CD album which is not available as an LP, so if you’re both a Little Murders fan and a vinyl fetishist, this is the only way to satisfy your habit.
“Memory Sky” is a superb opener but there’s also not a dud among the selections here. Which are: “Wait”, “Train” and “52 Bands”. The “Dromana-Rama” album has a lot of depth and grows with each listen, but something has to be said for assembling four of its best songs on a slice of black vinyl. If you don’t walk away from a listen thinking that power-pop-rock can't get any better, you have industrial deafness or your tastebuds have relocated to your back passage.
Ups and Downs recall their best on new 45
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The Real World b/w Closer Still - Ups and Downs (Basketcase Records)
Two old songs given the re-recording treatment and issued on seven-inch vinyl. It’s well worth your time, energy and modest pocket money to seek and procure. The A side (aka the Upside) was a cassette-only release from 1983, and it sounds just like the band did back then i.e. melodic and chiming. Urgent guitars, courtesy of John Flade and Peter Shaw, power the song with a great soulful vocal from Greg Atkinson.
Flip it over when it’s done and the previously unreleased song “Closer Still” in freshly-recorded form switches the mood momentarily to subdued reflection, before breaking into a canter. The Sunnyboys-style harmonies and soulfulness again stand out.. Grab it digtlally hereor seek the physical product via your store of choice. Google won't let you down on that score.
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And those Hollywood nights
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- By Flash Rebel
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All That Shines Under The Hollywood Sign by Iris Berry (Punk Hostage Press)
“It appeared clear to me - partly because of the lies that filled my history textbooks - that the intent of formal education was to inculcate obedience to a social order that did not deserve my loyalty. Defiance seemed the only dignified response to the adult world.”
- Timothy B. Tyson, Blood Done Sign My Name: A True Story)
“Most men today cannot conceive of a freedom that does not involve somebody's slavery. They do not want equality because the thrill of their happiness comes from having things that others have not.”
- W.E.B. DuBois, Darkwater: Voices from Within the Veil)
"The fortunate is seldom satisfied with the fact of being fortunate. Beyond this, he needs to know that he has a right to his good fortune. He wants to be convinced that he 'deserves' it, and above all that he deserves it in comparison with others. He wishes to be allowed the belief that the less fortunate also merely experiences his due. Good fortune thus wants to be 'legitimate' fortune." - Max Weber
"A catalog of catastrophic events shaped our lives..." - Iris Berry
ALMOST GOLD...
Iris Berry is my favorite movie star. In my personal rocknroll pantheon, she will always be the queen of the Hollywood underground. Hard livin' hellion, heroine, helper, healer, auteur, essayist. She lived on 10, on full-blast, for a long time, and has written several riveting books about it, including "Daughters Of Bastards", and her latest enchanting collection of poetic reminiscing's, "All That Shines Under The Hollywood Sign".
Part of the reason she is always such a big hit on the spoken word circuit is because we are all getting older and are increasingly nostalgic for our own wayward punk rock youth, and therefore, love hearing those far out and heavy, true tales from her seen it all history, but also, because something about her speaking voice is oh so very consoling and soothing, it is a tender, understanding salve for the sad and lonely, and scarred for life, all 'us last of the last, limping landmarks and leather clad convalescents. She has a comforting presence, because she emanates real deep, genuine article beauty, from the inside out. We can all recognize her as one of our kind.
Dream Team to light up Brisvegas with one-off Junk Bar show
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- By The Barman
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Crticial acclaim for their recent run of solo shows together in Melbourne has prompted Penny Ikinger (ex-Wet Taxis, Sacred Cowboys) and Mick Medew (ex-Screaming Tribesmen, Mick Medew and the Rumours and currently in Mick Medew and the Mesmerisers) to do it all again in Brisbane with a one-off show at The Junk Bar.
Mick and Penny will play the Sunday Night Dream Card show on January 12. They'll play sets of their own material - and music of bands they have been in - and duet on some slected tunes.
The Junk Bar has limitd capacity so pre-sale tickets are the only way of guaranteing a spot and they can be bought here.
The Tribe has spoken
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Mark Enbatta’s Tribe - Mark Enbatta’s Tribe (Bam Balam Records)
Way back in the early ‘80s, The Vietnam Veterans were the first French psychedelic band to grace a turntable in the I-94 Bar. It was their debut ,"On The Right Track Now" LP, and the wigged-out faux '60s atwork and cover of Roky's "I Walked With A Zombie" (reprised, even) were as attractive as its bargain price tag as it sat in the Phantom Records rack.
It was weird stuff and out of left-field for someone then on a strict listening diet of Citadel Records post-Birdman fare. Over the course of six albums, until dissembling in 2009, the Vets carved a niche for themselves and toured extensively around Europe.
Like KISS, the Eagles and various other outfits whose names I can't believe I typed, let alone throught of, it was one of those splits that really wasn’t one. Various members played together under different names - most notably as The Gitanes and Vietnam Chain. Founding Vets member Mark Enbatta was the glue in those collaborations an d now ropes in two of his comrades for this, his second album under the Tribe moniker. Keyboardist Lucas Trouble is absent because he passed away in 2016, and it’s to his memory that the album is dedicated.
Sunnyboys notch 40 not out
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40 - Sunnyboys (Rocket)
New Sunnyboys studio recordings: They were long rumoured, but what they constituted and whether they’d see the light of day remained well-kept secrets. Now they’re here, they prove to have been worth the wait.
There’s no need to recount the rise, fall and reincarnation of the Sunnyboys here. Let’s make the point that their second career is on a vastly different trajectory to their first. The pressure of being a major label money-maker on an endless treadmill is gone. Jeremy Oxley's health is good but he still needs to manage himself. It’s a measured gait for these Sunnies in 2019 - at least until they walk onto a stage - as befits four gentlemen of, ahem, enduring existence.
Just like riugby league, the “40” record - a mini-LP, really, as it’s eight tracks long - is a game of two halves. Side one comprises the four songs released on the band’s self-titled “yellow” seven-inch EP on New Year’s Eve in 1980. The original vinyl version sold out in a couple of weeks, to be re-pressed in a re-mixed 12” version soon after, but this is the first time that the original mixes have made it to CD.
Ex-Harem Scarem bluesman gets under the skin
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- By Robert Brokenbmouth
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The Dog Beneath the Skin. Rare and Unreleased - Christopher Marshall (digital release)
Chris Marshall's “The Dog Beneath the Skin” collection serves as a welcome reminder that the blues is a broad tapestry indeed. I repeat what I said above, my record collection does not have much modern blues. I do have some Harem Scarem, however, because they crash along a rough road twining hellish skronk and sweet blues.
There's a killer version of “Figurehead” here, and a fine version of “Dogman” (featuring the late Chris Wilson on harmonica); there's also unreleased performances of “Hard Rain” and “My Town” - the latter a band staple that was co-written with brother Charlie, but never otherwise recorded, with Christopher on lead vocals.
Like his fellow bandmate, the late Chris Wilson, Marshall's voice is quite extraordinary, and you can pretty much pick your own favourite blues-esque vocalist to compare him to.
Compellingly sweet blues from a modern Animal
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- By Robert Brokenbmouth
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Two Hundred and Ten - Danny Handley (digital release)
"My demon's always been a chancer/ Get up and don't get caught"
Danny Handley is the guitarist and compelling singer in The Animals and Friends. They're on tour around Australia at the moment. If you get even a quarter of a chance, go see them. They're great fun, and right now, what with half the country either still burning or about to burn, I'd say that (aside from grieving) the one thing which will lift your spirits is music, and The Animals & Chums do that.
Danny Handley is a huge frontman. He's been gifted with an immaculate, easy-to-conjure voice, a relaxed and engaging personality, the confiding air of the practised showman. Oh, the bastard has one of those effortless talents on the guitar, too. Not that I'm jealous (oh, no).
His style is a bit more modern than the original Animals, with distinct shades of sweet blues - and I should explain that I usually detest this style. In person, in Danny Handley's hands, these blues are absolutely beautiful.
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